Le scorpion noir

Volcanic activity in Mexico frees an enormous variety of scorpion from entombment in the Earth. The beasts proceed to terrorize the locals, and it's up to macho geologists Hank Scott (Richard Denning) and Arturo Ramos (Carlos Rivas) to help save the day. Naturally, Hank also has to spend whatever spare moment he's got romancing rancher Teresa Alvarez (Mara Corday).

You're assured a reasonably good time with 1950s genre perennials Denning ("Creature from the Black Lagoon") and Corday ("Tarantula") as the stars, and with Willis O'Brien of "King Kong" fame doing the stop motion animation of the creatures. Now, granted, it's slow to start, tends to get dialogue heavy at times, and the romantic subplot also helps slow down the pace while the movie should be building to a peak. But "The Black Scorpion" hits its stride at the beginning of the middle third, once the creatures make their appearance. If you're anything like this viewer, you'll be laughing with appreciation every time they make an appearance. (Especially when they're shown in close-up. I, for one, wasn't aware that scorpions drooled this much.) The highlight has to be the big set piece when Hank and Arturo descend into the scorpions' lair and encounter not just the arachnids, but a tentacled worm that was originally intended for use in the "ravine bottom" sequence in "King Kong". Some of the special effects are dodgy, but that doesn't apply to O'Briens' work, which is impressive as always.

Denning, Rivas, and Corday are engaging leads who receive capable support from supporting players Mario Navarro (as the annoying tag along kid Juanito), Carlos Muzquiz (as Dr. Velazco), Pedro Galvan as Father Delgado, and Arturo Martinez as Major Cosio. Navarro is appealing, but he's required to play a kid who only succeeds at putting himself in harms' way in his attempts to "help".

Not among the best "giant creepy crawlie" features of the 1950s, but it's still pretty good fun, with an appropriately rousing finale.

Seven out of 10.

This little gem from Warner Brothers is actually a pretty good movie for it's time and genre. The basis of the story is that 2 scientists, one American, one Mexican, head to Mexico to study an erupting volcano. What they find however, is nest underground of huge scorpions that are terrorizing Mexico City. The special effects are good for the era, the scorpion drools and makes scary sounds. The acting is so-so, Richard Denning overacts at times, and the relationship with the ever lovely and B movie horror queen Mara Corday, is not well developed, and the little Mexican boy "Juanito" is nothing short of annoying. But overall the story works helped by the great special effects and the good storyline. A fun movie to watch on a rainy Saturday night.

Way above average giant insect thriller, mainly due to the awesome special effects of Willis O'Brien ("King Kong" - 1933). Three set-pieces are superb: the first appearance, rather unexpectedly, of heroine Mara Corday talking to telephone linemen, who soon are under attack, then the train wreck which is terrifying and bizarre, and the final confrontation in the stadium, featuring grand editing and surprising touches. Mexico setting works well, music and sound effects are exemplary, sub-Earth sequence featuring more creatures is eerie. Title refers to the largest creature in the climax, budgetary limitations revealing a black traveling matte, still mystical, with fascinating zoom-in camera shots. Some have faulted the scorpion's "drooling" close-ups, but I find them bone-chilling. Even the main titles are innovative - alternating flashing white/black letters on white/black backgrounds, set to gripping soundtrack. Defects: some poorly-executed process shots, and the leading actors, Corday, Richard Denning, and Carlos Rivas, are hammy and unsubtle and a Corday-Denning romance occurs too late in the script, especially after all the mayhem.

Another stop motion classic from the atomic age. Giant scorpions awakened by volcanoes menace Mexico. You think a swarm of giant scorpions is bad, wait until you see the biggest and baddest of the bunch...The Black Scorpion!!

Willis O'Brien (the effects genius from King Kong) gets more than alittle help from Pete Peterson animating these arachnid monstrosities in all their stop-motion glory.

The effects were very well done, but unfortunately the transparent matte shots of the Black Scorpion entering Mexico City are terrible. Almost to the point where it ruins the movie. As is the constant (once or twice would be enough) close up of the scorpions face (which is a drooling animated prop). It would have been wonderful to see the Black Scorpion trashing buildings and attacking people in the city rather than a poor matte shot of the scorpion running through the streets.

Still overall a very enjoyable flick. The acting was actually pretty good compared to most of the genre films from the time.

The best scene from this film (hands down) was the descent into the underground lair of the scorpions, which also features not only a giant freaky worm, but a huge freaky looking trapdoor spider as well! The spider and worm prop were from the famous deleted "bottom of the ravine" scene from King Kong. So this is as close as you're going to get to reliving that infamous lost scene. Other great sequences include two scorpions battling the giant worm in a fight to the death, the scorpions swarming over and attacking a train at night, the Black Scorpion slaughtering the smaller scorpions, and the climatic fight between the Black Scorpion and the Mexican military in a soccer stadium.

I miss these kind of movies!

By the late 1950s, filmmakers must have been running out of insects that they could mutate and transform into giant monsters. Audiences had already been treated to such fare as "Them" (giant ants), "Tarantula" (spiders), "The Monster From Green Hell" (wasps), "The Beginning of the End" (grasshoppers), "The Deadly Mantis" (praying mantises), et al. All of which, I suppose, left scorpions. Hence, "The Black Scorpion," in which a Mexican volcano belches forth a slew of the title nasties to terrorize the countryside. This film, a poor man's "Them" but still better than some of the others just named, features impressive stop motion FX from master Willis "King Kong" O'Brien (although close-ups of the scorpions' slavering countenances are pretty ridiculous looking), realistic-looking shots of a countryside shadowed by that smoldering volcano, and a formulaic 1950s monster script. It also boasts three exceptional scenes: a descent into the subterranean lair where the scorpions and other giant creepy-crawlies dwell; a scorpion attack on a speeding railway car; and the final battle, in a sports arena, between the last surviving arachnid and the Mexican army. Mara Corday, who also starred in "Tarantula," here adds some nice eye candy, and '50s sci-fi stalwart Richard Denning is his usual sturdy self. All in all, not a bad time killer...and, on this DVD incarnation, with some nifty extras, too.