Orgueil et passion

Direct from the What Were They Thinking files comes this bloated pageant of staggeringly foolish proportions. All about getting a cannon through battles and assorted other nonsensical issues this overripe piece of twaddle has a few things in its favor, nice scenery and beautiful color photography. They are outweighed however by the inert direction of the usually competent Kramer and even more by the complete miscasting of the principle actors. Sophia is gorgeous and was just starting in American films so her being shoved into whatever was available at the moment no matter how unsuitable can at least explain her presence here. Cary Grant who would seem a natural in period films actually looks rather absurd and is stiff as a board, he apparently felt the same way and after this often referred to this film with mocking scorn. He and Sophia, who became involved during the making of this stinker, would be much more properly and happily paired the next year in Houseboat a delightful comedy which is the place to see them together, not here. Worst of all is Frank Sinatra preposterously cast as a Spanish freedom fighter with both an atrocious accent and wig. He is simply dreadful. Worth watching only to see how an A level film with major stars and a respected director can go wrong in pretty much every aspect.

If this spectacular epic were rated solely on importance of the story, high production quality, including direction, sets, locations, costumes, and cinematography, then who knows, America's Stanley Kramer may have been compared to England's David Lean. And that's the only reason this movie deserves one star above mediocre. Sadly, it is the absolute worst casting for a big-budget, cast of thousands production that keeps it from being taken as seriously and as enjoyably as it should. Sinatra as a Spaniard is just plain pathetic, as he imitates (poorly) a Mexican accent, and he seems very disengaged from beautiful Sophia Loren, with whom he is supposed to be in love. Then there's the addition of the much older Cary Grant playing an English officer who becomes enamored of Sophia, and thereby a rival of Sinatra's, as Grant is more wooden and uncharming than any other of his many movie roles that you might think of. Oh, if only Sophia could save the casting mistakes, and she really tries, but with two male leads who each lack credibility and screen watchability in their own rights, Sophia can't save the characters so miscast and poorly portrayed. Theodore Bikel appears, in somewhat lesser but important role as a French general, but it is terribly difficult to distinguish specifically what accent he is using (or trying to use). So, best advice is to watch the movie uncritically with regard to the main cast, and enjoy the drama and magnificent production! Would I watch it again? Sadly, no.

This spectacle movie is packed with noisy action , fights , uncomfortably cast , breathtaking Spanish outdoors and epic happenings . It deals with a small group of resistance fighters who form a vintage Spanish guerrilla led by an illiterate peasant called Miguel (Frank Sinatra who replaced Marlon Brando) battling for Spanish independence in 1810 and all of them must struggle a 6 ton cannon across the rugged terrain of Spain in order to help the British defeat the French commanded by General Jouvet (Theodore Bikel) . This enormous gun , perhaps the largest in the world at that time , to be destined to pull down the Avila walls . Meanwhile , along the way a British officer , named Anthony (Gary Grant who was utterly in love with Loren) joins the bunch , but then the protagonists have an affair and he falls in love for Juana (Sophia Loren in his first English-speaking role and she obtained $200,000 for her work on this big production) , the leader's sweetheart and the woman who get them both on fire .

