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A very large, degenerate, Spanish conquistador is freed from suspended animation by lightning and goes on a killing spree in a small town.A very large, degenerate, Spanish conquistador is freed from suspended animation by lightning and goes on a killing spree in a small town.A very large, degenerate, Spanish conquistador is freed from suspended animation by lightning and goes on a killing spree in a small town.
Ed Kemmer
- Wayne Brooks
- (as Edward Kemmer)
Jolene Brand
- Ann Brown
- (as Joline Brand)
Ewing Miles Brown
- Townsman
- (as Ewing Miles)
Ralph Brooke
- Posse Member
- (uncredited)
Frank Hart Taussig
- Townsman
- (uncredited)
Featured reviews
Giant from the Unknown (1958) is rather a cheap and pedestrian sci fi film with an absurd premise, lots of "stuff" happening, rather unconvincing acting, somewhat dull dialogue and a largely unimpressive "monster' character. Still, it must be said that it's perfect viewing fare for a rainy afternoon!
As far as film monsters go, Vargas seems to be pretty lame. One could say that he is a monster in a moral rather than in a scary physical sense. He is described as being depraved and brutal and has remained so even after three and a half centuries of suspended animation.
The film does suffer from continuity and subplot development problems. For instance, we are never quite sure why Parker and Wayne don't like each other. What is the history behind their animosity? They just seem to detest the sight of each other.
Giant from the Unknown does contain moments of good pacing, and combines some effective creation of eerie atmosphere, and black and white cinematography. In addition, the 77 minute running time doesn't allow the film to drag too much and Albert Glasser's orchestral score is quite solid and powerful.
As far as film monsters go, Vargas seems to be pretty lame. One could say that he is a monster in a moral rather than in a scary physical sense. He is described as being depraved and brutal and has remained so even after three and a half centuries of suspended animation.
The film does suffer from continuity and subplot development problems. For instance, we are never quite sure why Parker and Wayne don't like each other. What is the history behind their animosity? They just seem to detest the sight of each other.
Giant from the Unknown does contain moments of good pacing, and combines some effective creation of eerie atmosphere, and black and white cinematography. In addition, the 77 minute running time doesn't allow the film to drag too much and Albert Glasser's orchestral score is quite solid and powerful.
Way way back in my childhood years (well okay, maybe not THAT far back!) I remember seeing this movie many times on the late late show. I was attracted to this film originally because I had previously seen THE AMAZING COLOSSAL MAN and ATTACK OF THE FIFTY FOOT WOMAN and I expected something more. When I say the giant of the title was just a little bit taller than the rest of the cast I was disappointed at first but the spell of this movie quickly won me over. I mean, how can you not like a movie that has former B western star Bob Steele as the no-nonsense sheriff of a small mountain town?
Ed Kemmer (EARTH VS THE SPIDER), Morris Ankrum (INVADERS FROM MARS among many others) and Sally Fraser (WAR OF THE COLOSSAL BEAST) are searching a mountain area with the foreboding name of Devil's Crag in the hopes of finding proof that a legendary renegade Conquistador named Vargas really did exist ("A man of unusual size and strength . . .a depraved degenerate of a man."). To their amazement they discover that he still does exist after some 400 years. Preserved by chemicals in the soil (so Morris informs us) he is revived by a bolt of lightning. Vargas (Buddy Baer, brother of prizefighter Max Baer and uncle of Max "Jethro Bodine" Baer Jr.) is no gentle giant though. At first he just slaughters cattle but then he graduates to people! His attack on mountain girl Joline Brand hints that a brutal sexual assault preceded her murder and he leaves local "crazy guy" Indian Joe hanging from a hook! The scientists join the sheriff and his posse to hunt down and destroy the giant but either he is too tough to be brought down by bullets or that is one really good suit of armour he is wearing. So can the mountain folk win out over the rampaging giant? Well luckily this film is now on DVD so you can find out without having to stay up until 2 in the morning like I did when I was a kid.
The makeup for Buddy Baer was done by Jack Pierce, who created such memorable scary faces as the Frankenstein Monster, I'm-Ho-Tep, Kharis and the Wolfman. It was directed by Richard Cunha who gave us 3 other memorable late night classics: MISSILE TO THE MOON, SHE DEMONS and the unforgettable FRANKENSTEIN'S DAUGHTER.
