Grip of the Strangler

Set in Victorian times, Boris Karloff plays a determined writer who becomes obsessed with a twenty-year-old case surrounding "The Haymarket Strangler" and intends to prove that the young man who was hanged for the murders two decades earlier was in fact innocent. All evidence seems to point to a certain Dr. Tenant who used a surgeon's knife to not only choke the life out of his victims, but to slash their flesh as well. But the details of Tenant's life and whereabouts since the crimes remains a mystery, one which Karloff comes to learn hits closer to home for him than he suspected.

It's amazing to realize that Boris Karloff was nearly 70 when he appeared in this film as it is impressive to see him perform so vigorously in a very physically demanding role. He is required to undergo very strenuous activity as he contorts his body and facial features to simulate a Jekyll/Hyde madman on the loose -- upper teeth gnawing spasmodically at his lower lip, one eye half-closed, a twisted arm wielding a scalpel. At more refined times, Karloff is very dedicated in his role as the well-meaning but disoriented author on a road to madness.

There is no question that there are some powerful moments in this feature, and it is highly required viewing for any fan of Karloff. Unfortunately, the film bears a weight of becoming tedious on occasion, so first-time viewers would want to make allowances for this in between the thrills. **1/2 out of ****

"Grip of the strangler" or "The Haunted Strangler" is a nice terror movie in which Boris Karloff is a novelist investigating a 20-year-old murder to his own cost who begins copying some of the killer's acts. Then , a series of grisly killings happening and an intelligent Police Inspector : Anthony Dawson investigate the strange events . Their wild beauty marked them for death by... The Haunted Strangler! Karloff King of Monsters in his new picture of 1000 Horrors ! Karloff King of the Monsters in his new Horror Hit !

Eeerie and frrightening story from a script by John Cooper and Jan Read , both of whom contributed efficiently to deliver a really riveting story in "Dr Jekill and Mister Hyde" style that involves a writer investigating an old murder case . Boris Karloff is awesome as the writer investigating past crimes resulting in fateful consequences . An effective and horrifying detective tale in which the great Boris Karloff plays masterfully a novelist who develops the homicidal tendencies of a long-dead murderer he's been writing about and eventually unravelling the mystery at a cemetery at last . This splendid film brought Karloff back to British films after 20 years away , from now on , Boris to play several English horror movies : "The Sorcerers" , "Curse of Red Altar" and other countries as Italy : "Black Sabbath" , Spain : " Cauldron of Bood" and Mexico : " Cult of the Dead" , : The Incredible Invasion" , "Fear Chamber" . For the ocassion Karloff , without makeup , puts weird faces , twisted gestures and terrific manners , causing a deeply creepy impression . Karloff is very well accompanied by a good support cast , such as : Elizabeth Allan , Jean Kent , Tim Turner Vara Day and special mention for Anthony Dawson as police Inspector Burk .

There's a magnificently atmospheric cinematography , heightened by professional cameraman Lionel Banes providing vivid black and white photography . This literate terror thriller was competently directed by Robert Day . This British director was a good artisan who made all kinds of genres as adventures , thriler , terror , such as : "The Big Game" , " Corridors of Blood" , " Click and the dead" , "Initiation of Sarah" , "Man with Bogart's Face" , " Grass is always Greener over the Septic Tank", "She" , "The Way Stretch" . Furthermore , he made TV series episodes from Dallas, Disleyland , The Sixth Sense , Ghost story , Sam Cade , Matt Lincoln , The Bold ones , Ironside, FBI , The Invaders The avengers , among others .

A researcher (Boris Karloff) investigating a notorious serial killer who was hanged 20 years earlier seemingly becomes possessed by the long dead strangler.

I love that this film was given the star treatment by Criterion. It's definitely not one of the better-known Karloff films, which is a bit of a shame, because it's at least as good as anything he did for AIP. Maybe horror fans need to pay more attention to Criterion.

The simplicity of the transformation is great. Apparently the originally script called for more of a "possession" angle, and then it developed into more of a physical thing -- sort of Jack the Ripper meets Jekyll and Hyde. And Karloff nails it. By simply taking out his dentures, he successfully plays two very different people.

Some people have asked why Boris Karloff never played a serious version of "Dr. Jekyll and Mr. Hyde" . Well, here it is, even though it is in the form of some "Dr. Tennant / Hyde-like strangler" duality. Once again, Boris Karloff plays the "monster" and like Mr. Hyde in the previous films, he plays a man who degenerates to a rampaging animal which lives to kill. Also like Mr. Hyde, the transformations to the lower form seem to be based on some sort of sexual repression that bursts out in the form of savage attacks on women. In addition, like the "beast" in the "Dr. Jekyll and Mr. Hyde" films, whether one is watching Fredric March, Spencer Tracy, or John Barrymore, the transformation from man to the lower animal state gets uglier with each change. Another thing, the graveyard scenes in the movie are really creepy - kind of a throwback to films such as "Frankenstein", "Bride of Frankenstein", "Return of the Vampire", and "The Body Snatcher". Even though the plot has some strange twists, this is one of the best post-Universal thrillers starring Boris Karloff - one of the last in which he plays both the monster ("Mr. Hyde") and the mad doctor (Tennant). (Karloff did the same thing in "Frankenstein 1970" in which he played both creator and created.) Great hair-raiser.

Watch it in the dark.

Dan Basinger

"The Haunted Strangler" is an unusual beast for a horror movie. It makes the surprising decision to feature no surprise. There is never any question of who the killer is because the movie tells you early on. It doesn't even end with a twist.

There are examples of this being done well with horror movies and thrillers, usually when the aim is to disturb, rather than scare the audience. Consider films like "American Psycho", where you already know the guy on screen is a killer. The suspense comes from wondering who they'll off next. "The Haunted Strangler" doesn't seem to be trying for that, though. The main feeling it evinces is sadness, I guess, at the tormented killer, when really you should just be scared of him. He's hideous and fearsome, but not interesting enough for the movie to show its hand so soon.

The plot concerns an infamous killer called the Haymarket Strangler who is hanged in Victorian London. Twenty years later, Boris Karloff plays an ageing writer and social reformer who is determined to prove that the man executed for the Haymarket crimes was innocent. Karloff unravels the mystery of the case and the killings begin again.

Who could the killer be?

If you think I'm hedging perilously close to a spoiler with this review, the people who made the movie would have disagreed. The revelation of who the killer is could have been used to great shock and suspense, but instead, it's thrown away carelessly early on. With it, sadly, goes all trace of suspense.