Time Lock

An out of the ordinary plot by Arthur Hailey is turned into a tedious 'b' film by the Carry on team of Peter Rogers and Gerald Thomas. The actors are second rate, apart from Sean Connery in an early role, and can only offer below standard histrionics. The scenario is a small boy is locked in a bank safe, will he be rescued before he suffocates? The problem is that child actor Vincent Winter is such an unappealing performer that you don't care about him, thus ruining any suspense that the film attempts to create. Even if you are stuck in Warrington on a wet weekend, this is one to steer clear of.

I didn't expect Sean Connery to have any dialogue for this little known "B" picture but to my surprise, he does have quite a few lines to act with. His character has no depth or significance however and isn't even given a name. He is one of many cast members involved in a simple story about a young boy who's accidentally locked inside a bank vault. The usual scenario follows: a race against time, the need to find a particular person who can help with the situation in hand, panicking characters etc. No one in the cast is well known apart from Connery and he hadn't appeared in many films before this one. The production moves along at a reasonable pace, dialogue is standard but the last few minutes includes a tense moment or two.

Before he directed what seemed like thirty-five billion "Carry On" burlesques, Gerald Thomas directed this film, a simple drama about what happens when a small boy gets locked in a bank vault with a time lock set for over sixty hours -- and about ten hours' worth of air. It's from a play written by Arthur Hailey, and considering what the director would do, and Hailey's admiration of the AIRPLANE! burlesques of AIRPORT, based on his novel, it makes you wonder what a Carry On this would have made.

As a straight drama, it's a pretty good, if minor picture, filled with the sort of situations and characters that would populate Hailey's big novels, the movies made from them and the Disaster Movie genre. Allen Gifford is particularly good as the bank manager who works hard to get the child out, and constantly blames himself.

If I had any complaint, it is that it is too focused. Everyone is too focused, everyone is too polite. This, however, is not THE BIG CARNIVAL, nor AIRPORT nor CARRY ON, KID STUCK IN A BANK VAULT. For the story it tries to tell, it tells it well.

One type of movie we Brits used to do really well was the 'B' movie. In the '50's and '60's, British studios churned out dozens of supporting features, inexpensively produced, often featuring actors of whom no-one had ever heard, and while being far from masterpieces they proved very enjoyable. 'Time Lock' was one such picture. Based on a play by Arthur Hailey ( author of 'Airport' ), it tells the story of a little boy who accidentally gets trapped in a bank vault, and of the numerous attempts to rescue him. Robert Beatty heads the cast, which features a young Sean Connery as one of the would-be rescuers. What's surprising is that the picture was directed by Gerald Thomas, future 'Carry On' director. He brings a Hitchcock-like feel to the story, and one wishes he'd made a few more films in this vein. 'Time Lock' is above average, and worth catching if it comes round on television. The person who likened the film to 'Plan 9 From Outer Space' deserves to be locked in a vault himself. The only thing they have in common is they are both in black and white!

A very simple story of a young boy accidentally locked in a bank vault with no way of getting out until the time lock is released some 60 hours later, well after the air will have run out. No way except, of course, breaking in. And that's it. Together with an average cast and fairly wooden performances from some of them this should, by rights, have been no more than an average fifties film. Its strength, however, is its script. This kept the story very tight with very little embellishment and a great deal of intelligence. Usually with this type of story there are many gaps where one cannot help but feel that a truck could be driven through the errors made or the ridiculous twists. With Time Lock, however, the script covers virtually everything that the viewer would consider. Details such as the thinking and methodology of how to get into the vault, organising the people required and even such items as the possible medical effects on the boy and how to calculate the amount of air left to breathe. All this had a great effect on building the tension and I had to watch it until the end. One of the most enjoyable films that I have seen in a while.