Ed Kemmer (EARTH VS THE SPIDER), Morris Ankrum (INVADERS FROM MARS among many others) and Sally Fraser (WAR OF THE COLOSSAL BEAST) are searching a mountain area with the foreboding name of Devil's Crag in the hopes of finding proof that a legendary renegade Conquistador named Vargas really did exist ("A man of unusual size and strength . . .a depraved degenerate of a man."). To their amazement they discover that he still does exist after some 400 years. Preserved by chemicals in the soil (so Morris informs us) he is revived by a bolt of lightning. Vargas (Buddy Baer, brother of prizefighter Max Baer and uncle of Max "Jethro Bodine" Baer Jr.) is no gentle giant though. At first he just slaughters cattle but then he graduates to people! His attack on mountain girl Joline Brand hints that a brutal sexual assault preceded her murder and he leaves local "crazy guy" Indian Joe hanging from a hook! The scientists join the sheriff and his posse to hunt down and destroy the giant but either he is too tough to be brought down by bullets or that is one really good suit of armour he is wearing. So can the mountain folk win out over the rampaging giant? Well luckily this film is now on DVD so you can find out without having to stay up until 2 in the morning like I did when I was a kid.
The makeup for Buddy Baer was done by Jack Pierce, who created such memorable scary faces as the Frankenstein Monster, I'm-Ho-Tep, Kharis and the Wolfman. It was directed by Richard Cunha who gave us 3 other memorable late night classics: MISSILE TO THE MOON, SHE DEMONS and the unforgettable FRANKENSTEIN'S DAUGHTER.
RATING: *1/2 out of ****
Director Cunha's first of four drive-in "horror classics" is merely typical, and not a big deal. It's about a trio of expeditionists unearthing an infamous 6' 6" Spanish Conquistador who promptly picks up his axe and stalks around the woods for a while.
Ed Kemmer makes a likeable leading man, and Sally Fraser is the standard helpless heroine. Morris Ankrum seems hesitant to deliver his lines, and the film is sprinkled with enough silly acting to make it endurable for a single viewing.
The film falls short with the title character; a helmeted tall man with dirt and mud on his face just doesn't terrify me. It's one of the last makeups done by genius artist Jack Pierce (famous for his timeless Wolf Man and Frankenstein designs for Universal), and not one of his best efforts. The giant does little during the time he's onscreen, and is disappointing.
The best film director Cunha made in the genre - and required viewing for any fifties monster fan - is FRANKENSTEIN'S DAUGHTER.
Director Cunha's first of four drive-in "horror classics" is merely typical, and not a big deal. It's about a trio of expeditionists unearthing an infamous 6' 6" Spanish Conquistador who promptly picks up his axe and stalks around the woods for a while.
Ed Kemmer makes a likeable leading man, and Sally Fraser is the standard helpless heroine. Morris Ankrum seems hesitant to deliver his lines, and the film is sprinkled with enough silly acting to make it endurable for a single viewing.
The film falls short with the title character; a helmeted tall man with dirt and mud on his face just doesn't terrify me. It's one of the last makeups done by genius artist Jack Pierce (famous for his timeless Wolf Man and Frankenstein designs for Universal), and not one of his best efforts. The giant does little during the time he's onscreen, and is disappointing.
The best film director Cunha made in the genre - and required viewing for any fifties monster fan - is FRANKENSTEIN'S DAUGHTER.
I can't think of any movie that has Morris Ankrum that I didn't really like...and yes, I have seen The Giant Claw (three times, in fact).
That fact notwithstanding, Giant From The Unknown is a pretty good movie. The basic story has a Spanish Conquistador (who happens to be a giant and who happens to have travelled up into northern California after breaking with Cortez) waking up after five hundred years of suspended animation and going on a rampage of death and cattle mutilation.
Don't let the plot turn you off. The script manages to make it all seem pretty believeable, and the acting is pretty good as well. Morris Ankrum is great. Ed Kemmer (Commander Buzz Corey on Space Patrol) is the hero. Cowboy and serial legend Bob Steele is the sheriff, and the lovely Janet Fraser is the love interest.
