Scenes from the Grand Canyon set to Ferde Grofé's "Grand Canyon Suite."Scenes from the Grand Canyon set to Ferde Grofé's "Grand Canyon Suite."Scenes from the Grand Canyon set to Ferde Grofé's "Grand Canyon Suite."
- Director
- Won 1 Oscar
- 1 win total
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One critic at the time said this short had "Fire, splendor and tenderness." I would agree.
I think the reasons it was originally teamed with Sleeping Beauty were: 1) Both used great music, although SB's Tchaikovsky was lightened a bit. 2) Both were in multi-channel stereo, and the theaters exhibiting SB during the first several months had to be equipped for 70mm to qualify, therefore were also equipped for multi-channel stereo. SB was in Super Technirama 70 and 6 channel stereo, and Grand Canyon was in 35 mm CinemaScope and 4 channel stereo.
I think the reasons it was originally teamed with Sleeping Beauty were: 1) Both used great music, although SB's Tchaikovsky was lightened a bit. 2) Both were in multi-channel stereo, and the theaters exhibiting SB during the first several months had to be equipped for 70mm to qualify, therefore were also equipped for multi-channel stereo. SB was in Super Technirama 70 and 6 channel stereo, and Grand Canyon was in 35 mm CinemaScope and 4 channel stereo.
Academy Award-winning short subject was the movie prelude for many of the early showings of Walt Disney's "Sleeping Beauty" in 1959--and while the two pictures could not be further apart in subject matter, each includes the sweep and spectral beauty (one live action, one animated) courtesy of the Disney Studio. I'm not sure whether Ferde Grofe's music suite was inspired by the sights of the Grand Canyon or whether the footage here inspired Grofe, but either way the pieces are lovely (grand in their own right). The first section, introducing us to the mountains and valleys of Arizona (with clouds hanging low in the sky, casting deep, dark shadows on the desert below), is certainly the best. The waters of the Colorado River are hypnotizing to watch (the intricate culmination of rage and steady flow of the Colorado puts on a show for us all by itself, and the camera-work and editing here are superlative). The wilderness footage is reminiscent of Disney's True-Life Adventure films, however this portion--albeit brief--may have been handled with more care (there's some 'funny' music to accompany a snake slithering up a hill, but the tone of "Grand Canyon" is surprisingly solemn). On the big screen, this must have looked (and sounded) majestic and prestigious--no wonder it copped the Oscar, it probably dwarfed the competition. *** from ****
An uneven but beautiful attempt to do an early widescreen "music video" with Grofe's Grand Canyon Suite. The musical sequences are competently performed, though edited for time, and they do not appear strictly in order. What matters about this film are the visual elements. The Painted Desert sequence is as beautiful yet austere as the music, however it drags a bit. In the "Sunrise" sequence a trip down the Colorado climaxes in shooting the rapids. Innovative, but the constant downward angle with no sky ahead becomes claustrophobic. Just when you think it's going to be a so-so movie, it picks up beautifully as "On the Trail" displays the wildlife in a sensitive, natural and compelling way. The sunset and cloudburst sequences--well--see it for yourself. I won't spoil it for you. The movie involved a lot more thought than it appears. Finally, they released it in widescreen on the Deluxe Edition DVD of Sleeping Beauty. A long overdue reissuance, and very appropriate since they debuted together in the cinema.
This is a very interesting and well executed documentary. It consists mostly in images and visuals, leaving dialogs for last place.
The visuals, sceneries and landscapes of the Grand Canyon are truly breathtaking. I'll go even farther as describe them as majestic, stunning, gorgeous and one of the world's seven wonders.
Every detail captures our attentions: those gigantic mountains, the immense desert such place is, the sun shining all over the place, the luminosity, those magical waters... all of this creates a fantastic, out-of-this-world environment.
In fact, looking at this documentary, I can't help but think of "2001: A Space Odyssey". The legendary Kubrick's film has a sequence with apes which lasts about 15 minutes in the beginning - its sceneries, landscapes and the place itself looks incredibly similar to what we see here. I bet this inspired "2001: A Space Odyssey". The fact that this documentary features classical music as background accents even more these similarities.
This documentary, which came out in 1958, is included as a bonus in the 2008 Special Edition DVD of Walt Disney's "Sleeping Beauty". Frankly, I don't see what this has to do with "Sleeping Beauty". Not that it matters. It's a great documentary, so who cares if this has something to do with the movie or not? In "The Rescuers" DVD, there is a documentary about water birds which has little to do with the movie, but it's a good documentary anyway.
The visuals, sceneries and landscapes of the Grand Canyon are truly breathtaking. I'll go even farther as describe them as majestic, stunning, gorgeous and one of the world's seven wonders.
Every detail captures our attentions: those gigantic mountains, the immense desert such place is, the sun shining all over the place, the luminosity, those magical waters... all of this creates a fantastic, out-of-this-world environment.
In fact, looking at this documentary, I can't help but think of "2001: A Space Odyssey". The legendary Kubrick's film has a sequence with apes which lasts about 15 minutes in the beginning - its sceneries, landscapes and the place itself looks incredibly similar to what we see here. I bet this inspired "2001: A Space Odyssey". The fact that this documentary features classical music as background accents even more these similarities.
This documentary, which came out in 1958, is included as a bonus in the 2008 Special Edition DVD of Walt Disney's "Sleeping Beauty". Frankly, I don't see what this has to do with "Sleeping Beauty". Not that it matters. It's a great documentary, so who cares if this has something to do with the movie or not? In "The Rescuers" DVD, there is a documentary about water birds which has little to do with the movie, but it's a good documentary anyway.
Whilst this is bit too long, it's still quite an interesting documentary showing the massive expanse that is the Grand Canyon. From the air, it appears unending with the Colorado river carving it's way through the stone carrying the water that provides for an astonishing array of creatures and plant life. I can only guess at the energy required by the sidewinder as it struggles to slither it's way up the sand dune - though it does get a bit of a free ride down the other side. The photography is presented as a visual accompaniment to Forde Grofé's "Grand Canyon Suite" which is all fairly standard orchestral fayre until the weather closes in and the "Cloudburst" section breathes some thundery and snowy life into the proceedings as the animals seek shelter where they can and what looks like time-lapse photography gives us the impression the clouds are actually dancing. If you've ever seen this phenomena in real life then you'll know it's all about the sunrise - and that's captured beautifully here as are the images of the rainbows, the summer blooms and the proud eagles as they re-assert themselves over the chilliness of a winter you might not think would ever visit these desert climes.
Did you know
- TriviaThe order of some of the music has been changed. In the original suite, "Sunrise" comes before "The Painted Desert". In the film, the two selections are switched so that "The Painted Desert" comes first. In the suite, "Cloudburst" is the last movement, while in the film, "Sunset" is the final selection, and the ending of "Cloudburst" is attached to the end of "Sunset". Disney had done a similar re-sequencing of sequences from "The Rite of Spring" in Fantasia (1940)
- ConnectionsFeatured in The Fantasia Legacy: The Concert Feature (2000)
- SoundtracksGrand Canyon Suite
Music by Ferde Grofé Sr.
Played by uncredited orchestra
Conducted by Frederick Stark
Details
- Runtime
- 29m
- Sound mix
- Aspect ratio
- 2.35 : 1
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