IMDb RATING
7.1/10
18K
YOUR RATING
A middle-aged playboy becomes fascinated by the daughter of a private detective who has been hired to entrap him with the wife of a client.A middle-aged playboy becomes fascinated by the daughter of a private detective who has been hired to entrap him with the wife of a client.A middle-aged playboy becomes fascinated by the daughter of a private detective who has been hired to entrap him with the wife of a client.
- Director
- Writers
- Stars
- Awards
- 3 wins & 4 nominations total
Olga Valéry
- Hotel Guest with Dog
- (as Olga Valery)
Elga Andersen
- Bit Part
- (uncredited)
Claude Ariel
- Existentialist
- (uncredited)
Jack Ary
- Man in Love on Right Bank
- (uncredited)
Marc Aurian
- Couple Drenched by Water Wagon
- (uncredited)
Vera Boccadoro
- Couple Drenched by Water Wagon
- (uncredited)
Paul Bonifas
- Police Chief
- (uncredited)
Charles Bouillaud
- Ritz Employee
- (uncredited)
Françoise Brion
- Minor Role
- (uncredited)
Marcelle Broc
- Rich Woman
- (uncredited)
Jeanne Charblay
- Client at Baker's
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The first thing I noticed about this lilting romance (on the widescreen DVD) was the beautiful, shimmering, black and white photography. Set in Paris, with some scenes filmed there, Director Billy Wilder weaves a captivating, simple tale of a 20ish woman (Hepburn), who lives with her father (Maurice Chevalier), who schemes to snag a 50ish cad (Cooper). At first the age difference is very apparent, with Cooper seemingly mis-cast as a womanizer, but he grows on you, with a sweet, gentle, quiet, attractive performance. Hepburn is stunning and spunky in one of her best performances. The song "Fascination" is used to great effect. Filmed in 1957, the only way to show the title occurrence is to have a camera shot following Hepburn's dis-robed fur coat falling to the hotel room's floor, as she embraces Cooper. The ending is suspenseful, with cute narration epilogue by Chevalier. A wonderful film.
There is likely no more romantic ending to a Hollywood movie than the one in this soufflé-light 1957 romantic comedy, where Audrey Hepburn tries to keep up with a departing train upon which Gary Cooper stands and listens intently to her babbling about her fictitious sexual conquests. Hepburn plays Ariane, a young cellist and the daughter of a Parisian private investigator named Claude Chevasse. She has an unbridled interest in her father's often tawdry cases, chief among them the affairs of Frank Flannagan, a millionaire industrialist and aging playboy who finds himself in various trysts with married women around the world. A certain Monsieur X has come to Chevasse to catch his wife in a suspected extramarital fling with Flannagan. Overhearing Monsieur X's intention to kill his wife and her lover, Ariane decides to warn Flannagan, and they embark on an afternoons-only affair under the pretense that she is as much a worldly bon vivant as he is. Things come to a head when Flannagan becomes infatuated with this mysterious "thin girl" and recruits Crevasse to find out who she is.
Master filmmaker Billy Wilder leaves his unmistakable stamp on this confection with a clever, ironic script co-written with his long-time partner I.A.L. Diamond in their first collaboration. The dialogue is full of their trademark sparkling banter, and leave it to Wilder to use a Gypsy string quartet to act as a chorus for Flannagan's sexual shenanigans. Hepburn is her usual impeccable self as Ariane and especially good fun when she layers the deceptions about her checkered past. Cooper played this type of boulevardier role in the 1930's under masters like Ernst Lubitsch, and it is quite enjoyable to see him come back to this milieu two decades later as an aging lothario. Looking weather-beaten after years of Westerns and adventure pictures, he was given a lot of grief because of the age difference between him and Hepburn, but I actually find the gap quite touching and Cooper surprisingly game. Maurice Chevalier is ideally cast as Crevasse even if has to play down his naturally effervescent manner. Granted the film runs a little too long at 126 minutes, but it is fine, light entertainment similar to Wilder and Hepburn's previous collaboration, the classic 1954 "Sabrina". The print transfer on the 2005 DVD is fine though not outstanding. Unfortunately there are no extras included.
