Elmer Fudd is again hunting rabbits - only this time it's an opera. Wagner's Siegfried with Elmer as the titular hero and Bugs as Brunnhilde. They sing, they dance, they eat the scenery.Elmer Fudd is again hunting rabbits - only this time it's an opera. Wagner's Siegfried with Elmer as the titular hero and Bugs as Brunnhilde. They sing, they dance, they eat the scenery.Elmer Fudd is again hunting rabbits - only this time it's an opera. Wagner's Siegfried with Elmer as the titular hero and Bugs as Brunnhilde. They sing, they dance, they eat the scenery.
- Director
- Writer
- Stars
- Awards
- 1 win total
Mel Blanc
- Bugs Bunny as Brunhilde
- (voice)
- …
Arthur Q. Bryan
- Elmer Fudd as Siegfried
- (voice)
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Chuck Jones' brilliant condensation of all of Wagner into a 7-minute cartoon. A comic tour-de-force with Elmer as Siegfried (Kill the wabbit!!) and Bugs as Brunhilde. The background illustrations were absolute incredible, invoking a true Wagnerian atmosphere. If you only see one cartoon in your life, make it this one.
This is a classic short cartoon, all right. It's the art direction that does it - it's VERY 1950s (some would say it's pinched from UPA, but this is false: look at the previous work of Maurice Noble, and the direction in which background design was tending at Disney and to a lesser extent Warner Brothers before UPA was even formed, and you'll see that UPA was merely the most extreme expression of a zeitgeist which arose for as yet unexplained reasons) - but it fits the roasted twilight setting of Wagner like a glove. Colours, sets, linework, framing; all are marvellous.
The cartoon is not, as is commonly asserted, Wagner's fourteen-hour Ring cycle compressed into seven minutes, since none of the content of the story is taken from Wagner (also, the disappointingly lame "Weturn, My Wuv" lyrics are set to a tune from "Tannhäuser"). It would be better still if it WERE a true parody of Wagner. As it is, wonderful and self-contained as the short is, it's also a bit baffling; not funny, but lacking the final ounce of courage required to be truly thrilling or moving, either. It IS a pity that it wasn't even nominated for Best Animated Short of 1957, especially in the absence of serious competition: Disney had shut down its short cartoon unit the previous year, UPA was churning out Mr. Magoo and nothing else, it wasn't a particularly outstanding year for MGM, and (the final indignity) the cartoon that actually WON the award that year was yet another worthless Sylvester and Tweety effort.
The cartoon is not, as is commonly asserted, Wagner's fourteen-hour Ring cycle compressed into seven minutes, since none of the content of the story is taken from Wagner (also, the disappointingly lame "Weturn, My Wuv" lyrics are set to a tune from "Tannhäuser"). It would be better still if it WERE a true parody of Wagner. As it is, wonderful and self-contained as the short is, it's also a bit baffling; not funny, but lacking the final ounce of courage required to be truly thrilling or moving, either. It IS a pity that it wasn't even nominated for Best Animated Short of 1957, especially in the absence of serious competition: Disney had shut down its short cartoon unit the previous year, UPA was churning out Mr. Magoo and nothing else, it wasn't a particularly outstanding year for MGM, and (the final indignity) the cartoon that actually WON the award that year was yet another worthless Sylvester and Tweety effort.
This is one of the greatest cartoons ever made. When many experts in the field of animation got together a few years ago to list the 50 greatest cartoons ever made, this one ended up at number 1. Watching this cartoon, it's easy to see why they ranked it at the top. It's a classic. Everyone knows this one, especially the scene with Elmer Fudd, Spear in hand, magic helmet on head, singing "kill the wabbit!"
There's a tender Bugs-Elmer duet, set to Wagner, that goes like so:
Elmer: Oh, Bwunhilde. You're so wuvwy.
Bugs (in drag): Yes, I know it. I can't help it.
Elmer: Oh, Bwunhilde, be my WUV...
Scholars may detect actual commentary in this seven-minute masterpiece on the seeds of Nazism as sown by Wagner, the absurdity of the opera music-theater construct, or the multiple ironies of anthropomorphic cross-dressing. The rest of us just find it deadpan-knockout funny, musically glorious, and enacted on the greatest Wagnerian set ever built. Bravo tutti, and a deep, grateful bow to the late, great Chuck Jones; we shall never see his like again.
Elmer: Oh, Bwunhilde. You're so wuvwy.
Bugs (in drag): Yes, I know it. I can't help it.
Elmer: Oh, Bwunhilde, be my WUV...
Scholars may detect actual commentary in this seven-minute masterpiece on the seeds of Nazism as sown by Wagner, the absurdity of the opera music-theater construct, or the multiple ironies of anthropomorphic cross-dressing. The rest of us just find it deadpan-knockout funny, musically glorious, and enacted on the greatest Wagnerian set ever built. Bravo tutti, and a deep, grateful bow to the late, great Chuck Jones; we shall never see his like again.
Every aspect of this cartoon is outstanding, and that's coming from someone who hates opera! The illustrations in this are fantastic, the direction super and the dialog in this "opera" is hilarious.
Kudos, too, to Mel Blanc (Bugs Bunny) and Arthur Q. Bryant (Elmer Fudd) for their outstanding voice-work having those two characters sing and talk in this opera. I appreciated their work in here more than about anything, although the direction by Chuck Jones and that artwork is really tremendous. All of them outshine the story in here.
No, I still don't enjoy the "opera" but I will always enjoy this stunning-looking cartoon, which is part of Volume Two on the Looney Tunes Golden Collection.
Kudos, too, to Mel Blanc (Bugs Bunny) and Arthur Q. Bryant (Elmer Fudd) for their outstanding voice-work having those two characters sing and talk in this opera. I appreciated their work in here more than about anything, although the direction by Chuck Jones and that artwork is really tremendous. All of them outshine the story in here.
No, I still don't enjoy the "opera" but I will always enjoy this stunning-looking cartoon, which is part of Volume Two on the Looney Tunes Golden Collection.
Did you know
- TriviaWarner Bros. Cartoons, Inc. only allotted five weeks for the production of each seven-minute short, but director Chuck Jones spent seven weeks on this short. To cover up for the extra time spent, he had his entire unit doctor their time cards to make it appear as if they working on the Road Runner/Coyote short Zoom and Bored (1957) for two weeks before they actually started (since Chuck and his staff were so familiar with the Road Runner formula, they were able to complete Zoom and Bored in three weeks).
- Crazy creditsThe opera music continues and concludes over the "That's All Folks!" logo, substituting the usual exit music. The "That's All Folks" text doesn't go through its usual animation.
- ConnectionsEdited into Bugs Bunny, Bip Bip: Le film-poursuite (1979)
Details
- Release date
- Country of origin
- Language
- Also known as
- What's Opera, Doc?
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $14,753
- Opening weekend US & Canada
- $12,285
- Feb 16, 1998
- Gross worldwide
- $14,753
- Runtime7 minutes
- Sound mix
- Aspect ratio
- 1.37 : 1
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