IMDb RATING
6.5/10
2.7K
YOUR RATING
Returning to his hometown, a former marshal finds his house occupied by a young woman working as a fishwife.Returning to his hometown, a former marshal finds his house occupied by a young woman working as a fishwife.Returning to his hometown, a former marshal finds his house occupied by a young woman working as a fishwife.
- Awards
- 3 wins total
Featured reviews
I came to this film 65 years after it was made. Sophia Loren is a phenomenon, and if you watch "The Life Ahead" before you watch this, her extraordinary contribution to world cinema is even more apparent. This is Italy less than a decade after the end of World War II, yet the film is apolitical and concentrates on the lives of real people trying to make their way in a nation that suffered enormously from war but also from its own delusions and acquiescence to the "charms" of fascism.
Vittorio de Sica is retiring from the Caribinieri, returning to Sorrento to become head of the Police Department. He comes equipped with an elderly governess, a brother who is a priest, and a great variety of uniforms, all with white gloves. What he lacks is a place to live. His family apartment has been occupied since the War by Sophia Loren, a widowed fishwife. She has a boyfriend with whom she fights a lot. This does not, of course, prevent her from coming on to de Sica, who easily loses his head over women -- it's Loren, who wouldn't? -- to keep the apartment and get her boyfriend a job with the police. The boyfriend objects to her methods. Meanwhile, de Sica is staying at the home of Lea Padovani, a highly religious and insanely repressed woman, as a favor to the priest.
I have the feeling that the movie's length of 110 minutes, although long for a comedy, is trimmed. Miss Padovani's sequences seem rather abrupt and Miss Loren, while startlingly beautiful, gives a performance that is rather harsh and monotonous; it's true she was only 20 when she made this, but she soon showed herself a capable farceur and actress of considerably greater range. Perhaps the producer and director simply lacked confidence in her abilities.
Despite these misgivings, this is a good comedy, mostly because of de Sica, who plays his well-written role of a mature and intelligent man who becomes a gibbering poet at the sight of a beautiful woman, with the beautiful freedom of a true clown.
I have the feeling that the movie's length of 110 minutes, although long for a comedy, is trimmed. Miss Padovani's sequences seem rather abrupt and Miss Loren, while startlingly beautiful, gives a performance that is rather harsh and monotonous; it's true she was only 20 when she made this, but she soon showed herself a capable farceur and actress of considerably greater range. Perhaps the producer and director simply lacked confidence in her abilities.
Despite these misgivings, this is a good comedy, mostly because of de Sica, who plays his well-written role of a mature and intelligent man who becomes a gibbering poet at the sight of a beautiful woman, with the beautiful freedom of a true clown.
The third part of the Maresciallo adventures trilogy is quite different from the previous two in being in colour and cinemascope, and replacing Gina Lollobrigida with Sophia Loren in a completely different environment. The Maresciallo returns to his native town Sorrento by the sea between Naples and Capri as a Comandante and is immediately exposed to new amorous adventures and perils, one being the crude fisherwoman Sophia Loren, who has occupied his home, and the other being a pious saint in the opposite direction (the lovely Lea Padovani). Sophia already has a boyfriend with a temper good enough to fight with anyone, so Sophia will not be easily convinced, although flattered by de Sica's undeniable gentlemanly advantages. The film is not on par with the two previous ones but the more enjoyable for its beauty and colours and wonderful environment. The dialog becomes second to the cinematography and rather banal intrigue, while the dialog is the backbone and core of the previous two. You lack Gina's tempestuous and very down to earth temperament, while Sophia Loren is more stylish but less convincing as a fisherwoman. Vittorio de Sica though is optimal as always.
This kind of reminded me of the Greek love dramas I used to watch when I was younger. Though I don't remember the age gaps, which surely must have existed in many of those movies too. It was all about love. In this case that's not entirely true. Esepecially for the female main character in this. Sophia Loren had a reputation as a person, which one cannot seem to be able to distinguish from some of her roles.
What can she do though? She had the looks, it's not like she isn't or wasn't able to play anything else. Which I think she's proving even now in a recent production on Netflix. I haven't seen that one yet, but just from some flashes of the trailer one can tell, she has not lost her touch. And speaking of which, her touch is something two men crave here. One older, the other one younger. With all the teasing and all the other stuff happening too. A drama that will touch some and will others indifferent. But you can't blame the movie for not keeping it real amongst all the fun it has ...
What can she do though? She had the looks, it's not like she isn't or wasn't able to play anything else. Which I think she's proving even now in a recent production on Netflix. I haven't seen that one yet, but just from some flashes of the trailer one can tell, she has not lost her touch. And speaking of which, her touch is something two men crave here. One older, the other one younger. With all the teasing and all the other stuff happening too. A drama that will touch some and will others indifferent. But you can't blame the movie for not keeping it real amongst all the fun it has ...
Did you know
- TriviaFinal film of Clara Crispo.
- ConnectionsFeatured in Legendy mirovogo kino: Sophia Loren
- How long is Scandal in Sorrento?Powered by Alexa
Details
- Runtime1 hour 50 minutes
- Color
- Aspect ratio
- 2.55 : 1
Contribute to this page
Suggest an edit or add missing content
Top Gap
By what name was Pain, amour, ainsi soit-il (1955) officially released in India in English?
Answer