Hold-Up

Plunder Road is an object lesson in what can be done with a low-budget and a stripped-down script. The opening moments, at night under a hard rain, are disorienting, swift, and all but silent. A gang of highwaymen has plotted to rob a train of its gold-bullion cargo. Successful, its members split off onto three separate routes to what they hope will be prosperous freedom. The movie follows them dispassionately as they individually reckon with their fates. This is a marvel of action and economy -- one of the most enjoyable offerings from late in the cycle of film noir.

Certainly a lot of atmosphere from the 1950s on display here, and we are on the road plenty. One is definitely drawn into the program, and it is difficult not to be interested in the details of all that is passing by before our eyes on the screen. The expressive faces, which are so strongly captured by the camera, may seem uncomfortably close at times, especially since they aren't faces of what we may call appealing folks. Keep in mind that with no counter-balance from hero figures, it may be easy to fall into rooting for some of these bad guys. A grim, stark, and memorable viewing experience.

$10 million in gold is being shipped by rail to San Francisco from Salt Lake City. Five men are determined to see that the gold doesn't make it. The men successfully pull-off a daring nighttime robbery and snatch the $10 million. Their plan includes loading the gold into three different trucks. At regular intervals, they set off for the coast where they intend to rendezvous and split their loot. Will they make it? (This is a film noir - you know things are bound to go horribly wrong.)

Plunder Road is a nice little low-budget noir/crime/drama film. While I enjoyed every second of the movie, the highlight for me has to be the robbery that takes up at least the first 15 minutes of the film's 72 minute runtime. Similar to Rififi, the robbery is carried out almost entirely in silence. The plan is well thought out and executed. The coordination between the five guys makes for a great watch. Director Hubert Cornfield expertly filmed this section of the movie. He wisely included almost every detail - from the masks to the gassing of the guards to the handling of the explosives. Some of the camera angles Cornfield chose helped to increase the excitement of the whole thing. I also think that filming the heist in pouring rain was a wise decision. The rain added even more suspense and atmosphere. While I'm not overly familiar with most of the cast (Elisha Cook, Jr, being the exception), they all give nice performances. I think I was most impressed with Stafford Repp as Roly Adams, but that may only be because he's familiar to me having played Chief O'Hara on Batman in the 60s. Plunder Road's ending is appropriately bleak. As with most good film noir, none of the characters comes out unscathed.

A well planned and executed train robbery is carried out in silence in twelve minutes. The take is over ten million dollars in gold. Now the six thieves -- Gene Raymond, Wayne Morris, Elisha Cook, Jr, Stafford Repp and Steven Rich -- have to get it past the roadblocks from border to border.

It's a decently done B movie, with some nice talent in front of the camera and behind it, too; Ernest Haller runs a nice camera, with an increasingly filled and claustrophobic screen. A little too much time is spent in chat, but what are you going to do when you're driving a truck several thousand miles, and the voice on the radio is always the same?

Once again, I am impressed by Gene Raymond, whom I had once written off as a pretty-boy actor from the 1930s. This was Wayne Morris' last movie shoot; one he had shot earlier sat on the shelves for a few years.

Plunder Road is directed by Hubert Cornfield and written by Steven Ritch and Jack Charney. It stars Gene Raymond, Jeanne Cooper, Wayne Morris, Elisha Cook Jr. and Stafford Repp. Music is by Irving Gertz and cinematography by Ernest Haller.

After pulling off a daring train hold-up, a gang of thieves split up and hit the roads to meet up in Los Angeles in readiness to share their gold bullion spoils...

A poverty row heist noir late in the classic cycle, Plunder Road gets in and does the job without fuss and filler and with no little style. Running at just 72 minutes in length, the first portion of film is devoted to the intricate robbery that is set at night in the sheeting rain (15 minutes worth) and with barely a word spoken. It's meticulous planning, and thus this appears to be one highly tuned and professional gang of thieves. The rest of the film follows the gang, now travelling in three different vehicles, heading straight to noirville as their inadequacies and paranoia's come to the fore and noir's old faithful friend the vagaries of fate shows it's smirking face.

Cornfield and Haller (Mildred Pierce/The Verdict) atmospherically photograph the picture, using the Scope format to emphasise the impending implosion of the characters' plans as they move through the various locales and situations. It's solidly performed by the cast, with old noir hand Cook Junior doing what he does best, and Cornfield manages to eek out much suspense from what essentially is a simple story. The ending is all a bit too quick, some contrivances are to be taken with a pinch of salt, while Gertz's score is very intrusive for the whole 15 minutes heist sequence. However, this is a good and enjoyable film noir experience, even though it doesn't quite push towards the upper echelons of other heist movies in the film noir universe. 7/10