After World War II, a Los Angeles crime ring uses a complex scheme, involving a freight ship, a junkie, and a corrupt health officer, to smuggle drugs into the USA.After World War II, a Los Angeles crime ring uses a complex scheme, involving a freight ship, a junkie, and a corrupt health officer, to smuggle drugs into the USA.After World War II, a Los Angeles crime ring uses a complex scheme, involving a freight ship, a junkie, and a corrupt health officer, to smuggle drugs into the USA.
- Stanley Thomas
- (as George Mather)
- Stripteaser
- (as Virginia DeLee)
- Seaman
- (uncredited)
- Daddy
- (uncredited)
- Seaman
- (uncredited)
- Seaman
- (uncredited)
- Accomplice C
- (uncredited)
- Squad Officer
- (uncredited)
- Nurse
- (uncredited)
- Purser
- (uncredited)
- Police Officer
- (uncredited)
Featured reviews
Much of the film's running time involves the logistics and preparation for the crime, including the gathering of the crooks to pull it off.
All seems well, until the weakness, addictions, and folly of the team threaten to ruin the whole operation.
Russell is very convincing in his driven, downright wicked role. He's the black heart of the story, and delivers an unflinchingly ruthless performance. June Blair is also good as Paula, the woman that Jordan needs for his plot, as is Stuart Whitman as the man who falls in love with Paula, causing a moral dilemma.
This is a tense crime thriller with a wonderful chase-through-a-scrapyard finale...
Anyhow, it's more a movie of parts than a suspenseful whole. The narrative does tend to meander some despite the riveting premise. Surprisingly, the focus is more on Russell and what he'll do next, than on the caper itself. But colorful characters and good acting bridge over the narrative. And for sure, gimlet-eyed Russell does get to stare down everybody in sight, and makes one hunky gang leader. And that's just a year or two before he went straight and became sheriff of Laramie (Lawman). Though obscure by any light, the film's still a decent little crime feature that shows off once more the minor glories of the American B-movie.
The film begins with Jordan (Russell) coming up with a perfect plan to hijack a shipment of surplus narcotics left over from World War II. The military plans on destroying them--Jordan plans on relieving them of that responsibility and selling them for a fortune. However, to make the plan work several partners need to be gathered--a nurse, a derelict man in a raft, a crew member who will go into a diabetic coma and a government agent to look the other way. It's such a perfect plan he even made a movie and showed it to a mob boss--a man who is duly impressed--so impressed that he offers his girlfriend to play the part of the nurse. With all these things in place, what's to go wrong?!
While the film has a few slow moments, the execution of the robbery is exciting and a bit shocking in its brutality. I appreciated this, as these ARE criminal scum and they sure act like it!
As far as the nurse plot goes, it reminded me of the amazingly good but mostly forgotten Rory Calhoun picture, "The Big Caper". All in all, very well worth your time.
Stone-Faced John Russell is in Full Sadistic "Bully" Mode as, He Recruits Men and Women with Varying Degrees of Desperation and Greed.
Russell Uses Physical Persecution Beating and Slapping People Around Non-Stop Preys on Drug-Addicts to "Mastermind" a Heist of Contraband (Drugs) Most always Referred to in the "Code-Enforcement" Days as "Stuff".
It's Sleazy, both in Personnel and Locations, The Docks, Burlesque, and Minimalist Rooming-Boards. Also Featuring a Pre-Tarantino "Foot-Fetish" Running Throughout.
June Blair (Playmate 1957), Shows a Bit More than Her Feet Here in the Form of Cleavage and Lingerie.
A Good Supporting Cast of...Stuart Whitman, Margo Woode, and Frank Fenton, among Others,
Make for a Solid, Disturbing, Cutting-Edge, Mid-50's Crime Noir that has High-Lights Galore for those that Like Their High-Lights Among the Low-Light Digs and Brutal Crime-Gang Domination Displays.
About as Violent and Nasty as it Gets in the Mid-50's.
The Ending Scene in the Rail-Yard is Unforgettable and Brings this Little Hidden-Gem to a Crashing and Crushing Conclusion.
A Must-See for Noir and Crime Buffs...For Others it's...
Worth a Watch.
Did you know
- TriviaThe final scenes were shot at the Red Car trolley graveyard, on Terminal Island, near the ports of Los Angeles and Long Beach. They were in the process of being recycled by National Metal and Steel. The company also scrapped many decommissioned U.S. Navy ships there after WWII and also steam locomotives as they were being replaced by diesel-electric ones. The scrapyard closed at the end of 1985.
- Goofs(at around 20 mins) A seaman is headed to make the key swap. As he heads toward the loading dock (distance shot), there is no shadow on the dock. A minute later, when he is on the loading dock making the swap with Jan, the loading dock is completely in the shade. Another moment later, the seaman leaves and re-crosses the railroad tracks. Again, there is no shadow on the loading dock. Obviously, the distance and closeup shots were done at two different times of the day.
- Quotes
[first lines]
Narrator: Three days ago, at exactly 0600 - because that is really not the time - on February 5 - because that is really not the date - this freighter, which shall be nameless, sailed from a certain Far Eastern port. Its destination: The Port of Los Angeles, Wilmington, California. This is fact.
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Details
- Runtime
- 1h 9m(69 min)
- Color
- Aspect ratio
- 1.33 : 1