La femme modèle

While Designing Woman isn't as famous as other romantic classics, like Pillow Talk or Woman of the Year, there's a lot to love about this hidden gem from 1957. On a sad note, Humphrey Bogart was dying during the filming of this movie. Lauren Bacall said in her autobiography that Gregory Peck was a wonderful friend to them, and that his kindness and strength helped her survive the terrible tragedy. So, in case you sense any sort of tension in Lauren's performance, I hope you'll cut her some slack.

Lauren plays a fashion designer, and Greg plays a sports writer. They fall in love and get married, but after their impulsive decision, they soon find they have very little in common. My favorite scene is when they are ordering at a restaurant. Lauren has previously revealed that she eats a lot when she's happy and in love, so when she orders a humungous meal, she looks at him sheepishly as they both realize she's fallen in love with him. It reminds me of the fantastic line from Sex, Lies and Videotape that Andie MacDowell says: "The last time I was happy, I got so fat!"

All in all, it's pretty funny, with jokes about hangovers, sex, and infidelity that snuck past the strict Hollywood censors. If you like either of the leads, or if you like cute, smart flicks from the 1950s, give this one a try. It's as if Lauren's character from How to Marry a Millionaire met Greg's character from Roman Holiday and fell in love!

Cute and charming movie. Bacall and Peck have great chemistry as a newlywed couple who have more differences than they think starting out together. Bacall is funny and chic in her gorgeous gowns by Helen Rose and Peck is funny and charming as a gruff sports writer. This is a true gem.

It's not exceptionally funny or momentous, just pleasant in the same agreeably polished sort of way the Rock Hudson-Doris Day comedies are. Peck is a New York sports writer who meets Bacall's fashion designer while on leave in California at a posh hotel. They marry on a whim after a brief courtship and soon discover their clashing lifestyles will be a greater problem than they anticipated. Delores Gray plays Peck's old flame who isn't quite ready to fade into the background; Sam Levene and Tom Helmore lend capable support as Peck's editor and Bacall's business partner, respectively. A minor Minnelli production that breaks no new ground, it's a delightful diversion all the same.

I thought the film had some enjoyable performances. Peck is a little wooden but perhaps this was meant to be part of his character. I liked the hoodlums very much and they seemed to be enjoying themselves. The monologues by the characters work very well and the film still surprises and entertains the viewer.

Vincent Minnelli directed this movie with verve. The idea of the movie came from MGM's designer Helen Rose, a woman who knew about fashions. The screen play by George Wells, works well in the beginning of the movie.

The idea of bringing together these two different people had already been done, especially as vehicles for Spencer Tracy and Katherine Hepburn. The allure here lies on the stars. Gregory Peck and Lauren Bacall made an excellent couple.

Lauren Bacall, at the height of her beauty, comes out best. She was a fine comedy actress who had a sense of style and timing. In portraying Marilla, Ms. Bacall offers a side of her that hadn't been tapped before, having been seen in heavier roles. This movie seems to have been tailor made for her.

As the sports writer, Gregory Peck, plays comedy, which was not his forte. At times, he appears wooden, but it probably was the direction from Mr. Minnelli, who wanted to show the big contrast between the lovers. Mr. Peck's Mike Hagan is completely different from his role in "Roman Holiday", but he carries it off and shows he was having a great time playing this sports reporter.

Dolores Gray, as Lori Shannon, has a few good moments playing the woman that is dumped by her steady boyfriend. There are a lot of familiar faces in the cast. Sam Levene, Tom Helmore, Mickey Shaugnessy, Jesse White, Chuck Connors, Edward Platt and Jack Cole, who plays the part of the Broadway choreographer that makes a statement of not being gay, when everyone can see otherwise!