Time Lock

A very simple story of a young boy accidentally locked in a bank vault with no way of getting out until the time lock is released some 60 hours later, well after the air will have run out. No way except, of course, breaking in. And that's it. Together with an average cast and fairly wooden performances from some of them this should, by rights, have been no more than an average fifties film. Its strength, however, is its script. This kept the story very tight with very little embellishment and a great deal of intelligence. Usually with this type of story there are many gaps where one cannot help but feel that a truck could be driven through the errors made or the ridiculous twists. With Time Lock, however, the script covers virtually everything that the viewer would consider. Details such as the thinking and methodology of how to get into the vault, organising the people required and even such items as the possible medical effects on the boy and how to calculate the amount of air left to breathe. All this had a great effect on building the tension and I had to watch it until the end. One of the most enjoyable films that I have seen in a while.

I remember seeing this movie on TV in the USA in 1961 when I was a nipper, it's always stuck in my mind, I have no idea why. Watched it again recently on TV, probably in the small hours, must've had insomnia. Not the worst 1950s B feature I've ever seen.

Reference the helicopter, as the film was made in the UK I'm pretty sure it was G-AKFB, with the registration crudely altered to a Canadian one. There were only 3 Bell 47s around in the forties/fifties according to the UK register, the only one apparently airworthy in 1957 was this one, which was then owned by BEA Helicopters. It was built in 1947 and was finally withdrawn from use in 1967, not a bad age for an early helicopter. I must get out more!

Six year old Steven Walker is in the bank with his father near closing time he is in a playful mood and slips into the vault unseen just as it is shut. The problem is that for security reasons the vault is on a time lock and has been set to remain closed until after the weekend. With no more than half a day's air in the vault the race is on to try and get the boy out. The local vault expert is out of town for the weekend but, with no guarantee that he can be found in time, the parents are frantic to get him out.

The plot was more than enough to hook me into it because it sounded like one of those setups that will be tight and tense, set in a single location and, given the race against time, effortlessly engaging. Although there were no guarantees for this, I was surprised by just how flat the whole thing was and how much it failed to grip me. In terms of actions and narrative flow things are fine; the story follows a solid path that makes sense and isn't contrived or forced for the sake of falsely producing tension. However it is the delivery where it takes this and does nothing of interest with it. The main problem is with the script; where it is shouting urgently then things are fine but it regularly has horridly flat scenes of dialogue while the cutting etc is going on and none of them really work. Of course it doesn't help that the performances mostly put me in mind of my last time I was in a forest. Thomas does manage to produce some tension when the action is the focus but he totally undercuts this by his flaccid inability to bring out this tension in his characters and his actors – after all, if they don't seem bothered by the whole thing, why should I the viewer be?

As another review has stated the worst performance is mercifully the shortest – that of the boy Winter. Christ but he could not be less convincing, natural or sympathetic. It is rare for me to be shocked by the ineptitude of a performance but Winter achieved that with very few lines. I know he was a child but are you telling me he was the best child available to the casting director? Of the rest of the cast only Beatty stands out and that is mostly because his dialogue consists of being in charge and tough. Conversely all those blessed with flat lines give bland performances; the list is long but includes Patterson, Mannering, McDowall, Ayres and so on. Connery is only memorable for who he is rather than anything else.

Overall a semi-engaging film that sadly has more weakness than strength. The simple premise should have allowed for great tension but the script and delivery let this fall down badly. Deserves a low-budget but intense remake – perhaps not of the detail but certainly using a similar premise.

An out of the ordinary plot by Arthur Hailey is turned into a tedious 'b' film by the Carry on team of Peter Rogers and Gerald Thomas. The actors are second rate, apart from Sean Connery in an early role, and can only offer below standard histrionics. The scenario is a small boy is locked in a bank safe, will he be rescued before he suffocates? The problem is that child actor Vincent Winter is such an unappealing performer that you don't care about him, thus ruining any suspense that the film attempts to create. Even if you are stuck in Warrington on a wet weekend, this is one to steer clear of.

Although the plot feels rather forced and awfully predictable, this is a surprisingly quite intense film that is able to keep one always interested all the time, due to the presentation of all the scientific evidence in an interesting manner, as well as an appropriately short running time. It feels well researched, the music used is applied well, and for Sean Connery fans it has the bonus of his presence in a brief supporting role as a welder. Still, the film does have quite a tendency for unnecessary melodrama; in particular McDowall overacts whenever she is on screen. But in spite of the film's flaws, the overall picture stands strong, and while it might not be everyone's cup of tea, I would highly recommend it if the film has even the slightest appeal to one's taste.