L'homme qui n'a jamais ri

Donald O'Connor plays Buster Keaton in this flick. It follows him mostly from his arriving in Hollywood, becoming a star, hitting doldrums in his career as well as alcohol problems...especially alcohol problems.

"The Buster Keaton Story" is a bio-pic which represents the worst sort of thing that Hollywood could do. Why? Well, despite Keaton being a real person, so much of the film is completely wrong and the writers didn't even consult with Buster to make sure they got his life story right...presumably because they just didn't care. Too often bio-pics do this...and I wonder why...especially because Keaton DID have an interesting life and while he did have troubles with alcohol, it was way overblown for the movie. My advice is to read up on the man...you'll likely enjoy learning about him...much more than you'd learn in the film.

Having subjected myself to this film again, I found it was possible to find some small enjoyment in it by seeing it all as a big put-on, where the utter falsity of everything presented was itself a joke of sorts (whatever the filmmakers' actual intentions were, which I don't really care to know).

O'Connor was no slouch when it came to physical comedy, so he was a natural choice to play the part and does well in the scenes that recreate authentic Keaton gags, redeeming the film somewhat. Even so, these recreated gags don't always make sense in the context in which they're presented, and in any case, there are not enough of them to make up for all the other nonsense.

I'm sure that Donald O'Connor gave Buster Keaton the performance of his life as he would like to be remembered. It certainly wasn't anything close to the life of the real Keaton.

In his prime Keaton, Lloyd, Laurel, and Chaplin contended for being the greatest of silent screen comedians with most conceding Chaplin was best. The others are still remembered for their wonderful routines and for the fact that they survived and made the transition to sound. So did the real Buster Keaton, but not as a star.

The best part of the film is Donald O'Connor recreating some of the classic routines that Keaton did from the silent screen. No doubt Buster worked with O'Connor because he sure got them down quite well.

Ann Blyth and Rhonda Fleming played the women in Keaton's life composites of women he was actually involved with in real life. Peter Lorre has an interesting part as well as a director who Keaton runs roughshod over in his star days, but who Lorre rather subtly gets back at when the movies transition to sound.

In real life it wasn't as simple for Keaton as talking or not talking. When later on he did do the bit parts in films that he scorns on the screen when producer Larry Keating offers him a role, Keaton did have a voice that matched his stoic stone face.

One thing I disagree with. In his case it was right for him never to crack a smile, very much like George Burns. But people like Red Skelton were always laughing at their own material and the audience didn't seem to mind. Different attitudes get different latitudes.

The Buster Keaton Story is not a great film, but O'Connor does well in the role and I'm sure Buster liked it.

It's always been the case in Hollywood when "they" go to make a film based upon an actual historical event or do a biopic on an historical figure: they never get it right. The names and dates are usually correct but after that, it's pretty much whatever they think will sell tickets. And this picture is certainly no exception. The shame of it really is that this was made while Buster Keaton was very much alive and still relatively active in show business. But, obviously, he was never contacted concerning the facts about his own life. And that's a real shame. Donald O'Connor is great, for what he's allowed to show of Keaton's genius but the writers and producer were obviously much more interested in portraying Keaton as a base, alcoholic slob without any real feelings. And we who have read the books know that to be totally untrue. I'm surprised Keaton didn't actually sue the production company for defamation of character over this. I sure would have. In any case, despite Mr. O'Connor's valiant efforts to "save" this film, don't bother with it. Watch the documentary "Keaton: A Hard Act to Follow." You'll enjoy that much more.

While you might not immediately think Donald O'Connor would be the perfect choice to play Buster Keaton, after you watch The Buster Keaton Story, you'll change your mind. Buster was a trained stuntman and Donald was a trained dancer; they each have incredible control over their bodies. After all, if someone's going to portray Buster, it would be sacrilegious for him to use a stunt double, wouldn't it?

There are so many wonderful elements to this movie. If you know and love silent film legend Buster Keaton's stunt sequences, you'll get to relive his glory by watching Donald O'Connor recreate some of his most famous film scenes. Not only is this a treat because this movie was made at a time before audiences could rent or own their favorite films-they hadn't been able to watch these snippets in thirty years-but it's touching to see someone who was in diapers during Buster's heyday give such a tribute to his talent and legacy. Also, if you know anything about Buster Keaton's real life, you'll recognize that this Hollywood recreation is very sugarcoated. If you love Buster, you'll like seeing things turn out better for him, and that he could live out a do-over on the screen. And if you need one more reason to love this movie, here it is: Buster in real life didn't adjust well to talking pictures, and as his career ended, his bank account dwindled. By selling the rights to his life story for this film, Buster was able to live comfortably for the rest of his life. Isn't that heartwarming?