Tarzan et le Safari perdu

Average Tarzan fare with Scott leading the passengers of a crashed airplane to safety. Of course there are some baddies along the way and of course all ends well, but it all seems too uninspired to enjoy. Forget this one, there are better Tarzan adventures than this(e.g. TARZAN'S GREATEST ADVENTURE). 5/10

This is the 3rd movie that starred Gordon Scott as the celebrated Ape Man. Besides the excellent production values, location scenes, and music by Lou Levy with real performances by an authentic African dance troupe, the acting is good all round. Gordon brings this version of Tarzan way up from the previous portrayals of the screen incarnations. Tarzan is clever and more intelligent than seen before. The fact that he is a loner and therefore not hampered by a romantic interest turns him into even a more serious action hero. The movie does have the same racial failings as in past Tarzan movies. The sets and lighting give the dark suspenseful mood and the music increases the dangerous atmosphere. Gordon and Bette St. John swim just as well as the pair in Tarzan and His Mate. In fact the script allows more dialog with better articulation from Tarzan and the men of Opar. I hope all of the Gordon Scott movies finally see the light of DVD day. Post script 6/26/2010.... all of the Sy Weintraub produced Tarzan films are now available through WARNER BROS HOME VIDEO ARCHIVE section. My wishes have been fulfilled

Released in 1957, "Tarzan and the Lost Safari" stars Gordon Scott as the ape man who assists five survivors of a plane crash near the Opar tribe, savage Africans known for sacrificing white people. A "great white hunter" enters the picture and seems to want to help the survivors, but Tarzan smells something fishy. This incidentally was the first Tarzan film in color.

The plot's great and the movie features many positives. For one, Scott's one of the best actors to play Tarzan and went on to star in a couple of the best Tarzan films, 1959's "Tarzan's Greatest Adventure" and 1960's "Tarzan the Magnificent." The African locations are meshed well with the studio work and the studio sets look great, considering the time period. It's sometimes hard to distinguish between authentic Africa and studio "Africa." There's quite a bit of action, numerous shots of animals and I enjoy the scenes where Tarzan interacts with the wildlife, like the lion (which isn't faked).

Unfortunately, there are some bad elements. For instance, the eye-rolling way a vine is always conveniently nearby for Tarzan to easily swing/climb to where he needs to go. Why sure! Then there's this kiddie vibe that's hard to explain, like the producers were trying to appeal to five year-olds, which is strange because there are quite a few adult-oriented elements. What could've been a quality Tarzan flick is sunk for these two reasons.

While Scott's interpretation of the ape man is good the writers have him speaking limited English in the manner of Weissmuller, which is in contrast to Burroughs' book version where Tarzan can speak several languages fluently. I can live with this, however, as it's a movie interpretation of the character. This changed with Scott's two last films as the ape man, noted above, where his portrayal was more faithful to Burroughs.

The film runs 86 minutes and was shot in the Congo, Africa, as well as Iverson Ranch, CA, and studio sets in England; plus stock African footage.

GRADE: C+

There's no safari in terms of an expedition into the African jungle per se in Tarzan And The Lost Safari. Rather the king of the jungle has to rescue five survivors of a light airplane crash and lead them out of the jungle to safety. The survivors are a cross section of upper crust Britania including married couple George Coulouris and Yolanda Donlon, newlyweds Peter Arne and Betta St. John who are already having issues and a Cholly Knickerbocker type columnist Wilfred Hyde-White. None of them really at home in the wild.

Besides Gordon Scott as Tarzan this party has another potential rescuer in white hunter Robert Beatty. But he's in league with a nasty savage tribe called the Oprahs, whoops Opars. They've got a fortune in ivory and for some white sacrifices they'll give it up, especially if one of them is the legendary Tarzan. Big medicine for the tribe there.

George Coulouris is strangely muted and not what you normally expect from a guy who plays some high powered villains on the screen. Especially when Donlon gives Tarzan the old come-on. Tarzan evinces not a whiff of an interest. Beatty has his eyes on Betta St. John in the best Snidely Whiplash tradition.

And as always that remarkable simian Cheta responding to some well placed instructions is invaluable in the rescue. And Tarzan's knowledge of native drum language also helps in the climax.

Too much silliness in this plot with a good cast making a really dumb script entertaining.

Muscular jungle king Gordon Scott (as Tarzan) helps a quintet of private plane passengers who crash after a flock of birds causes mechanical failure. They get mixed up with nasty hunter Robert Beatty (as "Tusker" Hawkins) and savage Africans, who are eager to sacrifice white humans. You've seen much of this before, but this time it's in color. Color is a nice addition to the "Tarzan" franchise. There is no "Jane" or "Boy" in this one, but you get two attractive women, brunette Betta St. John (as Diana Penrod) and blonde Yolande Donlan (as Gamage Dean). They admire Mr. Scott's physique as he showers in a waterfall, and he tears up a mink coat to "help" make then some suitable shoes. As usual, "Cheta" finds the alcohol...

***** Tarzan and the Lost Safari (4/12/57) Bruce Humberstone ~ Gordon Scott, Betta St. John, Robert Beatty, Yolande Donlan