In this spectacular but silly flick there are epic events , battles , a love triangle , historical events and a cast of thousands . The flick describes the efforts , sacrifices and hardships to transport such a gigantic cannon throughout Spain and how it must be covered from the Bonaparte army . Based on a novel titled ¨The Gun¨ by CS Forester's about Napoleon's Iberian campaign in which Guerrilleros have to move a huge cannon chased by the Napoleonic forces . This is still a slog through an overlong , and tiring script by the prestigious Edward Anhalt ; however , the film results to be epic , thrilling , overwhelming and impressive , especially on Avila's final battle . Miscasting actors , specially of Frank Sinatra as a Spanish countryman hurt the movie . As Cary Grant and Frank Sinatra are a passable but uncomfortable duo , playing as two heroes struggling to lug a vast cannon within range of the Napoleonic wars , they considered themselves to be miscast in this film . Cary Grant had sworn never to make another historical film after the disastrous The Howards of Virginia (1940) , he made an exception for this film to star with other tower-box office actors as Sinatra and Loren . In fact , Sophia Loren got a great amount of money for her work in this big-budgeted super-production . This was one of two films Sophia Loren and Cary Grant starred in together , the other was Houseboat or Cintia (1958) by Melville Shavelson . As Sophia Loren is gorgeous as the rebellious girl providing the love interest on both , Grant and Sinatra . Support cast is frankly excellent , plenty of notorious Spanish secondaries as José Nieto , Carlos Casaravilla , Carlos Larrañaga , Xan Das Bolas , Emilio Rodríguez , Julian Ugarte , Barta Barri , Felix De Pomes , and Spanish ex-president Adolfo Suarez as extra and many others . Colorful cinematography in Technicolor by Franz Planer supported by Spanish cameraman Manuel Berenguer , being shot on location in Ciudad Encantada , Cuenca , Castilla-La Mancha , El Escorial's monastery , El Escorial, Madrid , Santiago de Compostela , A Coruña , Galicia , Segovia Roman Aqueduct , Segovia , Castilla y León, and Toledo and Valdemoro Madrid . Furthermore , it contains a rousing , evocative and sensitive musical score by George Antheil .

This spectacularly solemn film and full of sound and fury was well produced/directed by Stanley Kramer but flopped in box office . By that time to be said that this producer Stanley Kramer himself wants really to pull down the Avila walls to make more realist the finale scenes . He was a successful filmmaker who had several hits , such as : Fugitives , It's a mad , mad mad world , Inherit the wind , Judgement at Núremberg , On the beach , Ship of fools , The secret of Santa Vittoria , The Domino Principle , Guess who's coming to dinner , among others .

I was a bit more than a kid when I saw "The Pride and the Passion" for the first time in theatres back in the late 50's and I remember I thought it was kind of slow and even boring at times. But then I saw it again not long ago and surprisingly -because it usually goes the other way around- I found it a watchable and sort of interesting epic spectacular in the times when Napoleon ruled in Spain.

Though "The Pride and the Passion" doesn't match in my opinion other directing works of Stanley Kramer such as "The Defiant Ones" or "Judgment at Nuremberg", this film has a sort of heroic and epic that reaches a reasonable level. It has well dosed and skillfuly handled action sequences, wide open sceneries in Spain, good color photo and a very appropriate musical score that gives it a sense of greatness. However I still think it could have been a bit shorter and that would have improved the product.

Cary Grant renders a very convincing performance as the British officer that knows how to shoot the huge cannon; Sophia Loren is good too and Frank Sinatra, if not brilliant whatsoever, comes out acceptably as an Spanish "guerrillero" leader and by the middle of the film you get used to him.

Not a classic or even a classical late 50's or early 60's epic spectacular "The Pride and the Passion" is an acceptable historical action film worth a watch.

This 1950s movie epic was not a hit, but had a particularly superduper superstar set of headliners, Cary Grant, Frank Sinatra and Sophia Loren. Sinatra was seriously miscast as a firebrand Spaniard fighting valiantly against Napoleon's armies in 1810, and Grant also seems out of place, but otherwise it is still an impressive big-budget production for its day.

For me, Sophia's sexy flamenco dance showcase early in the film easily upstages the huge gun our heroes are dragging along 1,000 kilometers of Spain to do battle at Avila. The movie was obviously the inspiration for the 1966 "Combat!" episode titled "The Gun".

Main problem here is that the screenplay by Edward Anhalt, working with his wife Edna Anhalt, is simply not compelling, especially considering his work on many great movies ranging from "Becket" to "Hour of the Gun".

Producer-director Stanley Kramer has become, in recent decades, demoted to relative obscurity. Currently his major works, movies with serious messages, are of no interest, while his contemporary Kubrick is often considered the greatest of all time, and the work of his current counterpart Ridley Scott is laughably overrated. I chalk it up to the preference by both critics and audiences for style over substance.