An adventurer, gambler, and widely respected southern gentleman is recruited to work as a secret agent, at no pay, in post-Civil War New Orleans, helped by his companion, a silent Pawnee Nat... Read allAn adventurer, gambler, and widely respected southern gentleman is recruited to work as a secret agent, at no pay, in post-Civil War New Orleans, helped by his companion, a silent Pawnee Native American.An adventurer, gambler, and widely respected southern gentleman is recruited to work as a secret agent, at no pay, in post-Civil War New Orleans, helped by his companion, a silent Pawnee Native American.
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I remember this TV show quite well. It was a favorite of mine at a young age. I rarely missed an episode. I do remember Yancy carrying various small derringers. Pahoo carried a shotgun always hidden under some type of blanket as I remember. However I never remember Pahoo uttering much in the way of dialog. He and Yancy communicated thru the use of sign language. This gave the viewer(me)the impression that Pahoo either could not speak at all or wished only to communicate in sign language. As a sidelight of course was the fact that Yancy was indeed a gambler on the Mississippi and old New Orleans was a backdrop to this show. It ended much too soon.
Yancy Derringer was different from all other westerns on the air during the late '50's in that it was set in New Orleans rather than a dusty old west town. Yancy Derringer, as played by former stuntman Jock Mahoney, did not carry the traditional six shooter, he packed a pistol in his hat. Yancy Derringer was a dapper, smooth, suave gambler who, along with his Pawnee Indian companion Pahoo, assisted Commissioner John Colton in keeping the peace in a wide-open city.
Yancy Derringer had a different "feel" to it as compared to the other westerns on the air during the later '50's and was a very welcome change during its too short one season run on CBS.
Yancy Derringer had a different "feel" to it as compared to the other westerns on the air during the later '50's and was a very welcome change during its too short one season run on CBS.
When I watched Yancy Derringer as a 6 year old, the guns were especially fascinating. Pahoo-Ka-Ta-Wah had a big shotgun, maybe 10 gauge. Yancy had several tiny guns that were hidden in his clothes. One in his hat, one in his boot. He could be searched, but still pull a derringer out of his sleeve. X Brands, as Pahoo-Ka-Ta-Wah, had the biggest shotgun I have every seen. As I recall, it had a single barrel with a mighty power. If needed, Pahoo-Ka-Ta-Wah could blast the bad guys with such force, smoke, kick, and noise, that it was the grand finale to any fight!
The derringers came in a variety of arrangements, with most of them having two barrels. But some may have had more than two. The smallest derringer had only one barrel. There was a trick derringer, if my memory as a boy serves me correctly. One trick derringer was up Yancy's sleeve on a spring-loaded mechanism. It had scissor shaped metal supports that would expand to full length on command of a gesture. The contraption would spring out of his sleeve into Yancy's hand into the right firing position. The gesture that triggered the spring to release was for Yancy to press his elbow against his side. One derringer was hidden in his belt buckle. Toy stores sold belts with hidden derringers after that show!
Pahoo-Ka-Ta-Wah would carry his shotgun with him wherever he went, but with poise and dignity which seemed non-threatening. X Brands' dispassionate face would seldom display any emotion. He spoke slowly and deeply, with somber meaning that always was important. Pahoo-Ka-Ta-Wah was tall and strong. In a fight, I only remember his 8 gauge shotgun: as the ultimate weapon in any New Orleans brawl. It could knock down a wall!
The derringers came in a variety of arrangements, with most of them having two barrels. But some may have had more than two. The smallest derringer had only one barrel. There was a trick derringer, if my memory as a boy serves me correctly. One trick derringer was up Yancy's sleeve on a spring-loaded mechanism. It had scissor shaped metal supports that would expand to full length on command of a gesture. The contraption would spring out of his sleeve into Yancy's hand into the right firing position. The gesture that triggered the spring to release was for Yancy to press his elbow against his side. One derringer was hidden in his belt buckle. Toy stores sold belts with hidden derringers after that show!
Pahoo-Ka-Ta-Wah would carry his shotgun with him wherever he went, but with poise and dignity which seemed non-threatening. X Brands' dispassionate face would seldom display any emotion. He spoke slowly and deeply, with somber meaning that always was important. Pahoo-Ka-Ta-Wah was tall and strong. In a fight, I only remember his 8 gauge shotgun: as the ultimate weapon in any New Orleans brawl. It could knock down a wall!
. . . they speak of Yancey D."
So went the theme song to this undeservedly short-lived series. Nominally billed as a "western" (Yancey did, after all, wear a broad-brimmed hat, there were horses about, and his best friend was an Indian), this show was hard to categorize, even in the era of the so-called "adult western."
There was always the hint of a dark side to Yancey, all things considered; a feeling that tucked away behind his reserved manner lay a past that may not always have been too cool (or, alternately, as a friend of mine once suggested, perhaps a bit TOO cool). Moreover, unlike most of his contemporary action heroes, Mr. D. didn't always fight fair: forced into a bare-knuckles match against an huge opponent, Yancey took advantage of his knowledge that the guy had spent the previous night guzzling beer, hammering him into collapse with a series of belly punches you could almost feel through the TV screen.
Not the nicest guy in town, in other words. But eminently effective. And thoroughly watchable. A great series.
So went the theme song to this undeservedly short-lived series. Nominally billed as a "western" (Yancey did, after all, wear a broad-brimmed hat, there were horses about, and his best friend was an Indian), this show was hard to categorize, even in the era of the so-called "adult western."
There was always the hint of a dark side to Yancey, all things considered; a feeling that tucked away behind his reserved manner lay a past that may not always have been too cool (or, alternately, as a friend of mine once suggested, perhaps a bit TOO cool). Moreover, unlike most of his contemporary action heroes, Mr. D. didn't always fight fair: forced into a bare-knuckles match against an huge opponent, Yancey took advantage of his knowledge that the guy had spent the previous night guzzling beer, hammering him into collapse with a series of belly punches you could almost feel through the TV screen.
Not the nicest guy in town, in other words. But eminently effective. And thoroughly watchable. A great series.
This was a really a neat and fun TV show to watch. I loved the fact that a Native American was given a decent part in a TV show. X-Brands always seemed so cool and aloof as Pahoo. The writers gave him dignity. It was also a cool concept and interesting that it was set in New Orleans. I enjoyed watching Jock Mahoney in almost anything he ever was in. He always looked so debonair, but capable in this series. I really would hope that this series could be released on DVD. If not on DVD, maybe it could be shown somehow on cable or satellite (TV Land?). The "Range Rider", that he was also in, was a cool show, too. I wouldn't mind seeing that show again, too, either on DVD or TV.
Did you know
- TriviaThe decaying Southern mansion seen on the series was the Tara set from Autant en emporte le vent (1939), which stood on the back lot at Desilu Studios (formerly Selznick International Pictures). The facade was sold and moved to Georgia in 1959.
- ConnectionsFeatured in TV's Western Heroes (1993)
- How many seasons does Yancy Derringer have?Powered by Alexa
Details
- Runtime
- 30m
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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