Sorority Girl

I didn't know what to expect before watching this movie. But with Susan Cabot's great performance as the main character Sabra Tanner I really enjoyed this old Roger Corman classic.

Sabra is well...not a nice person at all. She is spoiled rotten and rich and is being cut off from the family's money after her mother (Fay Baker) advises her of this. She is in a sorority, but tries to get the better in every situation she is in including blackmail, attempting to be romantically involved with roommate Rita's (Barboura Morris) man Mort played by Dick Miller and yes even spanking with a paddle one of the other sorority girls. It comes down to Cabot's performance though. She keeps things interesting and Corman keeps things at a brisk pace as the movie only runs just over an hour.

This is another of those young people who go wrong movies that were so popular from the mid-fifties to mid-sixties, all trying in their own way to be another "Rebel Without a Cause", and few succeeding.

This one didn't succeed either, but it can still hold your interest, as you find yourself alternating between wanting to throttle the main character and feeling sorry for her.

The movie could have been titled "Lost Cause", as she seems doomed from the start, a girl rich in material things but poverty stricken when it comes to love and affection, none of which her widowed socialite mother is willing or able to give her. She takes her unhappiness out on the girls in her college sorority, and all her cruelty, scheming, and blackmailing backfire on her.

If you're looking for a happy ending, you won't find it here.

If you're looking for a great movie, you won't find that either.

If you're looking for something to kill time, you've come to the right place (I guess).

Susan Cabot stars as a spoiled rich college girl names Sabra. As an upperclassman she like to taunt and order about a fattish pledge named Ellie (Barbara Cowan), which irritates fellow student Rita (Barboura Morris). Sabra just seems to spread misery everywhere she goes.

Even a meeting with her mother (Fay Baker) leads to mama's tearing up Sabra's monthly allowance check. This just makes Sabra meaner and she eventually paddles Ellie and has a cat fight with Rita. When she learns that dopey Terry is pregnant, Sabra launches a plan to blackmail Mort (Dick Miller) and extort $1,000 from him by claiming he's the father.

Later on, at the beach, Terry goes into a funk and decides to jump off a cliff. Will anything save her?

Fay Baker is fun as the mean mama; everyone else is terrible. Cabot and Morris were also in THE WASP WOMAN together.

Stunning Susan Cabot is Sabra, a troubled young woman indeed. Despised by her mother and hated by her sorority sisters, Sabra has plenty of dough but no friends and nothing but hatred for the world and everybody in it, including herself. She tortures the poor chubby li'l pledge that has been assigned to her as a "little sister", at one point even giving her *gasp* a good spanking! Events soon spiral out of her control, though, and her slippery slope of loathing soon leads her to blackmail, extortion, and revenge. And when I say "soon", I mean "soon", because the whole darn movie is only 60 minutes long! I like SORORITY GIRL a lot. In addition to Miss Cabot (who gives her best performance ever here, despite the fact that at age 30 she was a little long-in-the-tooth to be a sorority girl), you'll find Barboura Morris (the sexiest of all '50s AIP starlets, in this guy's opinion), June Kenney (well remembered from ATTACK OF THE PUPPET PEOPLE), and the ubiquitous Dick Miller (somewhat surprisingly playing a character not named Walter Paisley).

Roger Corman said that AIP presented him with the script and asked him to make the picture quickly and cheaply (no surprise there); Corman was used to being involved in his screenplays, so he worked on it as quickly as he could while filming commenced. He shot the picture at the USC campus and rented, rather than built on a set, the sorority house, to accomplish maximum frugality. It gives the film a nice college atmosphere (watch the cast hanging out at USC landmarks just to show they were really on campus).

The film's hour running time allows for no humor, and suspense builds nicely to the picture's climax. (I shouldn't say NO humor; look for the lamps in Sabra's room: they are ballerina legs with tutus for shades!) In the end, when all of the sorority sisters finally confront Sabra on the beach ("You're not human – you're something the SEA cast up!") I actually felt sorry for the poor little sociopath.

SORORITY GIRL originally played as a double-feature with MOTORCYCLE GANG, and that film is also recommended.

This is one of my all-time favorite movies. It's a masterpiece. I think Susan Cabot is right up there with Faye Dunaway in "Mommie Dearest," and Lili Taylor in "I Shot Andy Warhol" in her role as Sabra. I think anyone with any damned sense can see him/herself in this young woman. Call me disturbed, or twisted, but that's just the way it is. The scenes with Sabra & her mother are priceless, as are the interactions (and altercations!) between Sabra & Rita, her roommate. It's hard to believe Corman made this film in 1956; it holds up so well. If you miss this, you are missing out on life itself.