Giant from the Unknown

I can't think of any movie that has Morris Ankrum that I didn't really like...and yes, I have seen The Giant Claw (three times, in fact).

That fact notwithstanding, Giant From The Unknown is a pretty good movie. The basic story has a Spanish Conquistador (who happens to be a giant and who happens to have travelled up into northern California after breaking with Cortez) waking up after five hundred years of suspended animation and going on a rampage of death and cattle mutilation.

Don't let the plot turn you off. The script manages to make it all seem pretty believeable, and the acting is pretty good as well. Morris Ankrum is great. Ed Kemmer (Commander Buzz Corey on Space Patrol) is the hero. Cowboy and serial legend Bob Steele is the sheriff, and the lovely Janet Fraser is the love interest.

The monster himself looks pretty good as well...for an unburied conquistador, that is. The finale at the sawmill is an excellent sequence...though don't try to adjust your VCR. That fuzziness is optically-printed snow on the sequence (it took me a couple of minutes to realize that...I thought the print had deteriorated).

Giant From the Unknown is a good all-around example of fifties science fiction that is worth a look by fans of the genre.

A series of animal deaths and other disasters hits a rural town. When humans start dying, a local, bewigged, stock native known, not-so-lovingly, as "Injun Joe" speaks of omens and portents. The townsfolk are... unimpressed. The sheriff is flummoxed by it all.

When archaeologist, Dr. Frederick Cleveland (the ubiquitous Morris Ankrum) and his daughter, Janet (Sally Fraser) come to town, they draw the sheriff's suspicion. Especially, since they happen to know a loner, named Wayne Brooks (Ed Kemmer).

Cleveland just happens to be searching for evidence of an ancient, sadistic, towering conquistador known as Vargas, The Devil Giant.

Coincidence? Hmmm.

Cheeeze-tacular, pseudo-scientific claptrap sets up the idea that the old behemoth could possibly have been reanimated. While Cleveland and Brooks search for artifacts, Janet makes lunch, brews coffee, and cleans up the camp!

Aaaah, the 1950's!

After what feels like a century, Vargas finally makes his appearance, but nothing much takes place. The obligatory romance blooms between Janet and Brooks. More locals are eliminated. Will the sheriff ever believe the truth? Will Janet ever brew the perfect pot of coffee? Will "Injun Joe" ever get a better hairpiece?

Cheddar doesn't get much chunkier than GIANT FROM THE UNKNOWN! Highly entertaining hooey!

P.S.- Janet also makes sandwiches...

I have always more or less considered Ruchard Cunha's films as lousy horror films; well, maybe I was a bit tough with him. Now I watch this film again, of course that's not Jack Arnold nor Nathan Juran at their peak in that sci-fi domain, but it remains worth watching. It is fun and totally in the fifties fashion concerning the science fiction genre. It evokes here the Indians and their legends and of course the damages that the White civilization made to the Natives culture. I am surprised that there were not more movies about this scheme. There were actually, and better than this one. MANITOU for instance.

Ah! The 1950's and science fiction films. This was the decade that brought us giant ants and other mutant insects, evil aliens coming to take over our bodies, good aliens out to save mankind from destroying itself, Godzilla and all his Japanese monster buddies destroying every inch of Japan, and the films of Richard Cunha, Missile to the Moon, She Demons, Frankenstein's Daughter, and Giant From the Unknown. Cunha has a certain directorial style, that for me, is the mixing of bad film-making with an almost uncanny way of making bad seem good...or at least interesting. Giant From the Unknown is indeed a bad film. It tells the story of a professor and his daughter driving through the southwest looking for the remains of a giant Spanish conquistador known for his cruelty. While driving they just happen to come to a town where Ed Kemmer(an affable leading man if nothing else)just happened to find a lizard alive in rock that was thousands of years old. Okay, I know you know where this is going. And it does go there. The giant is alive in century old rock and begins to eat his way through everyone's livestock and likes to kill for no apparent reason. Kemmer falls in love with the daughter Sally Fraser, whilst proud pops(the great Morris Ankrum)realizes his dream come true of finding evidence that this giant once lived. Well, the story is without a doubt ridiculous. But this is a fun film. Jack Pierce did the make-up for the giant conquistador. It is not real impressive, but Buddy Baer certainly is a giant of a screen presence. The acting in general is adequate, and the direction is entertaining. The film does have some fine scenes, particularly the ending in the snowy mountains and the dam. If you just want to be entertained in that magical 50's B picture way....take a look at Giant From the Unknown.

RATING: *1/2 out of ****

Director Cunha's first of four drive-in "horror classics" is merely typical, and not a big deal. It's about a trio of expeditionists unearthing an infamous 6' 6" Spanish Conquistador who promptly picks up his axe and stalks around the woods for a while.

Ed Kemmer makes a likeable leading man, and Sally Fraser is the standard helpless heroine. Morris Ankrum seems hesitant to deliver his lines, and the film is sprinkled with enough silly acting to make it endurable for a single viewing.

The film falls short with the title character; a helmeted tall man with dirt and mud on his face just doesn't terrify me. It's one of the last makeups done by genius artist Jack Pierce (famous for his timeless Wolf Man and Frankenstein designs for Universal), and not one of his best efforts. The giant does little during the time he's onscreen, and is disappointing.

The best film director Cunha made in the genre - and required viewing for any fifties monster fan - is FRANKENSTEIN'S DAUGHTER.