Sous le plus petit chapiteau du monde

This film is one of my favourites because fifty years ago I was a young projectionists in a small cinema in the East Midlands, England. My future wife, was also a projectionist there (this was just after World War II, and the men were still away in the forces) and was where we met. I later became a movie house manager for several years before leaving the business with the advent of TV. Although it was hilarious the film hit the nail on the head with many home truths. The projectionist and the cashier were always rivals and vied for positions of authority. I knew many projectionists who were fond of the bottle. The way the show was kept running in all adversities was also typical of real life in a small "flea pit". A great film of days that used to be ! Incidentally my wife and I celebrated our golden wedding two years ago, and we did our courting at the movies on our days off.

A delightful story of a young couple that inherit The Bijou -- a broken down movie theater -- and against their wishes make a go of it.

Virginia McKenna and Bill Travers play Jean and Matt -- the young couple.

I was familiar with Ms McKenna's work but Bill Travers was new to me.

He has a wonderful Laurence Olivier air about him and is very appealing as an actor. His only other film that I am at all familiar with was "Born Free."

I was half way through the film before I realized that Percy Quill the projectionist with a drinking problem was Peter Sellers. Even though he was about 32 when the film was released he plays a little old man -- and superbly.

The wonderful character actress Margaret Rutherford, who made a career out of playing Miss Marple, is absolutely enchanting as the somewhat dotty Mrs. Fazackalee.

Why are old, somewhat crazy men in British films always named Tom? For whatever reason, Bernard Mills as Old Tom is quite a piece of work. A tendency to take things a little to literally is what drives his character -- that and the fact he is pretty much nuts.

It seems like many British films from this period look very much like filmed plays -- which this movie very definitely did.

Unfortunately the print that I saw for this film was in nearly as bad a shape as the movies being shown at "The Bijou." A good reason for more and better film restoration -- even for the films that we do not always think of as classics.

It seems to me that in recent years most filmmakers believe that to hold a viewer's interest a film must be fast-paced, full of conflict, and in short "edgy". The British comedies from the this time are leisurely paced, and work extraordinarily well because they are full of wit, first-class acting, and not a small dose of irony. For me, "The Smallest Show on Earth" is a "sleeper". In the US I suspect it is lesser known than "The Mouse that Roared" and some of the wonderful Alec Guinness comedies; but I find its' gentility and droll humor to be wonderful! (I would also add that I think that it's a shame Peter Sellers - who has a marvelous supporting role as a doddering projectionist - is best known to moviegoers in the US from his Pink Panther movies, which I think were mostly a waste of his prodigious talents.)

Who hasn't seen a forlorn, forgotten little neighborhood theatre and fantasized about reopening it, and making it work? For Jean and Matt, though, who have no options after starting over in a strange city, it becomes a necessity. The hopeless crusade becomes the kind of poignant-yet-hilarious stuff that makes for an unforgettable film. Margaret Rutherford, Peter Sellers and Bernard Miles, as the former staff members recalled from retirement, have a magical scene together in the Bijou's darkened auditorium one night after closing time, recalling the old days with a silent film and the disused piano. Great stuff. I only wish the film was longer.

This film starts off with a young couple inheriting from an uncle long forgotten. An old theatre named the "Bijou" but known to the locals as the "flea pit" starts the fun. Apart from a closed decaying building, the couple also inherit three old eccentric people who are the employees of the Bijou. Not to be left out is the nefarious owner of the town's other theatre house who wants the valuable land under the Bijou for expansion. The young couple reopen the old theatre to an array of problems. You actually begin to "root" for the employees and couple to keep the old theatre going. Ingenuity is upmost in "bringing" and "keeping" paying customers. These attempts are both amusing and creative and makes this film worth watching.