Corridors of Blood

If Boris Karloff's character of a Victorian doctor looking for an anesthetic had the benefit of some scientific journals he might have read about Morton, Long, and Welles over in America experimenting on such a project. In Corridors Of Blood the lines of experimentation that Karloff was pursuing held a lot of danger for everyone concerned.

Corridors Of Blood casts Boris Karloff as a respected London surgeon of the early Victorian era who is seeking a method of painless surgery. But those Americans I cited were using a form of Nitrous Oxide and eventually developed Ether. Karloff has decided to use a concoction that has as its base Laudanum which is an Opium derivative.

The results are what you would expect, Karloff breathing in the fumes of his experiment becomes an addict and starts frequenting the seamier sides of London for Laudanum for his experiments and more for himself. A pair of cutthroats played by Francis DeWolff and Christopher Lee aid him in his search, for a price.

Corridors Of Blood is a moody atmospheric thriller set in Oliver Twist London. Look also for a good performance by Nigel Green as the police inspector looking to break up the den of vice and corruption that Karloff has fallen into. Definitely a must for Karloff fans.

Boris Karloff gives a decidedly compassionate performance as a London surgeon madly trying to develop a gas of some kind to use in operations to relieve his patients of the inevitable pain that comes with surgery. The film chronicles much of the trial and error, ridicule from colleagues, and unfortunate reliance on opium based gas that surrounds Dr. Bolton, Karloff's character. Karloff walks in two circles: the first is at the hospital where he works with his son and is surrounded by other doctors and students - the second is a very poor part of the city where he helps the poor and is taken advantage of by a section of thieves and killers led by Black Ben(nice performance by Mr. De Wolf) and Resurrection Joe(played in a characteristically eerie fashion by Christopher Lee). Lee and De Wolf have a side business of killing wayward drunks and selling their bodies to the hospital. All they need is a signature from a doctor...that is where Karloff comes in. Although the film is not a "horror" film, it has some horror elements. Karloff really gives a nice, in-depth portrayal of a man destined to find a new way. The film has a great cast of British stalwarts such as De Wolf, Lee, Finlay Currie and Nigel Green. Production values are low, but the quality of film based on the budget used is exceedingly good.

Boris Karloff, as usual, is a joy to watch, as is Christopher Lee, who was right on the verge of becoming a big star in the Hammer films. This film is also notable for strongly evoking the grimy atmosphere of those out-of-the-way areas in 1800's England, worthy of comparison to David Lean's "Oliver Twist" (1948). Coincidentally, not long after seeing this film I happened to read the true life story of Horace Wells (1815-1848), a Connecticut dentist who experimented on himself with ether, chloroform, and laughing gas in an effort to discover a painless method of oral surgery. He succeeded, but became an addict in the process; his behavior subsequently became so violent that he was placed in prison, where he committed suicide. I wonder if Karloff's character in this film is at least partially based on Horace Wells.

Probably somewhat mistitled to sell movie tickets, this is really not a horror film. Karloff plays Dr. Thomas Bolton, a 19th century surgeon at a time before anesthesia, who is renowned for his speed and accuracy. This is needed as the patient must be strapped down and is screaming the entire time the operation is in progress.

Bolton wants to come up with a drug that will allow painless surgery, but his colleagues seem unmoved by the patients' pain, and even say weird puritanical things like the pain is necessary for healing. In a parallel plot, a group of blackguards who inhabit a filthy bawdy pub in a poor part of London have discovered that smothering very drunk people who will not be missed and selling their bodies to doctors is an easy way to make good money.

So, going it alone, Bolton concocts a potion that he thinks might work, trying it out on himself as he tweaks the formula. While he is under the influence of this potion he is in a dream like state, and when he regains full consciousness he feels that whatever he did was a dream. What he doesn't realize until it is too late is that he is becoming addicted to these drugs - it effects his mind and hands to the point where he is a danger in the operating room. The hospital suspends him, and cuts off his supply of drugs. This is where the doctor and the murderers find they can help each other out. Bolton HATES what he is doing - signing off on death certificates of murder victims saying they died of natural causes in return for the criminal gang stealing drugs for him- but his addiction is ruling him as it rules all addicts.

This is satisfying if you know what you are getting yourself into. It's how the noble pursuit of a humane physician goes completely awry. If you are literally looking for corridors of blood you will be disappointed. And apparently that was what happened when this film was released four years after its production, in 1962 on a B horror double bill. Made by MGM when it was in its downward spiral, for some reason it is not in the Turner Classic Movies library.

This finely-crafted minimalist film stars two of the most legendary horror stars of all time, yet it is without any supernatural elements. I suppose it is classified as horror because it is steeped in the creepy atmosphere of a 19th century operating theater and clinic for the poor, and because Christopher Lee plays a serial killer.

Into the final decade of his career and life, Boris Karloff gives a typically excellent performance of a good and compassionate man who defies the conventional wisdom of his time, such wisdom being the belief that since god intended humans to suffer to administer pain-killing drugs for surgery is to defy god's will.

The creepy, claustrophobic, impoverished world of this film is an appropriate setting for the business of a horror film, as well as a peak into the vast inequities between the upper and lower strata of society. Karloff is an upper-class doctor who once a week operates a free clinic for the poor.

While being thoroughly satisfying as a psychological horror film in its own right, this picture also provides a realistic portrayal of drug addiction and other issues of social relevancy.