Le survivant des monts lointains

Hearing James Stewart play the accordion and sing is probably not the most pleasant part of this film. Great actor, bad singer. World War II Congressional Medal of Honor winner Audie Murphy, not usually recognized as a top acting talent, turns in the best performance in this film and he and Stewart are surrounded by a cast of great character actors. "Night Passage" was the first U.S. film produced in Technirama, a superior large format wide screen system developed by Technicolor, Inc., and the photography is extremely good. Worth a look.

this is a terrific film with a terrific cast and an outstanding score by dmitri tiomkin who composed for many films, many of them western: high noon, the alamo.. the film tells of two brothers, one honest, one outlaw, who separate and cross paths later, on both sides of the law..one look at the cast and you know who's what..the plot is somewhat moralistic, as it includes a juvenile who is shown the right and wrong paths in life..today, it would be cliche: no gratuitous gore, sex, language, chases, crashes and few screams..i guess this is what would be known as an adult film, because only adults (who remember these actors) would appreciate how things were done in the '50s..and more's the pity; in those days, less was more..an audience could enjoy one gunshot, one smile, one look and not get as bored as audiences do today when they see schwarzenegger, stallone, seagal, norris, etc., then ask gee, i wonder what he'll do next time that's better? even in the '50s, many films had class, today, it's all kitsch and glitz..thank god films last forever..

"Night Passage" is one of a series of westerns made by the venerable James Stewart for Universal in the 50's and 60's. This one is directed by James Neilson rather than Anthony Mann but is nonetheless an above average western.

Grant McLaine (Stewart) has been wondering from place to place over the past five years earning his living by singing songs and playing the accordion. McLaine had been fired by the railroad for appearing to have helped his outlaw brother, The Utica Kid (Audie Murphy) escape justice five years earlier. The railroad is being robbed of their payrolls by Whitey Harbin (Dan Duryea) and his gang. Railroad boss Kimball (Jay C. Flippen) rehires McLaine to guard the next payroll. Along the way McLaine learns that the Utica Kid is a part of Whitey's gang.

McLaine befriends a boy, Joey (Brandon DeWilde) as he is being chased by surly villain Concho (Robert Wilke). Later, the train on which they are traveling is held up by the gang and Kimball's wife Verna (Elaine Stewart) is taken captive. After being pistol whipped by Concho, McLaine recovers and trails the gang to their hideout. There he poses as the person bringing the ransom money while meeting up with his brother. Will blood be thicker than water? You'll have to wait until the final showdown.

The film is beautifully photographed and the railroad setting provides for many scenic moments. The Stewart character doesn't quite have the edge that he would have had in a Mann film, however ANY film with James Stewart is worth your time. Murphy playing in an rare "A" level movie does okay as the all in black gunfighter. Duryea is at his usual sneering slightly mad best as the chief villain.

Of the supporting players, Olive Carey (widow of Harry Carey) has a delightful bit as a muleskinner named Miss Vittles. Dianne Foster appears as Murphy's girl, "Charlie" and Paul Fix and Ellen Corby are hilarious as the Feeneys. In addition to Wilke, Duryea's gang includes Jack Elam and Chuck Roberson. For nostalgic TV fans Herbert Anderson (Dennis the Menace) and Hugh Beaumont (Leave It To Beaver) have small roles as well.

Worth your while.

Beautifully photographed, atmospheric western that takes a while to build up under James Neilson's direction--he took over from Anthony Mann, who was fired after clashing with star James Stewart--but ends with a slam-bang finale. Stewart and Audie Murphy work well together, with Stewart as a railroad employee entrusted with getting a payroll past a gang of train robbers, and Murphy his brother who's a member of the gang. Dan Duryea excelled at playing sadistic villains with a twisted sense of humor who actually got a kick out of their work, and he does another good job of it here. A solid supporting cast including Jack Elam, Robert J. Wilke and Herbert Anderson contributes to the film's enjoyability, along with some spectacular mountain scenery. While no masterpiece, it's a good, satisfying western with a catchy little ditty sung by, of all people, Stewart. Check it out.

As many Western fans know, Night Passage was all set up to be the sixth genre collaboration between director Anthony Mann and actor James Stewart. After a run of successful and genre defining "adult" Westerns, the prospect of another was mouth watering to the genre faithful. The promise of something good was further boosted by the names of others involved in the project. The screenplay is written by Borden Chase (Red River/Winchester '73), cinematographer was William H. Daniels (The Far Country), the score is from Dimitri Tiomkin (High Noon/Giant) and joining Stewart in the cast are Audie Murphy, Dan Duryea, Jay C. Flippen, Jack Elam & the wee lad from Shane, Brandon De Wilde. That's some serious Western credentials. But sadly Mann was to bail at the last minute, the reason(s) given vary depending on what source you believe.

It's thought that Mann was unimpressed with Chase's screenplay, feeling it lacked a cutting edge (as reportedly so did Stewart). The casting of Murphy was also said to be a bone of contention to the talented director, while it has simply been put down to him having other commitments (he had both The Tin Star & Men in War out in 1957). Either way, Mann was out and the film was never going to be better for that situation (sadly Mann & Stewart fell out over it and never worked together again). In came TV director James Neilson and the film was wrapped and released with mixed commercial results. Yet the film still remains today rather divisive amongst the Western faithful, due in the main one feels, to that Mann spectre of potentially a better film hanging over it.

Night Passage is a good enough genre offering, but the plot is slight and the story lacks the dark intensity that Mann, one thinks, would have given it. The story follows an overly familiar tale about two brothers (Stewart/Murphy), one bad, one good. A story from which Chase's screenplay holds no surprises, it is in truth pretty underwhelming writing. With the actual core relationship of the brothers lacking any emotional depth. However, there's more than enough visually here to offset the standard plotting and make this a very enjoyable experience. Shot in Technicolor's short-lived "Technirama" process, the widescreen palette pings once the cameras leave the back lot and goes off into the mountains of Colorado.

Trains are the order of the day here, as Chase adapts from a story by Norman A. Fox, it's the train that becomes the central character, deliberate or not. As the Durango & Silverton Narrow Gauge Railway snakes its way thru the gorgeous terrain, it's that image one takes away, not anything that the thinly scripted characters have done. Still, in spite of its literary flaws, Neilson shows himself to be competent with the action set pieces, of which there are quite a few. While Stewart is as reliable as ever, even getting to play an accordion (a hobby of his since childhood) and sing a couple of chirpy tunes. Of the rest, Dianne Foster leaves a good impression as the Utica Kid's (Murphy) girlfriend and Murphy himself does solid work with his cheeky grin, slick hair and black jacketed attire that shows Utica to be something of a suspicious character.

Good but not great in writing and thematics, but essential for Western fans with big TV's. 6.5/10