The monster himself looks pretty good as well...for an unburied conquistador, that is. The finale at the sawmill is an excellent sequence...though don't try to adjust your VCR. That fuzziness is optically-printed snow on the sequence (it took me a couple of minutes to realize that...I thought the print had deteriorated).
Giant From the Unknown is a good all-around example of fifties science fiction that is worth a look by fans of the genre.
That fact notwithstanding, Giant From The Unknown is a pretty good movie. The basic story has a Spanish Conquistador (who happens to be a giant and who happens to have travelled up into northern California after breaking with Cortez) waking up after five hundred years of suspended animation and going on a rampage of death and cattle mutilation.
Don't let the plot turn you off. The script manages to make it all seem pretty believeable, and the acting is pretty good as well. Morris Ankrum is great. Ed Kemmer (Commander Buzz Corey on Space Patrol) is the hero. Cowboy and serial legend Bob Steele is the sheriff, and the lovely Janet Fraser is the love interest.
The monster himself looks pretty good as well...for an unburied conquistador, that is. The finale at the sawmill is an excellent sequence...though don't try to adjust your VCR. That fuzziness is optically-printed snow on the sequence (it took me a couple of minutes to realize that...I thought the print had deteriorated).
Giant From the Unknown is a good all-around example of fifties science fiction that is worth a look by fans of the genre.
Giant From The Unknown is a standard classic in my collection in that I have watched it nearly a dozen times since purchasing the DVD. I like most of my generation grew up on these B-movies almost second hand through late night television shows with strange horror hosts who poked harmless fun at the pictures but really taught us to embrace the classic films usually ignored by big box office standard studios. That feeling of nostalgia is why I still turn to these films as an almost "comfort food" for the soul.
This film although rattled with the faux pas of most classic B-movies in that there is a basic male chauvinism and xenophobia subtext to the story is a fun and light sci-fi flick for all ages. It is just how film and television flowed in those days. Push it aside and Giant From The Unknown like a lot of old movies is really a great story that is both entertaining and filled with adventure. Especially when dealing with the 50's sci-fi genre. It is directed by Richard E. Cunha and stars Ed Kemmer, Buddy Baer, Sally Fraser and Bob Steele.
This movie has a pretty interesting and fantastical story that deals with real giants of historical legends which just sets the mind to wonder. The dialog and acting is classic melodrama which is slightly over-the-top but fun to watch. The Giant is pretty intimidating and unlike most movie monsters of the era he looks convincing realistic. Over all the film is a great way to introduce kids to the old black & white genre stuff and a film that hold's it's own against any giant lizard or mummy. Just let yourself set back and enjoy a fun classic film.
This film although rattled with the faux pas of most classic B-movies in that there is a basic male chauvinism and xenophobia subtext to the story is a fun and light sci-fi flick for all ages. It is just how film and television flowed in those days. Push it aside and Giant From The Unknown like a lot of old movies is really a great story that is both entertaining and filled with adventure. Especially when dealing with the 50's sci-fi genre. It is directed by Richard E. Cunha and stars Ed Kemmer, Buddy Baer, Sally Fraser and Bob Steele.
This movie has a pretty interesting and fantastical story that deals with real giants of historical legends which just sets the mind to wonder. The dialog and acting is classic melodrama which is slightly over-the-top but fun to watch. The Giant is pretty intimidating and unlike most movie monsters of the era he looks convincing realistic. Over all the film is a great way to introduce kids to the old black & white genre stuff and a film that hold's it's own against any giant lizard or mummy. Just let yourself set back and enjoy a fun classic film.
Did you know
- TriviaThe first human referred to as being killed by the mysterious attacker is called "Harold Banks" and also "Old Man Banks," and is named after the special effects man for the picture, Harold Banks.
- GoofsIn one scene we see Vargas (the "Diablo Giant") coming to life and rising from his grave. But this is after there had been a brutal killing and cattle mutilations.
- Quotes
Indian Joe: All white men die!
- ConnectionsFeatured in Aweful Movies with Deadly Earnest: Giant from the Unknown (1969)
- How long is Giant from the Unknown?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Giant of Devil's Crag
- Filming locations
- Fawnskin, California, USA(town scenes)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $54,000 (estimated)
- Runtime1 hour 18 minutes
- Color
- Aspect ratio
- 1.85 : 1
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By what name was Giant from the Unknown (1958) officially released in India in English?
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