High-school girl from a wealthy family falls for a fellow student from a poor family. Both families disapprove; unable to stand the pressure, the couple quit school and flee to Mexico.High-school girl from a wealthy family falls for a fellow student from a poor family. Both families disapprove; unable to stand the pressure, the couple quit school and flee to Mexico.High-school girl from a wealthy family falls for a fellow student from a poor family. Both families disapprove; unable to stand the pressure, the couple quit school and flee to Mexico.
- Director
- Writers
- Stars
- Bob Williams
- (as Alan Dinehart III)
- Saleslady
- (uncredited)
- Aunt Martha
- (uncredited)
- Mr. Gordon
- (uncredited)
- Student
- (uncredited)
- Biff Vernon
- (uncredited)
- Student
- (uncredited)
- High School Science Teacher
- (uncredited)
- Uncle Harry
- (uncredited)
- Mrs. Belosi
- (uncredited)
- High School History Teacher
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is a young Dean Stockwell. He's 20 after being a child actor. That's interesting and he's doing his version of James Dean. More importantly, it's Hollywood legend Arthur Hiller's first theatrical directing job. Barbara Billingsley is the mom and this was released months after Beaver. I don't particularly like this young couple. It doesn't start off well enough. This movie almost feels like a PSA. He's always the guy pushing and she's the one demurring. It moves slowly and with limited drama. It's a melodrama and the climax tries to explode. I guess that it's pushing the envelope of its day just by discussing these issues. Everyone starts somewhere and it's interesting to watch these folks starting their careers.
Typical mid-50s teen romance, yet tackles important topics. It's Mrs. Cleaver before Hugh Beaumont got ahold of her. Worth the watch if you're into that kind of thing.
** 1/2 (out of 4)
Dean Stockwell and Natalie Trundy play a poor boy and a rich girl who find themselves in love but they're starting to feel sexual desires so in order to do things right they want to get married but all of the parents involved thinks that's a bad idea. I was pleasantly shocked to see how well made and at times emotion this film was. The story is told in a very serious manor and outside the title song the film comes off pretty well without any of the camp factor that usually attaches itself to a film like this. What really makes the film worth viewing are the performances, all of which are very good. Stockwell steals the show as the poor boy who finds himself falling apart as he tries to do things the right way. He does a great job at building this character up into someone we can care about. Trundy is also very good as the good girl who wants to do things the right way. John Lynch is terrific as the boys father and Barbara Billingsley from Leave it to Beaver plays the girl's over cautious mother. There's a terrific scene towards the end where the boy steals some of his father's money and how this plays out is very brutal, realistic and quite emotional. The one thing that hampers the film is the fact that we've seen this type of movie countless times before.
Unfortunately Director Hiller paces events like he's got 10 minutes of script and 60 minutes to fill. Nodding off seems the natural reaction to much of the stretched-out dialogue and Leave It to Beaver action. Stockwell may look like the second coming of James Dean but wisely avoids the temptation, while Trundy makes for a convincing version of Doris Day's younger sister. Even the normally competent John Larch takes the idea of "working stiff" to some lengths. Yet the movie is astonishing in one regard-- it was co-written by Hollywood's top communist of the blacklist period, John Howard Lawson under a pseudonym. I guess Lawson was picking up paying gigs where he could, even drive-in teen movies. Likely he was responsible for Larch's blue-collar status in what is otherwise a strictly white-collar movie. Still and all, the script could easily have come from Dick Clark between sets on American Bandstand. Oh well, as they say, life is stranger than fiction, or something like that.
Anyway, for those interested in what teen concerns were like before Vietnam and an assassin's bullet ushered in a new era, this little Ozzie-and-Harriet artifact is a good place to start.
I appreciate this film for two reasons. First, it's realistic when it comes to sex and sexuality. Most films of the day take the 'just say no' attitude towards sex, which is awfully naïve. Second, it has an excellent message for teens...that it IS difficult to control those urges and that patience is important. But it also doesn't come off as preachy or phony...which I really appreciate. Well worth seeing and well made.
By the way, IMDB trivia says that Trundy was only 14 when she made the film. Unless she made it and they shelved it for a few years before releasing it, she was probably 17 or 18 (check her birthdate and year it was released...you'll see what I mean).
Did you know
- TriviaArthur Hiller's feature film directorial debut.
- GoofsWhen Jerry arrives for his date and gets out of his car holding flowers it's daytime. By the time he gets to the door it's night and all the lights are on in the house.
- Quotes
Sam Vernon: [talking to Jerry about Jerry wanting to marry Emily] Uhh, I remember how I felt when I was your age, I have respect for it. It was 1929... I was 18 and graduated from high school back in Kentucky. I remember saying goodbye to your mother when I went away looking for work. I went clear to Alaska trying to find a job... I knew she was waiting for me... so she waited 8 years. That's how times were then.
Jerry Vernon: [looks puzzled] Well, what's that got to do with it?
Sam Vernon: Now at least it's better, your girl won't have to wait so long.
Jerry Vernon: No, Emily and I don't want to wait at all.
Sam Vernon: We better never have anything like 1929 again. Just the same, you *learn* from it... money's a whip. Sometimes it gets to be like a whip on your bare back.
Jerry Vernon: [looks puzzled] Well, why do you keep going back over that? Things are different now, it's easy to get a job.
Sam Vernon: Yeah, but what kind of a job...
Jerry Vernon: Any kind.
Sam Vernon: Oh, no! No, not any kind. Kind where you make something of yourself. That's why I done what I could to have something in the bank for you... when you go to Tech.
[Jerry turns away]
Sam Vernon: Er, you're not thinkin' of givin' it up?
Jerry Vernon: It depends on whether my grades are good enough.
Sam Vernon: Well, you're not studying as much as you were.
Jerry Vernon: So what?
Sam Vernon: So what! Well, what are yuh gonna do, get some two-bit job and stick to it your whole life?
Jerry Vernon: No, I'm not gonna do that.
Sam Vernon: Well, that's what you'll end up doin' if you don't get some *sense* in your head!
Jerry Vernon: Look, Pa, there's no sense in getting sore.
Sam Vernon: You *think* you know all the answers, don't you, Jerry, just bec...
Jerry Vernon: [with attitude] I'm sorry, Dad. You say you know how I feel but you don't. I *love* her, that's what's important.
[Sam looks at him glaringly and walks away]
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Details
- Release date
- Country of origin
- Language
- Also known as
- Nuoruuden huuma
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 10 minutes
- Color
- Aspect ratio
- 1.85 : 1