Death in Small Doses

A federal agent, Tom Kaylor (Peter Graves) is posing as a long-haul truck driver because of the damage being done by truck drivers using amphetamines in order to work their exhausting hours. The only really obvious lead is a trucker named 'Mink' (Chuck Connors), a guy who very obviously uses pills because he's perennially giddy and the acting is WAY over the top! But Mink won't talk and so Tom needs to keep his eyes open and be very, very careful because whoever is supplying the junk is more than willing to kill to keep this secret...and they soon end up beating Tom's co-driver to death because he asked too many questions!

While occasionally the film is obvious and anything but subtle, it is entertaining and does provide a public service. I just wish they'd made Mink semi-realistic and explained that most Amphetamine users do NOT have hallucinations or end up in the Psyc Ward! It's not nearly as silly as films like "Reefer Madness" but if should have been a tad less goofy. It's really a shame, as the topic is an important one AND most of the movie was very good. Still, overall it is never dull and certainly is entertaining!!

Peter Graves is a federal agent trying to find out the source of the amphetamines that is killing and driving insane so many long haul truck drivers. An opening segment shows one of the long haul truck drivers trying to stay awake and downing "bennies" as they call them here to the point where he sees cars where there are none, and swerves, crashing his truck and dying, grabbing the viewer's attention.

Tom Kaylor (Graves) goes undercover as a student truck driver. He moves into the rooming house run by the widow of the dead truck driver from the opening segment.

Tom keeps asking for bennies from people who he thinks might be selling them, and getting rebuffed - practically with a sermon - every time. His first partner on a long drive actually opens up to Tom about the bennie business and how the pills are killers and how he is going to ask around to see if he can find out who is supplying them. He winds up beaten to death.

There are a number of suspects as usual in this kind of film, and it keeps you guessing as to whether they are in on the pill business or just afraid of crossing those who are. The end is rather anti-climactic as the person who is the guilty party doesn't evoke either anger or sympathy from the audience. Plus the opening segment makes you believe that Kaylor is after a "Mr. Big", and this person hardly comes across like that.

The best part of this film is seeing Chuck Connors of "The Rifleman" TV fame, which is a role that is to come only a year later,as a perpetually hyped up hepcat amphetamine addict of a truck driver, "Mink", who also lives in the boarding house with Tom. It's worth the price of admission just to see him hammily - and figuratively - climbing the walls.

I'm giving this five points for Chuck Connors' cheesy performance and for the great roadhouse atmosphere of a bygone era - of boarding houses, transistor radios, cramped ma and pa diners with friendly service, of long haul working stiffs just trying to make ends meet. Then there is the sympathetic treatment the actual addicts are given. Considerable time is taken to show how some of the addicts got trapped in the web of addiction with a good dose of empathy.

Capable genre director Joe Newman directed this magnetically tawdry tale of a federal agent trying to crack a drug ring that preys on long-haul truckers. This is no French Connection, but it's a fascinating glimpse of a bygone era, and if one has a taste for low-budget AA features of the fifties this one is definitely worth a look. Peter Graves makes a fine Viking hero. There's a pseudo-adultness here of the sort one used to find in cheap paperback novels that were basically semi-porn but masquerading (or trying to) as exposes of one sort or another. As with Dragnet, one has to have a certain kind of empathy to get into the spirit of this sort of thing. If you do, this one will reward you handsomely.

Peter Graves is dispatched by the FDA to go undercover as a truck driver to uncover where drivers are getting amphetamines that they are taking while operating their rigs and causing accidents. Chuck Connors is the standout in the cast as a whacked out driver in a very unusual role for him. Mala Powers is attractive as the owner of the boarding house and eventual love interest for Graves. Graves is too obvious in his pursuit of information. Otherwise fairly predictable until a somewhat unexpected finish.

DEATH IN SMALL DOSES is an American B-movie crime thriller set in the world of truckers and trucking. It's nowhere near as good as that British classic HELL DRIVERS, but the plot is unusual enough to keep you watching and it could be a lot worse. Future MISSION IMPOSSIBLE star Peter Graves is tasked with investigating the prevalence of illegal amphetamines which truck drivers have been taking to keep them awake during long drives. Unfortunately the side effects include hallucinations and death, so Graves must find the supply chain and nip it in the bud before anybody else dies.

What follows is your usual second-tier story with a little mystery, a little suspense, and a handful of action scenes. Graves is a perfectly likable hero but the real scene-stealer here is Chuck Connors as a beatnik-inspired loudmouth who lights up the screen whenever he appears. Mala Powers is particularly stunning as the love interest of the piece, and the stunt scenes, while hampered by the low budget, keep the production moving along nicely. The twist ending is a strong way to end the film too.