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Escapade au Japon

Original title: Escapade in Japan
  • 1957
  • Tous publics
  • 1h 33m
IMDb RATING
5.9/10
618
YOUR RATING
Escapade au Japon (1957)
Road TripAdventureFamily

American Dick Saunders has just been transferred to Tokyo after a two-year stint in Manila. His wife Mary has accompanied him on the pretense to set up their home, with their adolescent son ... Read allAmerican Dick Saunders has just been transferred to Tokyo after a two-year stint in Manila. His wife Mary has accompanied him on the pretense to set up their home, with their adolescent son Tony arriving on a flight two weeks later. Dick requested the transfer to escape the sourc... Read allAmerican Dick Saunders has just been transferred to Tokyo after a two-year stint in Manila. His wife Mary has accompanied him on the pretense to set up their home, with their adolescent son Tony arriving on a flight two weeks later. Dick requested the transfer to escape the source of marital strife between him and Mary, namely another woman, that being the real reason... Read all

  • Director
    • Arthur Lubin
  • Writer
    • Winston Miller
  • Stars
    • Teresa Wright
    • Cameron Mitchell
    • Jon Provost
  • See production info at IMDbPro
  • IMDb RATING
    5.9/10
    618
    YOUR RATING
    • Director
      • Arthur Lubin
    • Writer
      • Winston Miller
    • Stars
      • Teresa Wright
      • Cameron Mitchell
      • Jon Provost
    • 18User reviews
    • 4Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos4

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    Top cast47

    Edit
    Teresa Wright
    Teresa Wright
    • Mary Saunders
    Cameron Mitchell
    Cameron Mitchell
    • Dick Saunders
    Jon Provost
    Jon Provost
    • Tony Saunders
    Roger Nakagawa
    • Hiko Tanaka
    Philip Ober
    Philip Ober
    • Lt. Col. Hargrave
    Kuniko Miyake
    Kuniko Miyake
    • Michiko Tanaka
    Susumu Fujita
    Susumu Fujita
    • Kei Tanaka
    Katsuhiko Haida
    • Capt. Hibino
    Tatsuo Saitô
    Tatsuo Saitô
    • Mr. Fushimi
    • (as Tatsuo Saito)
    Leticia Bahia
    • Stewardess
    • (uncredited)
    Francis Caffrey
    • Father
    • (uncredited)
    John Close
    John Close
    • Mid-Pacific Pilot
    • (uncredited)
    Russ Conway
    Russ Conway
    • Airliner Co-Pilot
    • (uncredited)
    Alice Cunningham
    • Mrs. Hobart
    • (uncredited)
    Mila Del Sol
    • Filipino Stewardess
    • (uncredited)
    Clint Eastwood
    Clint Eastwood
    • Ballard
    • (uncredited)
    Ureo Egawa
    • Chief of Kyoto Police
    • (uncredited)
    Rintarô Fujima
    • Burlesque Theater Tenor
    • (uncredited)
    • Director
      • Arthur Lubin
    • Writer
      • Winston Miller
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews18

    5.9618
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    Featured reviews

    7mb4084

    1950s Japan in colour

    Caught this harmless little story on TV recently. In this film we can see Japan in the 1950s before the great economic breakthough. Nostalgic and fascinating period shots of cities, temples, steam trains, geisha houses etc. Better than some documentaries as a record of those times and it was good to see the kindness shown by all the Japanese characters towards the lost American boy. Both kids were sensible and well mannered.
    johnnyherbert

    Watch it to get a glimpse of Clint.

    One of the earliest roles of Clint Eastwood. A plane on its way to Japan is forced to land at sea just off the Japanese coast. A small American boy survives the ditching but is separated from the rest of the passengers and crew and is picked up by a Japanese fisherman, who takes the boy back to his village. The boy is befriended by the fisherman's son, but when they see Japanese police swarming over the village, they are afraid that they've done something wrong and run away, although the police are only searching for the missing boy. There's not much here to see but this is a decent action flick.
    7SnoopyStyle

    fun exotic escapade

    Six year old Tony Saunders is flying alone on a commercial flight from Manila to Japan. He's to join his parents waiting in Tokyo. The plane crashes in the ocean and the boy is rescued by a fishing family. The family's boy Hiko is able to speak some English. Upon arriving home, the parents go to alert the police. Hiko fears that Tony is going to jail and the two boys run away.

    This should cut back on some of the parents' scenes and add more with the kids. It's basically a Disney movie in exotic Japan. That part is a lot of fun and very cute. It is indeed an escapade in Japan. This is a good look into post-war everyday Japan. The parents part does have some good emotions but it threatens to be too melodramatic at times. The kids part is the best. The climax is a bit scary. This is a fun exotic escapade.
    7Tokugawa

    Very Enjoyable Family Fare

    I agree with other reviewers of this film. It is quite good. You can watch it just to see what Japan looked like in the 1950's. You can watch it to see Jon Provost's first role; we remember him from "Lassie". You can enjoy the chase. Pretty cinematography too; filmed in very nice color. Worth watching if you ever see it on cable or dish. Nice movie.
    7theowinthrop

    An nice family travelogue picture

    This film has a soft spot in me - the film was one of the first movies I ever attended in a movie house. Probably my parents took me to see it because Jon Provost was in it, and I was a fan of the series LASSIE. However it was on a double bill, and I believe it was with PETER PAN (the first Disney cartoon I saw in a movie house). I know I enjoyed it.

    A boy of three or four can barely remember details, but this film was very colorfully shot. It was one of a series of films of all types (SAYONARA, THE BRIDGE ON THE RIVER KWAI, A MAJORITY OF ONE) where Hollywood was trying to make amends to the Japanese for the caricatures of their military and leaders that were shown in the 1940s.

    The plot was that Provost gets separated from his parents in an accident off Japan, and ends up with a Japanese family. Soon he is paling around with that family's son, and they are unaware of the efforts by the U.S. and Provost's family to find him. Instead, when the police seem to be trying to catch him, Provost and his friend jump to the conclusion that they've done something criminal, and they run away. The film follows their constantly just escaping the police, until the conclusion (reminiscent of the conclusion in THE RUSSIANS ARE COMING) where everyone has to rescue the boys from a roof. It was a very exciting conclusion (and the music in those last moments helped really build up the suspense).

    It was a good film, and a welcome introduction for the younger version of me to the pleasures of watching movies.

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    Storyline

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    Did you know

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    • Trivia
      According to Screenwriter Winston Miller, this movie was the first post-War movie that portrayed the Japanese "as nice people."
    • Goofs
      How did a small boy from a crashing plane end up in an inflatable life raft by himself? Seems like a dramatic turn of events worth including in the story, even if just in a line of dialogue.
    • Crazy credits
      The following general acknowledgment is presented in the opening credits: "The producers are indebted... to the Japanese citizenry and public officials, and to civil and religious authorities for granting permission, for the first time, to photograph inside sacred shrines and temples."
    • Soundtracks
      Lonely Song
      (uncredited)

      Music by Max Steiner

      Lyrics by Norman Bennett

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    FAQ13

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    Details

    Edit
    • Release date
      • January 7, 1959 (France)
    • Country of origin
      • United States
    • Languages
      • English
      • Japanese
    • Also known as
      • Escapade in Japan
    • Filming locations
      • Kiyomizu Temple, Kyoto, Japan(where the young girl shares her bento box lunch with the boys)
    • Production company
      • Arthur Lubin Productions
    • See more company credits at IMDbPro

    Tech specs

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    • Runtime
      • 1h 33m(93 min)
    • Color
      • Color
    • Aspect ratio
      • 2.35 : 1

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