Dieu seul le sait

Robert Mitchum and Deborah Kerr give beautiful performances in this touching study of a Marine and a young nun who find themselves stranded on a Pacific island during WWII. Their platonic relationship deepens when the Japanese return to occupy the island, and Cpl. Allison and Sister Angela take refuge in a cave, surviving by his wits, her prayers, and the saving grace of their mutual respect and affection. Mitchum gives one of the finest performances of his career as the proud Marine who finds himself falling in love with his companion, and Deborah Kerr is unaffectedly enchanting as Sister Angela. Quiet moments of compelling character study are interspersed with suspenseful action sequences set amid ruggedly beautiful scenery.

In 1944, in South Pacific, the castaway Marine Corporal Allison (Robert Mitchum) drifts in a raft to the Tuasiva Island, where he meets Sister Angela (Deborah Kerr). She tells him that she is the only person in the island and was left behind by the runaway boat to Fiji Island while seeking the local priest. Stranded in the island, but with water, fish and fruits, their paradisiacal life ends when the Japanese arrive to build a base, forcing Allison and the nun to hide in a cave. The crude marine provides the necessary supply for their survival and falls in love for the nun.

"Heaven Knows, Mr. Allison" is not a masterpiece, but it is one of my favorite movies ever. The beautiful story is a kind of Robison Crusoe in times of World War II, without Friday, cannibals or pirates, but a hardened marine, a gorgeous nun and Japanese. The story has war, adventure, romance and drama, and is supported by the awesome direction of John Huston and the stunning performances of Robert Mitchum and Deborah Kerr in the roles of endearing characters. Deborah Kerr deserved her nomination to the Oscar, but Robert Mitchum was forgotten by the Academy in spite of having a top-notch performance. My vote is eight.

Title (Brazil): "O Céu Por Testemunha" ("The Heaven as Witness")

Marvelous WW II film, set in the South Pacific in 1944, on an island three hundred miles from Fiji. Mr. Allison (Mitchum), sole survivor of from his submarine, washes up on an island. He meets Sister Angela (Kerr), who was left behind when the ship that was supposed to take her from the island left without her. A Japanese plane flies over while on a reconnaissance mission. I'll let you watch and see where the film takes it from there.

Mitchum and and Kerr (she was nominated for an Oscar) are both excellent and have chemistry, as the film gradually turns into a love story/comedy. Mitchum's encounter with a turtle and Kerr's introduction to sushi are especially memorable. On paper, you would think this teaming would never work - Kerr playing one of her various governess/nun personalities, Mitchum being one of his various hard guy types with a soul, but they play off of each other marvelously and are paired in three more films after this, the last one being in the 1980s.

Oswald Morris did the fine cinematography. John Huston wrote the Oscar nominated screenplay, and four different composers were responsible for the musical score, which verges on being cute. Very worthwhile.

This film is among the best of my collection, when I like to see a good film, this is always in the first line. Robert Mitchum acted here extremely well as a marine with a very poor, not to say vulgar, background in his life. He confessed he was born orphan, he never knew who were his parents, and after 14 years old he escaped from the orphanage and was put in jail several times. His life changed once he was recruited by the US Marine. The always brilliant Deborah Kerr is here a nun with a very character and humor, always able to understand the behavior of Mr. Allison (Mitchum). It is normal that when two persons of opposite sex are together some strange feelings may appear, the mariner obviously may some hints in his favor, but the nun politely said no. In conclusion, excellent film with an interesting plot and wonderful acting, a real good film forever.

John Huston virtually remade "The African Queen" as a two-hander but set during the Second World War and on a Pacific island occupied by the Japanese and on which are hiding an American marine, (Robert Mitchum), and a nun, (Deborah Kerr), the only other sole occupants. Dextrously moving between scenes of genuine suspense, (will they be discovered), and real intimacy in which the comic as well as the dramatic potentials of the story are beautifully played out by both actors, Huston creates a film that works on a number of levels and shows real flair for the use of the widescreen imposed on him by 20th Century Fox. Indeed Kerr wears her habit as if to the manor born, (she's a much more relaxed nun than her Sister Clodagh in "Black Narcissus"), while Mitchum, with only Kerr to react to, has probably never been better. In this film he refined his laconic style to a fine art. Although popular with those who have seen it the film has never really acquired much of a reputation even if it is one of Huston's finest and certainly most undervalued films.