La Revanche de Frankenstein

Doctor Frankenstein has moved on having escaped the guillotine, set to pick up his work, he transplants a living brain into a body. The process seems to be successful, until the subject learns of his future.

I'm not quite sure they got the title right, it implies that Doctor Frankenstein is keen to take revenge on those that sent him to the guillotine, it's more a story about him picking up his work where he left off.

Frankenstein is depicted as ak almost sympathetic character, he seems to be trying to do some good, he's not trying to create a monster, he seems to be trying to bring science on a bit, it's an interesting take. Cushing is of course brilliant in the role.

I had no idea Michael Gwynn was in this movie, but he does a great job as Karl, he's damaged, he's violent, but he also manages to draw in a degree of sympathy too.

Very well made as you'd expect, and if you're watching on blu ray, the colours are incredibly vibrant. The sets are excellent, and there's the usual array of horror equipment that you'd expect.

Enjoyable.

7/10.

The second entry in the noble Frankenstein series produced by Hammer and – as always – a joy to watch. Largely thanks to the performance of Peter Cushing who became one with this protagonist for 6 entire movies. Cushing perfectly knows who to make the most out of his character. As a viewer, you don't know whether to have sympathy for him…or despise him. He's a dedicated and hardworking scientist, yet he's doesn't seem to care much about human emotions and he's ultimately cruel. The screenplay by Jimmy Sangster is well-written and rather original…the development of the ‘monster' is completely different than usual and the script contains a lot of twisted and sadistic humor. The Revenge of Frankenstein has two extraordinary good sequences. Namely the entire beginning in which the Baron is brought to the Guillotine, condemned for the crimes against humanity he did in the past (The Curse of Frankenstein – 1956). This entire opening to the movie is very atmospheric, morbid and the perfect launch for a decent horror movie. Secondly, there is the magnificent climax containing an experiment-gone-wrong that brutally interrupts a high society party. This particular scene is the start for a very suspenseful finale with a few shocking parts and a terrific end scene. Certainly a must for all Cushing-, Fisher- and Hammer-fans and a nice waste of time for everyone with a little sympathy towards the genre of horror. Recommended!

OK so maybe not. Even though this movie is called "The Revenge of Frankenstein" and the baron himself, who escaped the guillotine, also tells that he is planning on taking revenge, he never does so in this movie. Sloppy perhaps and also a missed opportunity. Nevertheless "The Revenge of Frankenstein" remains one of the best put together and most atmospheric Hammer movie. Esecially for late '50's standards, this movie is a surprising good and effective one that more than serves its purpose and has plenty enough to offer the viewer.

The story is well written and told, which is the main reason why this movie works out great. It also helps to make this movie one of the better ones out of the long line of Hammer Frankenstein movies. It's an interesting movie to watch with a great perfect horror atmosphere, all combined with the typical Hammer studio's style. The movie also features some morbid humor which suits the style of the movie even better and makes it an even more pleasant and entertaining one to watch.

Unlike other Frankenstein movies this movie relies on original and self developed and written elements. The Hammer studios throughout this way, practically recreated the entire character of baron Frankenstein, with its long line of Hammer Frankenstein movies. When I now think of baron Frankenstein, I automatically think of Peter Cushing portraying him, thanks to the Hammer movies.

The movie doesn't waste any time on things like character development, which is also the reason why the movie is only 89 minutes short. It makes the story flow well, without any drags or unnecessary moments but one of the consequences also is that some of the characters don't quite work out because of this, such as the Eunice Gayson character, who doesn't seem to serve a purpose in the movie. The movie also doesn't have enough emotional depth because of this. Even though the movie does some attempts to give the movie some depth, mainly in its sequences with the monster, the movie is too short and distant to really care about any of it. But at least they did a worthy attempt, which makes this movie an improvement over the first Hammer Frankenstein movie "The Curse of Frankenstein".

Peter Cushing is really great as the baron who has taken the name Dr. Stein, after escaping from the guillotine, to conceal his true identity. Cushing really seem at ease with his role and he draws all of the attention of the movie toward him. Unlike most other Frankenstein movies the Hammer Frankenstein movies aren't really about the creature but more about baron Frankenstein and his eternal morbid search for cheating the death and creating life. It's a good thing that this movie is about the baron and not really about the monster, for the actor who plays the monster in this movie (Michael Gwynn) is exactly convincing or a good enough actor. Further more the movie does feature some good British actors for the smaller parts of the movie, who all seem to fit their parts very well.

Through its atmosphere the movie does manages to create an overall overly present creepy atmosphere which does provide the movie with some good horror moments as well. Of course nothing too scary, since obviously all Hammer movies are obviously more entertaining than scary or serious. The movie also does feature some nice looking sets, costumes and effects which help to set up the mood.

A must-see for the Hammer fans, mainly thanks to its well written and told story.

8/10

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Dr Frankestein, Peter Cushing , escapes from guillotine being rescued by his servant and he then relocates to Carlsbruck, Germany, where he becomes a popular society physician, Dr Stein , but being panned by other doctors. Helped by another physician , Francis Matthews, restart the eerie, scary experiments by use parts of dead bodies. Meanwhile, a police inspector, John Stuart, investigates bizarre killings.

Another Jimmy Sangster written, Terence Fisher directed movie, being distinguished by their great earlier entries into the genre. Nicely and creepily made , but inferior followup to the original The Curse of Frankenstein, though superior to the subsequent sequel The Evil of Frankenstein . Peter Cushing gives an awesome acting , as always, as the malignant and misunderstood doc who just can not stop his macabre experiments and schemes to transfer his servant's brain into another sewn together creature and creating a new monster well incarnated by Michael Wynn .Support cast is pretty good, such as Francis Matthews, Michael Gwynn who went to star in several Hammer films , Lionel Jeffries , John Welsh , Eunice Gayson , the usual Michael Ripper and John Stuart who was a former matinee idol whose debut in movies was as long as1920.

It packs a colorful and brilliant cinematography by Jack Asher. Frightening as well as evocative musical score by Leonard Salcedo. The motion picture wes well directed by Hammer maestro , Terence Fisher . He was a prolific and fine artisan who realized some masterpieces , especially for Hammer Films . He directed all kinds of genres, standing out in Terror movies. As Terence directs such good movies as Frankenstein and the monster from hell, Frankenstein must be destroyed , Frankenstein created woman , The devil rides out , Island of the burning, Dracula prince of darkness, The brides of Dracula , Horror of Dracula, Island of terror, The gorgon , The phantom of opera, The curse of werewolf, The hound of Baskerville , The mummy, Race for life, Black glove, Blackout, Unholy four, Four sided triangle, Spaceways , 3 stops to murder, Man bait, A stolen face ,among others . Rating : acceptable and decente horror movie 6.5/10

Revenge of Frankenstein is the only true sequel in the successful Hammer series. It is interesting to note, that principal photography began scant days after the completion of 'Horror of Dracula,' and it does not require a trained eye to see the re-dressed and painted Dracula sets throughout the film. Production Designer, Bernard Robinson, and Director, Terence Fisher both told me the paint on some of the flats had yet to dry when shooting began. Peter Cushing had the opportunity to refine and develop his portrayal as the driven Baron Frankenstein. His dialogue is caustic, witty and at times humorous. This again was the Golden Age of Hammer, that magic period that lasted but a short time. The team of Fisher, Robinson, Lighting Cameraman, Jack Asher, and a completely dedicated cast and crew shines as brightly as those newly painted sets. One of the best of the period, and still plays well today.