Master filmmaker Billy Wilder leaves his unmistakable stamp on this confection with a clever, ironic script co-written with his long-time partner I.A.L. Diamond in their first collaboration. The dialogue is full of their trademark sparkling banter, and leave it to Wilder to use a Gypsy string quartet to act as a chorus for Flannagan's sexual shenanigans. Hepburn is her usual impeccable self as Ariane and especially good fun when she layers the deceptions about her checkered past. Cooper played this type of boulevardier role in the 1930's under masters like Ernst Lubitsch, and it is quite enjoyable to see him come back to this milieu two decades later as an aging lothario. Looking weather-beaten after years of Westerns and adventure pictures, he was given a lot of grief because of the age difference between him and Hepburn, but I actually find the gap quite touching and Cooper surprisingly game. Maurice Chevalier is ideally cast as Crevasse even if has to play down his naturally effervescent manner. Granted the film runs a little too long at 126 minutes, but it is fine, light entertainment similar to Wilder and Hepburn's previous collaboration, the classic 1954 "Sabrina". The print transfer on the 2005 DVD is fine though not outstanding. Unfortunately there are no extras included.
This delightful light romantic comedy is worth viewing just for Audrey Hepburn's darling performance as the innocent ingénue pretending to be a woman of the world. Gary Cooper is sadly miscast as the international playboy who is the target of Hepburn's affections, a role that Cary Grant could have walked through in his sleep. Ewan McGregor played a similar role to nice effect in the recent Down With Love, but McGregor, regrettably, is no Cary Grant. Who is? <sigh> But back to Love in the Afternoon... Maurice Chevalier is charming in his role as Hepburn's private detective father and John McGiver is funny as a befuddled cuckold. Billy Wilder's direction is naturally impeccable. But the movie is all Audrey after all, and isn't that enough?
This has always has been my all time favorite romantic comedy. Thanks to Billy Wilder's creative genius this film works despite Gary Cooper being miscast as the leading man. Regrettably, Gary Cooper was not only too old, but lacked the charm and suaveness needed for the role. Cooper was also in the twilight of his career and was suffering from health problems when the film was made. Cary Grant or Gregory Peck would have been more appropriate for the role of Frank Flannagan, the womanizing jet setter who falls madly in love with the daughter of a detective who has been investigating him. Nevertheless even with a miscast Gary Cooper the film works ....thanks to the marvelous performances of Audrey Hepburn and Maurice Chevalier, who play the young innocent musician daughter and her snooping, pooping private detective father. The title song "Fascination" with original music by F.D. Marchetti and Franz Waxman serve as a romantic thread that runs tightly through out the entire cinematic heart throbbing experience. Billy Wilder's more noted films such as "The Apartment" and "Some Like It Hot" may have garnered more recognition than this film over the years, but in my opinion none of them have the charm that this film has to offer. In fact if one is willing to "What if?", and trade off Gary Cooper for Gary Grant for the role of Frank Flannagan, I suspect that that this film would have been right up there with the best romantic comedy of all time, "It Happened One Night".
Immensely charming comedy set in Paris where a Cinderella-type role masterfullly played by Hepburn gets closely involved with a wealthy womanizer . As the rich playboy called Flannagan (Gary Cooper) becomes interested in the daughter , Ariane Chavasse (Audrey Hepburn) , of a sympthetic private detective , Claude Chavasse (Maurice Chevalier) , who has been hired to entrap him with the wife of a client (John McGiver) who decides to shoot him . To be aware the beautiful daughter rushes to Flannagan to prevent his murder . And of course , she winds up falling in love with him . An oh-so-very shy young girl , but she lists 20 men in her past! . It's got the hit tune "Fascination" .Love is a game any number can play... especially in the afternoon...It's more likely in Paris and more LOVELY IN THE AFTERNOON!
