L'enfer des tropiques

Rita Hayworth was 40 at the time this film was made. Rather interesting. She still looked lovely. Robert Mitchum and Jack Lemmon are both vying for her attention; Mitchum wins out momentarily.

Toward the end the story shifts as Lemmon is trapped in a ship, there is a fire, and Lemmon becomes a more sympathetic character. Mitchum and Hayworth feel guilty. This story would seem ripe for a re-make; it is a good story; rather a curiosity.

The Technicolor oranges and greens are prevalent; it is always interesting to watch films from this period. It would seem the stars themselves were fabricated to coordinate with the surroundings. The scenes at the carnival event are colorful and wild. Worth seeing as a commentary on the times.

You can't go wrong seeing a movie with the three stars that are in this one. But the real feature of this film is the location shooting in Trinidad/Tobago. If this doesn't make you want to choose that as your next vacation you are a hopeless stick-in-the-mud.

The song was also a big hit in 1957. It's a great melody and you hear it and you can't get it out of your mind.

Two men whose friendship his tested by a woman they both have the hots for. And when that woman is Rita Hayworth, who can wonder. She's older now, but still incredibly beautiful.

See a great story and appreciate Trinidad, make those vacation plans.

FIRE DOWN BELOW is watchable for the performances of ROBERT MITCHUM, RITA HAYWORTH and JACK LEMMON, as well as some good supporting actors, but there's a major disappointment.

The first half of the film deals with relationships and just starts to get added interest from the Mitchum-Hayworth chemistry when the story shifts gears and turns the rest of the plot over to Jack Lemmon for the film's climactic sub-plot. Ordinarily, this would have been fine, but not when viewers are expecting to see the Mitchum-Hayworth pairing develop into a deeper story of its own.

There's a lot of local color and some gorgeous scenery in Trinidad and Jamaica, but the story is an uninspired one that finally gets going once Hayworth enters the scene, then evaporates once she and Mitchum are given less to do.

Lemmon is fine as the happy go lucky, naive sort of bumbler he always played at this stage in his career. Hayworth is an even more jaded version of "Gilda" (maturing now and still quite attractive), and Mitchum is his usual laconic self.

Uneven as drama but watchable for its star appeal.

"Fire Down Below" involves a rather silly storyline with interesting scenery.Shot on location in the island of Tobago-complete with native Caribbean festivals and rituals-this film reveals more of the direction of Rita Hayworth's life-that of an aging glamourgirl fighting for survival despite her weakness for men and alcohol!At 37 Rita still has the sparkle of her earlier films.But here she's clearly older,heavier and depressed at the lack of fulfillment in her life! Much like what was really going on at that particular time in Rita's life!Her character Irena travels illegally from place to place-living off the willingness of those who wish to use her!She's jaded and unable to give or receive anything meaningful! Fire Down Below remains one of Rita Hayworth's last movies as a sexpot.Knowing that her next 10 years would involve a downward spiral into alcoholism,obscurity and eventual mental deterioration from Alzheimers disease leaves viewers feeling very sorry for her!It is a sad yet true insight into the life of a once beautiful and hopeful woman!

No-one would ever accuse "Fire Down Below" of being a good film but photographed in Cinemascope and Technicolour on location in the Caribbean it's certainly a handsome one, Throw in Robert Mitchum, Rita Hayworth and Jack Lemmon and it becomes a film with star quality as well. The plot is as old as the hills as pals Mitchum and Lemmon fall out over Hayworth, the woman they are transporting 'from nowhere to nowhere'. The film generates a little excitement, (though not much), when Lemmon gets trapped in a ship that is about to blow up. The terrible dialogue is courtesy of Irwin Shaw from a book by Max Catto and director Robert Parrish was hardly the man to turn a pig's ear into a silk purse.