Femmes coupables

Very good Paul Newman about the effect that war has on people's lives as they try to cope with their loneliness due to separation.

It was a great ensemble cast with Newman and Jean Simmons (Oscar nominations for The Happy Ending and Hamlet), Joan Fontaine (Oscar for Suspicion, and nominations for Rebecca and The Constant Nymph), Piper Laurie (Oscar nominations for Carrie, Children of a Lesser God, The Hustler), and Sandra Dee.

For a 1957 film, it really took on issues such as infidelity and illegitimate children and the casualness of sex during wartime.

Newman was great as the officer charged with investigating girls who soldiers wanted to marry and take back home. He played a character very familiar in his films - one that had a close relationship with the bottle.

James A. Michener's WWII tale of four sisters in a seaside New Zealand home who experience the highs and lows of love. With nearly all the men in their town off fighting in the war, the gals are at first apprehensive, but finally grateful when the streets fill up with American Yanks on leave. Joan Fontaine, as the eldest of the clan, falls for handsome soldier Charles Drake from Oklahoma (and has his child out of wedlock!), while Jean Simmons manages to get close to cynical, hard-drinking Paul Newman. Piper Laurie, as sort of the beautiful black sheep of the family, tires quickly of her sudden marriage and heads off to nearby Wellington to play the field. Sandra Dee, in her film debut, is very cute as a dimply, growing 15-year-old with a passion for boys. Attractive M-G-M production surprises in its openness of sexual matters, yet the flashback framework was unnecessary, as were the stock-shots of battleships on the horizon (making it seem as if the girls live on their own private island). Though each actor gets equal screen-time, Laurie nearly steals the picture with a finely-etched portrayal of a young woman desperately trying to find herself--and feeling the strangulation of family ties (she's also extraordinarily lovely here). Not up to the classics of the wartime movie genre, but certainly not bad. **1/2 from ****

As I wrote in the summary, this is NOT your typical war movie full of action and battles with fire-arms scenes; so, if you want to see something similar to THE LONGEST DAY or BATTLE OF BRITAIN, this movie it's not for you!

Now I am not saying that UNTIL THEY SAIL it's bad. I am saying that this movie, instead of focusing on the war actions, it focuses on the women left behind waiting their husbands from the war and their woes and all the differences between them. And, even though it's not a must-see movie, it's actually pretty good.

Visually, this movie is beautifully shot, and the locations (in New Zealand) are simply a delight to watch; the soundtrack, even though it's not outstanding, it's also pretty good. And the pace, although it dragged half-way, it's measured.

The performances are all good: Paul Newman (in one of his first movies) it's charismatic and cool as always; Joan Fontaine, Piper Laurie and Sandra Dee are credible and give heart-felt performances, and Jean Simmons, like Newman, gives a deep and touching performance. And it's directed by Robert Wise, another great director of the 1950s-1960s.

The story is very realistic and never gets over the top despite the setting and subject explored. In substance, even with a few flaws, it's well done and worth-watching.

This movie is wonderful. It's romantic, truthful and perfectly cast. It shows how lonely women can be without the love of a man in their life, and how wounds take so long to heal, and how easily they can be made. Jean Simmons is beautiful and sensitive in her portrayal of a New Zealand lass trying to remain decent and understanding emotional pain and restriction in a time of war. Paul Newman is positively gorgeous and plays his role as a cynical soldier so well i could seriously believe him really being one. The ending of the movie, although somewhat predictable, is lovely and suitable. I recommend this film to all lovers of Jean Simmons, Paul Newman and the classically romantic dramas of the 50's.

A good deal made me want to see 'Until They Sail'. A fine director in Robert Wise, who directed two of my favourite films ('West Side Story' and 'The Sound of Music', is that going to be a popular opinion here?), a cast full of great actors (Paul Newman, Jean Simmons, Joan Fontaine), some interesting themes, my love for classic film and an equally interesting idea for a story.

While it was not mind-blowing or perfect, neither will it be one of my favourites any time soon, 'Until They Sail' was still a well done film with many great things, that had emotional impact, was brave in how it portrayed its themes, made the most out of its story and far from wasted its talent. Not the best work of all involved but all come off well. More one of those appreciated it rather than loved it ones.

'Until They Sail' is a little overwrought at times as could have done with a little less talk.

Also found the outcome of the Piper Laurie and Wally Cassell subplot forced and a jarring note in a film that otherwise was anything but. The odd pacing lull here and there, but a vast majority of the time the pace is measured but seldom dull.

However, there is nothing to fault the cast. Fontaine and Simmons give sensitive, deeply felt performances and Newman's is one of his better ones of his early career, comfortable and intensely cool. Piper Laurie's accent may stick out somewhat but her acting is committed and rich in emotion, while Sandra Dee is more than credible. Wise directs superbly.

Visually, 'Until They Sail' is beautifully and cleverly shot with some striking and vivid locations. The script is thought-provoking and remarkably daring in its sophistication-filled and not over-serious handling of themes seldom explored in film at this point, giving it much humanity. The story is mostly sympathetic and poignant, avoiding getting too over the top in melodrama, not easy to do with the subject and topics explored. The characters are realistically written.

In conclusion, well done and interesting, with few stumbling blocks and many great things. 7/10 Bethany Cox