L'évadé du camp 1

This film is about a German prisoner of war in the World War II, who strives to escape back to Germany.

Despite being made fifty years ago, "The One That Got Away" is very watchable and suspenseful even in modern day standards. The plot is well written, despite giving away what happens in the movie title, it is still thrilling and suspenseful throughout the movie. I admire Franz's determination and courage to escape, and I am surprised by the other prisoners of war's cooperation in his plans even though they are not escaping. Humanity through harsh times is well depicted in here, touching one's soul and inspiring others to treasure life.

I first saw this movie as a child in my small local cinema. It had a profound effect on my (and my friends) attitude to the German people, (remember that this was only 12 years after the war) Our whole concept of Germans as 'nasty baddies' was turned on its head. It was probably the first step (I was six years old) in my realisation that things are not black or white. The scene with Hardy Kruger hiding from his pursuers behind a stone wall wearing flying boots is still etched in my mind more than forty years later

26. THE ONE THAT GOT AWAY (war, 1958) During air raids on Britain during WW2 German Lt. Von Warren's (Hardy Kruger) plane is shot down. He's captured and made a P.O.W. He repeatedly tries to escape but to no avail. Undaunted in his efforts he finally succeeds but has to survive the long and dangerous trek back to Germany.

Critique: Although the title is a bit of a giveaway, this is one of the most intriguing of war films, a substitute to the countless Americanized versions of P.O.Ws. The picture is perfectly paced adding to the excitement and suspense. Based on a true story of the only German to escape from an allied camp, it has beautiful crisp black and white photography. What makes it a standout in film history though is the fact that a German soldier is made the hero here.

Actor Hardy Krugers' portrayal is an unusual mix of boyish charm, and cockiness. The film is virtually flawless except for the screenwriter's depiction of Von Warren. They make him so much likable and appealing (funnier) than the Brits that one walks out rooting for him. I mean isn't he the enemy? One of Hitler's tools of war?

Furthermore, it's disturbing to learn that Von Warren returns home but goes back to the front and dies fighting the Allies. This little known film is hard to get on video (though I've seen a re-released copy), so your best shot is to catch it on TV.

QUOTE: Von Warren: "It's the duty of an officer to try and escape."

I'm somewhat biased about this film - which really is a great piece of story telling - because my Dad was in it! He was doing his National Service at the time the film was made, and the Army provided squaddies as extras in the search scenes.

When Von Werra is captured in a boggy patch my Dad is the corporal who provides a spare poncho to keep the German officer warm. He even has a line... "Yes, I've got one Sir." or something to that effect. Last time the film was shown in the U.K. his speech was rather badly edited out, much to the dismay of his loyal following.

I think the film works really well at putting you on the side of the captive, so that even watching from a partisan British perspective it is hard not to want him to succeed in outwitting his gaolers.

The only flaw for me is the slightly romanticised crossing of The St. Lawrence. By this stage the director is going for such a sympathetic depiction of Von Werra that he seems almost childlike. I think Von Werra was a sufficiently capable media manipulator for his version of events to have percolated down into the film. He wanted to be seen as a romantic, chivalrous hero but maybe he was tougher and more ruthless than he would have us believe?

Overall a great story, based on real events and characters, with some wonderful film making. Watch it, and watch out for my Dad!

The film I would compare this to is The Colditz Story - like Colditz here we have real film-making.

Excellent performances all round - Hardy Kruger gives an outstanding performance as the boyishly confident von Werra - and the film is more than capably directed by Roy Ward Baker, who was an assistant director for Hitchcock and directed Marilyn Monroe in Don't Bother to Knock, and has an obvious eye for how to tell a good story.

The final 30 minutes are simply brilliant - if you haven't seen this (And even if you haven't seen it for a while) I would definitely recommend it - a human tale about effort and there are some classic stiff upper lip moments - all in all an excellent example of 50s movie making.

Highly recommended.