La sanglante embuscade

Francis Lyon always chose to have one (usually short and out of context) spot in his films that displayed some sort of tenderness, some sort of heart, in a figure that seemed to have neither. In this film, the guy in the black hat (Mark Stevens) happens up on an old abandoned shed in the middle of the desert. He goes in to find that there is nothing of use, but spies an old upright piano. It's long been neglected and is covered in dust. He blows the dust off and sits down to this abused keyboard. Suddenly, he is playing a very beautiful little piece that belies his present roughness and coldness and lets the audience know that it was not always this way with him.That he came from somewhere better, in another place, another time. David Raksin wrote this music. Its very quiet, simple and goes straight to the heart. It's been exactly fifty years since I have heard it last, but I remember every note as if it had been only yesterday.

Perhaps one day it will appear again, but for now, I must depend on my memory if ever to hear those quaint chords again.

Better than average western. Lots of studio lot actors that you always recognize but rarely know their names. Nice scenes with Slim Pickens (stage coach driver) and Dan Blocker (bartender). I did not recognize L Q Jones though, he was one of the four ruffian ranch hands. Story line wanders a bit but not objectionably so, and actually helps to keep your interest as it is not a plain, bad guy gets caught by good guy, that Republic Pictures turned out during that era. There was one element that is a constant in westerns of that era and that is the single daughter living with her single dad, the sheriff and his daughter. I also enjoyed the filming locations. One was very obvious as being Old Tucson and the others I suspect were in the Northern San Fernando Valley or maybe close by Santa Clarity Valley or Simi Valley. Worth watching if you enjoy old black and white westerns, better than average actors, and a more complicated story line.

"Gunsight Ridge" is an adequate, likable B Western that finds its star, Joel McCrea, in fine form. For the most part, it's routine, but it does have some nice touches, especially in the way that it treats its villain, Velvet Clark (Mark Stevens). Clark is definitely the bad guy, but we are treated to scenes in which he reveals what his preferred line of work would have been, had the reality of his situation not interfered. There's a rich array of character actors, and some very beautiful ladies. Both the music (by David Raksin) and cinematography (by Ernest Laszlo) are well done. Francis D. Lyon directs quite capably, and does particularly well at staging a suspenseful "last stand" finale that plays out without any score.

McCrea stars as Mike Ryan, a stranger who comes to a small town for a purpose known only to him. He impresses the local sheriff (Addison Richards) enough to get himself deputized, and he handles things such as collecting taxes from locals, while also helping out to determine the identity of the bandit who's been robbing stages. Forming a subplot are the run-ins that Mike has with the ill-behaved boys who work at the nearby Lazy Heart ranch.

McCrea is quite engaging, playing a lead character who's every bit the good, honest, dependable hero. His supporting cast reads like a who's who of veteran talent. In addition to Richards, there's Robert Griffin, I. Stanford Jolley, George Chandler, Slim Pickens (who's quite amusing in his brief part), Herb Vigran, L.Q. Jones, Morgan Woodward, Dan Blocker, and Hank Patterson. Jones and Woodward are fun as two of the antagonistic Lazy Heart ruffians. McCrea's son Jody has a small part as a young man getting married. Joan Weldon, Darlene Fields, and Carolyn Craig are all quite pleasing to look at in the female roles. Best of all is Stevens, who's appropriately intense and not entirely unsympathetic.

"Gunsight Ridge" is not particularly memorable, but it is sufficiently entertaining for an agreeably paced 86 minutes.

Seven out of 10.

Gunsight Ridge is directed by Francis Lyon and written by Talbot and Elisabeth Jennings. It stars Joel McCrea, Mark Stevens, Joan Weldon, Addison Richards, Darlene Fields and Carolyn Craig. Music is by David Raksin (title tune sung by Dean Jones) and cinematography by Ernest Laszlo.

McCrea plays Mike Ryan, an undercover Stage Line agent who while investigating a series of robberies takes the job of a deputy Sheriff in a border Arizona town.

Gunsight Ridge is a neat little Western, better than most of its black and white type because it rises above its formulaic story to reveal interesting characters and good strands of plotting. In the mix is the detective work as Ryan hunts stagecoach robber Velvet Clark (Stevens) whilst also enforcing law in the town. There's a gang of ruffians on the outskirts of town known as The Lazy Heart Boys, who offer a side-bar of criminal activity, while Ryan and the Sheriff's daughter (Weldon) start to build an attraction. There's cold blooded murder on show, a rampaging stagecoach sequence through the rocky terrain and a finale up in them thar rocks that satisfies greatly. It is also a film that looks and sounds terrific. Raksin's score is full of thunder and sorrow, while Laszlo's moody photography is atmospherically noirish.

It's the characterisation of Velvet Clark that is the trump card though. He is shown to be a ruthless killer and thief, yet he also has a sympathetic edge. He is given some depth by the writers, shown to be a frustrated pianist, he's tortured by his artistic leanings and how he has ended up on the wrong side of the law. With McCrea doing another in his line of straight backed and stoic man of the people turns, the dual aspect of good and bad characters works beautifully. There's other little character moments of worth as well, such as Carolyn Craig playing a young farm girl romanticising herself with the outlaw Clark, and old Sheriff Jones (Richards) obsessed with catching the robber because he doesn't want his perfect record blemished.

Comfortably recommended to fans of 1950s "B" Westerns. 7/10

In this western starring Joel McRea, the star goes undercover along the Arizona border to investigate several nasty border ruffians. Mark Stevens co-stars and as always turns in a fine performance. The script is good and holds the viewers interest throughout.

Joel McRea was at his best in this western detective yarn..... a story not unlike those from his radio series Tales of the Texas Rangers . A great cast of western character actors make the most of an interesting story.

Any western with this cast would be exciting and this film does not disappoint. Enjoy this one, they don't make 'em like this anymore ...