L'Araignée

I remember the newspaper ads for this as a kid. They showed a hideous spider with the head of a skull, and the tagline: It must eat you to live! Talk about giving a kid nightmares. Never got to see it at the theater but got the videotape and, while not as good as Tarantula, it comes pretty close. Mr BIG (Gordon) always had a knack for getting decent character actors, and he has good ones here, except for the teenage male lead who is pretty lame. He also knew how to keep the story clean and simple, fast-paced and interesting, without much superfluous material to bog down the action. Usually his films were hard-pressed to get to 90 mins, no filler material in them. If you are able to forgive the effects limitations of the times and of the budget, you will enjoy this and not feel that you've wasted your time. And keep your eye out for JOE, the thirty year old high school student!

With the exception of a few A titles Sci-fi was mostly considered kids stuff especially in the 50's. The studios had such low expectations that even a gem like Forbidden Planet was used as a premium for cornflakes boxtops.

That being the case it was profitable to crank out as many as possible as cheap as possible with as much action as the budget would allow and that was the only criteria. It worked because kids hungry for any kind of monster and teens needing a good background for the drive-in flocked to these B pictures so much that you could expect one to open a couple of weeks or so.

It's not like anybody got suckered into these things as well.I don't know how many previews I saw at the drive-in or matinée even if the monster looked fake or stinky in the trailer I still wanted to go see it. For the most part I had a good time and I still love these B creature Features from the fifties. This one in particular is highly re-watchable.

Unfortunately I can't say much for their current counterparts it seems like the bad bug movies of today are mostly just bad and not fun like these were. Recently I watched Ice Spider,Lord Of The Spiders and Scorpius Giganticus on the sci-fi channel and they all blew so bad I could barely finish them.

The special effects here are bad but they're fun because they're bad plus they fit right in with the naiveté and unsophistication of the times and Bert I Gordon didn't skimp on them either. Once the monster showed up you got tons of bad special effects right up until the climax . Today we know so much more about effects and budgeting and story structure and science and credible actions that it seem a shame that so many sci-flicks are blatantly disregarding this without giving us the fun of old school. It's a lose lose situation.

Currently this is on DVD with War Of The Colossal Beast and I recommend it highly as a cheap disc worthy of a rainy night filled with cherry Cokes and Sloppy Joes

Somehow I'd missed seeing this AIP '50s monster flick, so I recently gave the new Lions Gate R1 DVD a spin. It's rightly considered a rip of Universal's TARANTULA, but this still turned out to be brisk and enjoyable, and a lot of cheesy fun. When a young girl and her boyfriend search for the girls' missing father, they stumble across a giant spider's cave and, naturally, the monster eventually crawls around town. Better-than-average special effects for this type of cheapie, with some surprisingly vivid shock moments and the required helping of some typical teenage 1950's rock n roll music. Gene Roth is a hoot as the doubting sheriff, and there are some shameless plugs for some of Bert I Gordon's other pictures like THE AMAZING COLOSSAL MAN and ATTACK OF THE PUPPET PEOPLE. *** out of ****

There are few film genres which can evoke such a wonderful sense of vintage entertainment as classic monster horror films. Whether perused in more depth to explore resonant themes and cultural tie-ins or simply taken at face value for comically poor dated special effects and pulpy entertainment, the particular cocktail of entertainment offered by almost any given similar film from the era is unlikely to disappoint - and Earth vs. the Spider is no exception. Despite a somewhat misleading title (then again, 'Small Rural American Town vs. the Spider' does lose some dramatic flair), the film's small, self-contained scope proves to be its greatest advantage, with few more profound aims than to entertain, and, despite whatever other faults, almost unwavering dedication to that front.

While firmly ensconced in genre conventions, the film's tongue in cheek tone promotes such a wholesome sense of enjoyment that such clichés feel warmly familiar rather than suffocatingly so. Like many of its contemporaries, the film explores notions of adults versus teenagers (one particularly comical yet chilling scene has the titular creature awoken by a rock 'n roll song and dance interlude) and science versus good old fashioned American values, though the film is politically correct to not outright condemn scientists as nonsensical lunatics as many other such films do. Similarly, the much alluded to cause for the spider's abnormal growth is crucially never discovered, feeding into cultural notions of post-war nuclear paranoia. However, the film boasts surprisingly strong production values (the spider's cave is a wonderfully grotesque setting) and above par special effects given its inevitably low budget, and again manages to bend convention to its advantage through use of an eerie theremin score, giving it a sturdy enough veneer to make for a surprisingly entertaining 73 minutes.

Despite the cast's typically universally flat performances failing to infuse much life into the shoddy script, one would hardly peruse such fare for the acting, making the cast's lackluster efforts endearingly amusing. Ed Kemmer interestingly melds the 'scientist voice of reason' and 'charismatic protagonist' figures into a single character, and feels all the more fresh and appealing because of it. June Kenney is often embarrassingly and comically melodramatic as a teen mourning her missing father, and Eugene Persson counterbalances her overacting with a dull, unenthusiastic performance as her earnest, "gee whiz" boyfriend. Gene Roth delivers many an (intentionally) comical moment as the town's ineffective sheriff, who also intriguingly shifts roles into a voice of reason figure later on.

Despite a slew of expected faults given its genre, Earth vs. the Spider is never less than supremely entertaining, making for a wonderful comedy (intentionally or not) and easily worth investigating for any fans of classic horror, or those willing to derive amusement from envisioning how frightening it must have been to 1958 audiences, or simply ridiculing it throughout.

-5/10

This is a typical drive-in movie horror film from the late 1950s. Like all similar films (such as ATTACK OF THE GILA MONSTER, THE KILLER SHREWS, etc.), this one had a very low budget, was quickly made and featured small-time actors. Naturally, the dialog was poor at times and the overall plot laughable, but in a strange way the film was still a lot of kooky fun. The spider special effects were generally very good and the story kept my interest. While those who love Shakespeare and art films probably won't appreciate this film, for those who love the genre this is a film that will most likely satisfy. As for me, I like these silly old flicks and recommend the movie--but I also can't rate it any higher because of its questionable aesthetic value and cheesiness.

PS--Look at the marquee at the movie theater. One of the films on the bill was THE AMAZING COLOSSAL MAN and the other was ATTACK OF THE PUPPET PEOPLE--both films by director/producer Bert I. Gordon who made this film.