La fille aux bas noirs

What can you say about a movie whose three female stars are Anne Bancroft, Marie Windsor and Mamie Van Doren? Well, that none of them is used at anywhere near her full potential (except maybe Van Doren, the sum of whose potential is exhausted at first glimpse). And that's basically the problem with this little tailfins-era whodunit about a serial killer at a Utah mountain lodge. Its very real potential is never delivered. The characters and plot strands are handled perfunctorily, mechanically; they're interesting and offbeat but not satisfyingly developed, so the solution comes as a bad surprise and something of a cheat. Owner of the lodge, Ron Randell, is a psychosomatically paralyzed woman-hater nursed by his doting sister (Windsor). Les Barker (not to be confused with Les Baxter, who wrote the score!) loses no opportunity to display his physique poolside as a vacationing L.A. attorney who's wooing the diffident Bancroft. Van Doren does her platinum-blonde bombshell shtik and John Dehner, as the sheriff, seems to have wandered in from a Western shooting nearby. The movie looks good, in a simplified, populuxe way, and winds up like a better-than-average TV drama from circa 1957. Too bad: The Girl in Black Stockings had all the makings of a more interesting movie.

A lot of talent is wasted in this turgid misfire. At this point in his career, director Howard W. Koch had proved himself an efficient overseer of crime dramas-- Big House USA; Shield for Murder et al. Here however his usual expert pacing dissolves into a number of static, uninvolving scenes with way too much dialogue for a slasher film.

Then too, note the lack of reaction when suspect Frankie backs into a log-cutting machine. The sheriff (John Dehner) and his deputy merely stand there expressionless, with no help from the director, after observing what is presumably a very gory accident. My guess is that Koch took one look at the script and decided to walk through the rest.

In fact, the real problem is the script, which is about as confusing as a whodunit gets. Note the five-minute explanation Dehner has to deliver in order to tie-up loose ends in the movie's last scene. Not only is his solution as complicated as a problem in higher math, but I suspect the audience has long since lost interest, anyway. Not helping either is Ron Randell's teeth-clenching attempt to play the role of a mordantly depressed cripple. But then, who could bring off all that goofy sarcasm that the script sticks in his mouth.

The real crime is not using such ace performers as Marie Windsor and Anne Bancroft to better effect, especially Windsor whose role could have been filled by a dozen lesser actresses. Note also how sexpot Mamie Van Doren's one big high-cleavage scene is highlighted. No doubt that one showed up on all the promotion posters during the age of the busty blonde. Also wasted is the spectacularly scenic landscape around Kanab, Utah, where the movie was filmed. Instead, the action only leaves the nondescript resort grounds once, to go to the lumber mill.

In fact the whole production seems a curious affair-- almost like a bunch of Hollywood types suddenly found themselves at the same Southwestern resort and decided to shoot a movie, typing up the script each night after a heavy cocktail hour. Anyhow, whatever the backstory, the resulting film amounts to a plodding and talky misfire that likely never got closer than the farthest drive-in from town.

A pretty interesting whodunit, but too short ;the action is too hurried for comfort and some characters should have been more developed,particularly the frustrated disabled owner in his wheelchair and his companion (Marie Windsor,often cast as the bad girl,here she acts as some kind of nurse apparently devoted to her brother); Lex Barker is just OK and only in it to provide Anne Bancroft with a love interest .

The whodunit has the de rigueur unexpected twist , but then again,the explanations are a bit far-fetched .

Unbelievable murder-mystery centering around an upscale lodge in Utah, wherein sheriff John Dehner (in a cowboy hat) investigates the gruesome slaying of a blonde actress, a "man-hating witch" who had plenty of enemies. Soon, more bodies start popping up, the main suspects being: Lex Barker as the local he-man (with his navel judiciously covered at the pool), Ron Randell as an anti-social quadriplegic, Anne Bancroft as his wet-nurse, Mamie Van Doren as a model, and Larry Chance as Indian Joe (Chance appears to believe his character is a Wooden Indian instead of a Drunken Indian). Low-budget adaptation of Peter Godfrey's short story "Wanton Murder", this B-flick might have been a hoot had it been directed with some flair. Unfortunately, Howard W. Koch (who later became a famous producer) sets up this whodunit like a plodding amateur, and most of the acting is atrocious (including La Bancroft). Van Doren has an oddly surreal tipsy scene that rates as pure camp and Dan Blocker is fun as a leering bartender (how come he isn't a suspect?), but the poor writing defeats Dehner and Randell. The title is mysteriously irrelevant, however the setting is unusual and the black-and-white cinematography isn't bad. Les Baxter's melodramatic score heightens the ridiculousness, but serious movie-lovers will only scoff. ** from ****

Frankly, this a lame "B" flick, with hilarious dialogue, great locations and uneven performances.

To even utter the phrase "film noir," in conjunction with this film, is ludicrous. Some of the comparisons found in previous posts are mind-boggling.

Disposable characters, inane conversations and an annoying soundtrack are buffered by a wonderful setting - a kitschy, picture-perfect motel, straight out of a retro-fanatic's dream. Man, I want to stay at the "Parry Lodge" for a weekend!!

Every time actor Ron Randell opens his mouth, you know you're in for some scenery-chewing, par none. Lex Barker is, well, Lex Barker. "Sheriff" John Dehner comes across the least scathed, although as a previous comment did point out, he appears to have wandered in from another movie set.

All in all, worth a viewing, just to see what it meant to stay in a "motel" before Holiday Inn and Ramada ruined the experience.

UPDATE: Lodge is still up and running - see parrylodge.com!