L'aigle vole au soleil

Wonderfully shot Ford film with a lively look at the spirit of Navy , including glorification of military life , familiar drama , love and sentimental nostalgia with interesting character studio of a varied assortment of individuals . It's a first-rate war melodrama , including comedy , and masterfully directed by the great John Ford . It's based on the life of one of America's greatest air heroes , Frank ¨Spig¨Wead , an Air hero who wrote plays about the war . He starred some rousing exploits in the ¨Schneider Cup Air Races¨. But he suffers a home accident and is interned in ¨San Diego National Hospital¨, and despite being crippled and wheel-bound he subsequently made a substantial contribution to America's war effort in the Pacific during WWII. He was a famous aviation pioneer become Hollywood screenwriter and one of them was ¨They were expendable (1945) ¨ directed by the same Ford and also with Wayne in the main role . This is a great and stolid drama, a John Ford's lusty realization and marvelously constructed.

This classic picture ranks as one of the best of John Ford's work. It contains Ford's usual themes as familiar feeling , a little bit enjoyable humor, friendship and and sense of comradeship among people . Multiple highlights as the fights between Air and Army soldiers and of course the sensible final farewell on the carrier . Interesting screenplay portraying in depth characters and brooding events with interesting issues running beneath script surface is written by Frank Fenton, John Ford's habitual, and based on the life and writings of Commander Frank W. 'Spig' Wead .

This excellent film featuring a magnificent performance by whole casting . Awesome John Wayne in a larger-than-life character . Enticing and intimate Maureen O'Hara in a sensible role with sensational acting . Excellent co-starring cast as War Bond as John Ford-alter ego, including pipe-smoking and hat . In the film appears , as usual , Ford's favourite actors as Ken Curtis , Mae Marsh , Kenneth Tobey, Willis Bouchey, Jack Pennick , some of them are uncredited . Good cinematography by Paul Voguel and jingoist musical score by Jeff Alexander. Rating : Better than average . Worthwhile watching .

I just caught this on TCM. It's a stretch in acting for Wayne, I think. He rarely did characters with flaws, either physical or mental.But he does a great job.

Did anyone catch a wonderful comment made by Wayne while he and the naval staff were watching films of the carriers being bombed? Wayne is commenting that the solution to the Navy's problem is obvious, but it is eluding him. There is some banter about how to get your thinking going when it's at a standstill. That is, how to get into action when things seem unworkable. Wayne comments, "In Hollywood we'd stop and look around and here's the 7th cavalry coming." All things considered, I thought it a great comment!

I, am retired US Navy, from a Navy family. I am also a naval history buff. I can watch this movie time and time again.

I have seen some errors in the cinematography over the years.

1. In the scene where Spig and Jughead give each other the thumbs up.

See if you can find it.

2. When Spig attends the accident board for loosing his aircraft, he is standing at attention holding his hat. The hat is missing the gold band.

Dialog

When Spig arrives at the ship, he refers to: being back with "Joc, and the ole Doc".

The ole doc I assume refers to the senior medical officer at San Diego. who never appears again after the hospital scenes.

Joc, is the CO of the Carrier, but I cannot find him in any scenes prior to the pier side scene at the ship.

I have two fav John Wayne movies and this is one of them. The other is "McLintock!"

Today is the first time I've seen "Wings of Eagles, The" for years and years. Probably because it's always been such an emotional movie for me. I always cry at the ending...most likely because the very thing Spig Wead wanted seemed to elude him. Perhaps because his desire was never really clearly defined, even to him.

As I sat watching it, I got the bright idea of looking it up in the "IMDB" movie database. I was curious about the writing that Wead did and also the timeline. I came across a couple of reviews and decided to add my two sense (sic) worth.

I realized today that the things I like about the movie were partially the things that one of the other reviewers didn't. I LIKE the way Wead's story is presented. It isn't neat and orderly. No cheating endings or story movement. It seems like he was very self-involved and dealt better with other men than with his wife. I suspect that both Spig and Min were trapped by their societal roles in a way that many others were at that time. They did't have that same open way of spilling their guts that we've all embraced in today's world.

Men were men and women...weren't! LOL!

Anyway, I was always crazy about John Wayne and had such a crush on him whenever he'd appear in Navy whites. Something about that craggy face and those blue eyes grabbed me every time. Plus, I share his birthday so that made him extra kewl in my eyes.

Ford was wise NOT to turn this into a typical John "Hero" Wayne vehicle. That was probably why they worked so well together in all of those films. He was no more snowed by Wayne's larger than life personna than Wayne was of Ford's. I would love to have been a fly on the wall when those two were goin' at it.

Although Wayne was fiftyish when he did this film, I think he displayed a good youthful Wead as well as the somewhat more mature one. A better, more subtle acting job than the other reviewer gave him credit for doing.

Time for Spig to bite it so I'm off now...

dmombit

Not one of Ford's best works as a director, but it's an excellent film nonetheless. It's one of the best biopics I've ever seen. The subject is Frank "Spig" Wead, a Navy man through and through who, despite all his success in the service, was never able to make much of a connection with his wife and daughters. It was a very personal story for John Ford, who was a good friend of Wead's. Wead was the screenwriter on Ford's excellent They Were Expendable (and also Air Mail, which I haven't seen). The film concentrates on the man and his relationships. John Wayne gives a downright excellent performance as Wead. Maureen O'Hara is back as his love interest, and their interactions here are marvelous. Also giving excellent performances are Ken Curtis (maybe his best role in a Ford film), Dan Dailey, and Ward Bond as the first movie producer who hires Wead. Bond's performance is in loving imitation of John Ford. The Wings of Eagles is a very touching tribute to a friend. The only problem is that it is such a personal story to Ford that the most interesting part, the relationship with the wife and kids, is not treated fully in order to make Wead look better than he probably did in real life. 8/10.