Le Cri de guerre des Apaches

Very low budget B-Movie. No surprise, no originality, no creativity, lots of cliche, but an honest sense of rythmn. We can almost see the paintings of the studio setting. One good reason to watch this is to see young Clint Eastwood before his cinema fame (circa 1965).

'Ambush at Cimarron Pass' is a bit of a bore.

Even though I don't think it's as bad as one Clint Eastwood reportedly does, I do agree in the sense that this 1958 production is a limp effort at making a western. I found none of the characters to be likeable, not that they're necessarily unlikeable per se, and the events depicted onscreen failed to give me any form of entertainment/enjoyment.

Eastwood is solid in arguably his biggest role at this point in time, though the rest of those alongside the aforementioned aren't noteworthy to me - at a big push, Scott Brady is the standout of the others. Eastwood didn't return to film acting after this until 1964, but arrived back with a bang with the start of the Dollars Trilogy - I look forward to watching those!

1st watched 9/14/2007, 6 out of 10(Dir-Jodie Copelan): Watchable story of former confederates and Yankees joining forces to thwart off some Apache's trying to get some repeating rifles that a traitor had sold to them. This is a very simple story that is executed very well by all involved. The idea behind it is that the Civil war has just ended but there are still hard feelings between the sides. The Yankee(northern troops) are trying to transfer some rifles and a prisoner to a nearby fort but are intercepted by some southern-folk that they think are Apache's dressed up like them(they had been fooled by the Apache's earlier this way). The Apache's then steal the whole combined troops horses and have to travel by foot six days the rest of the way. The conflict in the movie has to do with these two groups getting along while the Apache's slowly figure out how to overcome them and get the rifles. There is eventually a showdown but by this time the hard work of reconciliation has been done and the fight with the Indians is kind of anti-climatic. Clint Eastwood, in an early role, plays a young hard-hearted southern man who eventually turns to help out the crew and does a good job, but's its the story that keeps you interested. An abrupt end is the only real downside to the movie(which appeared to be mainly because the small film company ran out of money more than anything else), but this small film delivers otherwise and is enjoyable viewing.

A partially decimated Army unit teams up with a group of cowboys, who also had been hit by renegade injuns. The cavalry squad was trying to get a gun runner and 3 dozen rifles back to their fort, but had to fight their way through fierce indian raiders intent on getting the weapons. Average soldier vs. redskin shoot-em-up.

One of the earliest of Clint Eastwood's Roles. This movie quotable lines about masculinity. The central theme here is bargains. Survival depends on bargains. Copelan at the helm of his first and only film explores the usual themes of man versus man, man versus society, man versus his environment, and the issue of apocalyptic armaments. Clearly, the Winchester repeating rifles at the heart of this drama serve as metaphors for atomic weapons. Copelan emphasizes their role early on by presenting them in the first close-ups so that we cannot overlook them. The durable and dependable Scott Brady must prevent these rifles from landing in Apache hands. Watchable only due to Eastwood's early presence.