L'Île du camp sans retour

I saw this movie when I was fairly young and the scenes never left my memory. I could not get over the way the actors looked as if they had just been rescued from real Japanese POW camps. How could they get actors so skinny to play the parts? I thought they were real prisoners.

Although shot in black and white the realism is terrifying and not for the faint hearted.

It was so intense it's no wonder the politically correct brigade buried it but it was a true story and true to life in it's portrayal.

I doubt it could be remade as good but it would be good if they could. One of the most moving movies I have ever seen. Can anyone get me a copy?

I will put this movie between BRIDGES OVER THE KAWAI RIVER and KING RAT. This one is of course less spectacular and known than the David Lean's movie but it is so powerful, especially for the opening scene, with this skeleton human being - a prisoner - cold bloody shot by Japanese guards after this poor man has dug his own grave. The tone was then done. And I would have never expected to see a so skinny actor playing in a movie, as if he was really a real starved Japanese camp POW. However the other actors - except Andre Morell - seem a bit too good fed for me. British movie industry provided such good films between late fifties and early sixties about war in the Far East: THE LONG, THE SHORT AND THE TALL, YESTERDAY'S ENEMY - from the same Val Guest, by the way.

In austere black & white 'scope Hammer Films demonstrated how much nastier than the most lurid horror film in colour a realistic war film could be. Despite the presence of familiar faces like Marne Maitland, Ronald Radd and Lee Montague under heavy 'Japanese' makeup that renders it slightly comical sixty years later, it nevertheless still packs a punch wholly lacking in 'The Bridge on the River Kwai'. (The plot device that the news of Japan's surrender has to be kept from the commandant or he will kill all the prisoners is an ingenious one; although one would have thought that channels existed through which the news would have reached him other than just one defective radio receiver.)

In place of Sessue Hayakawa's noble commandant in Lean's film, the Japanese are here portrayed as utter, brutalised sadists (with their own men as well as the prisoners), which caused controversy when this film originally came out but didn't hurt it at the box office.

Having waited years to see this film I was astounded just how bad it is, a Hammer production that has pure cockneys playing Japanese guards!, the acting verges on the utterly bad to utterly impossible!,take for instance long time Hammer fave Michael Ripper who as a Japanese guard bursts out laughing every time he is in a scene, the head guard who is clearly of Indian origin is another badly cast member, the commander of the camp is also another British actor hamming it up, I thought they had wandered off set from an Alladin pantomime!, the premise for all the controversy that it was brutal beyond belief had me scratching my head, i've seen worse in a Tom & Jerry cartoon.

Excellent war movie.Is this film available on video/DVD? Again it is one of those films that appears to have disappeared Into cinema history. Being made in black and white seems to give the film more authenticity. Carl Mohner is excellent as the leader of the prisoners.It is difficult to say anything negative about this movie. The plot is straightforward,but riveting.The Japanese do not know the war is over.The prisoners have found out and are fearful of what will happen to them once the sadistic camp commander acquires this knowledge. The allies are getting closer and the tension mounts.Don't miss this one if it comes to the small screen.Althougth perhaps not in the same league has "the Bridge over the River Kawi" or "The Great Escape" it is still nevertheless an excellent P.O.W. movie in its own right.So why isn't it on DVD?