Agent secret S.Z

It must be a sign of getting older but I find myself watching old films more and more now. Sky showed this film recently, and I much preferred it to some of the modern blockbusters they show. Virgina McKenna does an excellent job of portraying Violetta Szabo. Good old Jack Warner (Sergeant Dixon!) is excellent as the long suffering father. Paul Scofield is brilliant playing the part of Tony. It was directed by Lewis Gilbert, who also directed "Alfie" and "Educating Rita". It brings home the suffering normal people went through, as well as heroines like Violetta. I defy anyone not to be moved by the ending. Hopefully it is available on DVD now as it belongs in anyone`s collection.

When I first saw Carve Her Name with Pride recently, I have to say I was really moved. This film is truly remarkable, I do agree one of two of the characters are somewhat clichéd, but on the whole there is very little wrong I can say about Carve Her Name with Pride.

The film is beautifully shot, with stunning cinematography effortlessly capturing the scenery. The score is also highly effective, while the script is honest and truthful, with some humorous and romantic spots, and the story, which is based on truth, is a remarkable one. The direction is excellent, the film does move at a reasonable pace and the ending had me deeply moved. And I have to say the acting is really good, Virginia McKenna especially is outstanding in the lead role, while Jack Warner and Paul Scofield are both excellent.

All in all, it is a great film, underrated and somewhat affecting. See especially for McKenna. 9/10 Bethany Cox

Carve Her Name with Pride (1958)

A resolutely respectful and consistent movie, powerful in a quiet way, and serious to the core. These aren't really adjectives for an amazing movie--and it's not amazing. The story is amazing, since it's true, a British woman going undercover in WWII and having to suffer badly at the hands of the Nazis. And the movie depends on the story, rather than the movie, to succeed.

It does, in fact, succeed. It's a moving story well told. It lacks drama, and is sometimes quietly sentimental, which is part of the point, giving a human side to the spy and war business. The leading woman is someone not well known to American audiences, a rather straight forward actress, Virginia McKenna. But you might remember her from "Born Free," a very different kind of role but needing the same sharp seriousness. She's still alive, gladly, and was even in a film in 2010.

The movie here needs drama, frankly. It takes half the film to reach the German conflict in France, and it comes to the real drama, the horrors of being caught, in the last half hour. Which is to say, be prepared for lots of preparation, well done, but preliminary, and purposely undramatic. By that last part is good wartime stuff, with a woman as the main figure in the fighting and the aftermath. The prison scenes are cold and harsh in their own way, and yet I don't quite believe it would have been quite so calmly paced and deliberate, even in the hands of the Germans happily in France.

Virginia McKenna has long been an idol of mine, and this film is one of the primary reasons. I think she is one of the overlooked great actresses of the '50's and 60's. At any rate, this is an extraordinary film in so many ways. I love good biographical pictures in general, but this is one of the most poignant and accurate ever done. The remarkable story of Violette Szabo should be seen by all. Paul Scofield is brilliant as well. This merits a perfect score. Don't miss it!

British Director Lewis Gilbert is unknown to most Americans. This is a pity because he has directed a number of "crossover" masterpieces and this true story of wartime heroism is but one of them. The movie reminds me somewhat of The Man Who Never Was, a spy movie which required a woman who had been through a recent tragedy, marvelously played by Gloria Grahame, to use that tragedy to make herself a believable spy.

Although she has excellent support by a young Paul Scofield and a non-too-shabby veteran cast, Virginia McKenna must pull off the central character, Violetta Szabo, in order for the film to succeed. She does so without question,and then some. If this movie does not bring tears to your eyes, no movie will.