Amusing and funny movie in ¨Billy Wilder's Sabrina¨ style also starred by Audrey Hepburn about the classic love story in which a duo of oppossite characters , after a series of incidents resulting in the two eventually become attracted to each other . This romantic comedy is intelligently and pleasingly written to gives us lots of fun , laughters and smiles . The hit of the show is undoubtedly Audrey Hepburn who gives one of the best screen acting as the naive and good girl , while Gary Cooper gives a nice acting in his usual style as a middle-aged playboy becomes fascinated by the daughter of a private detective. Here Gary Cooper seems more relaxed and agreeable than usual ; however , Cooper's a little old for the Casanova role , but Hepburn is always enchanting . And , of course , Maurice Chevalier is awesome as likeable and understanding father .
Emotive and romantic musical score and atmospheric black and white cinematography by cameraman William Mellor . This slick, smooth comedy is stunningly written I. A. L. Diamond and Billy Wilder himself , based on the novel "Ariane, jeune fille russe" by Claude Anet . Being competently directed by the genius Billy Wilder . It belongs his first and better period during the 40s and 50s when realized sensational and acerbic films as ¨Double indemnity¨, ¨Ace in the hole¨ , ¨Sunset Boulevard¨, ¨Stalag 17¨ and ¨Seven year itch¨ ; subsequently in the 60s and 70s he realized nice though unsuccessful movies as ¨Buddy buddy¨,¨Fedora¨ , ¨Front page¨and ¨Secret life of Sherlock Holmes¨. Rating : 7/10. Above average , essential and indispensable watching ; extremely funny and riveting film and completely entertaining . It justly deserves its place among the best romantic comedy ever made . It's the kind of movie where you know what's coming but , because the treatment , enjoy it all the same .
Amusing and funny movie in ¨Billy Wilder's Sabrina¨ style also starred by Audrey Hepburn about the classic love story in which a duo of oppossite characters , after a series of incidents resulting in the two eventually become attracted to each other . This romantic comedy is intelligently and pleasingly written to gives us lots of fun , laughters and smiles . The hit of the show is undoubtedly Audrey Hepburn who gives one of the best screen acting as the naive and good girl , while Gary Cooper gives a nice acting in his usual style as a middle-aged playboy becomes fascinated by the daughter of a private detective. Here Gary Cooper seems more relaxed and agreeable than usual ; however , Cooper's a little old for the Casanova role , but Hepburn is always enchanting . And , of course , Maurice Chevalier is awesome as likeable and understanding father .
Emotive and romantic musical score and atmospheric black and white cinematography by cameraman William Mellor . This slick, smooth comedy is stunningly written I. A. L. Diamond and Billy Wilder himself , based on the novel "Ariane, jeune fille russe" by Claude Anet . Being competently directed by the genius Billy Wilder . It belongs his first and better period during the 40s and 50s when realized sensational and acerbic films as ¨Double indemnity¨, ¨Ace in the hole¨ , ¨Sunset Boulevard¨, ¨Stalag 17¨ and ¨Seven year itch¨ ; subsequently in the 60s and 70s he realized nice though unsuccessful movies as ¨Buddy buddy¨,¨Fedora¨ , ¨Front page¨and ¨Secret life of Sherlock Holmes¨. Rating : 7/10. Above average , essential and indispensable watching ; extremely funny and riveting film and completely entertaining . It justly deserves its place among the best romantic comedy ever made . It's the kind of movie where you know what's coming but , because the treatment , enjoy it all the same .
Did you know
- TriviaGary Cooper was very pleased with his performance and very disappointed that the majority of critics thought him miscast due to his age. Indeed, the film's box-office failure was largely attributed to his being considered too old to play Audrey Hepburn's lover. In April 1958 he had a full facelift and other cosmetic surgery, but the procedure was largely unsuccessful.
- Goofs(at around 1h 50 mins) When Flannagan says to Chavasse, "I couldn't get to first base with her!", Gary Cooper clearly mouths something else.
- Quotes
Ariane Chavasse: Working on a new case?
Claude Chavasse: A client from Brussels. His wife ran away to Paris with the chauffeur. I have to find them; the husband wants his car back.
- ConnectionsFeatured in L'homme qui venait d'ailleurs (1976)
Details
Box office
- Budget
- $2,100,000 (estimated)
- Gross worldwide
- $718
- Runtime
- 2h 10m(130 min)
- Color
- Aspect ratio
- 1.85 : 1
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