In a New Mexico town, two former pals from the Civil War meet again but one is the town marshal and the other is a wanted bank robber.In a New Mexico town, two former pals from the Civil War meet again but one is the town marshal and the other is a wanted bank robber.In a New Mexico town, two former pals from the Civil War meet again but one is the town marshal and the other is a wanted bank robber.
- Awards
- 1 nomination total
Diana Brewster
- Helen Danner
- (as Diane Brewster)
Jorge Treviño
- Pedoline
- (as George Trevino)
Dan Blocker
- Blacksmith
- (uncredited)
Buck Bucko
- Townsman
- (uncredited)
George Ford
- Townsman
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
In a small western town, a one eyed marshal (George Montgomery) keeps the peace. When his old friend (Leo Gordon) runs into trouble he rides into town. They both once loved the same woman (Diane Brewster) and when the friend is found murdered, the marshal is suspected of being the murderer.
A somewhat offbeat western tightly directed by Allen H. Miner and from a script by Gordon who play's Montgomery's friend. A western that is quite dark in tone and mood and is worth a viewing.
A somewhat offbeat western tightly directed by Allen H. Miner and from a script by Gordon who play's Montgomery's friend. A western that is quite dark in tone and mood and is worth a viewing.
Star George Montgomery produced this film from a script by cast member Leo Gordon. This is one grim western abut a one eyed marshal whose name is not
Rooster Cogburn.
Montgomery who used to be on the other side of the law and is now a strict law and order marshal not popular with all the elements in the town. He gets a visit from Leo Gordon and Diane Brewster husband and wife who eahc have history with Montgomery.
Our villain is Sebastian Cabot with cheesy cajun French accent who has Gordon killed with a bad gun during a jailbreak because he's hoping to find Gordon's stolen loot Montgomery's reputation suffers as public opinion sours on him.
The final piece is young Tom Pittman, ne'er do well orphan kid who is the one you'll remember from Black Patch. Pittman gives a truly sensitive performance as a mixed up kid being used for nefarious purposes.
A western with some most adult themes.
Montgomery who used to be on the other side of the law and is now a strict law and order marshal not popular with all the elements in the town. He gets a visit from Leo Gordon and Diane Brewster husband and wife who eahc have history with Montgomery.
Our villain is Sebastian Cabot with cheesy cajun French accent who has Gordon killed with a bad gun during a jailbreak because he's hoping to find Gordon's stolen loot Montgomery's reputation suffers as public opinion sours on him.
The final piece is young Tom Pittman, ne'er do well orphan kid who is the one you'll remember from Black Patch. Pittman gives a truly sensitive performance as a mixed up kid being used for nefarious purposes.
A western with some most adult themes.
Well, maybe I am wrong, this little western is not totally a waste, just a predictable plot, already seen dozens of times before. Two former friends from the civil war, one sheriff and one outlaw, love the same woman.... But this is an Allan H Miner's western, a B production, and any B western - and I don't mean the Roy Rogers or Allan Rocky Lane flicks - is worth watching. This one is truly agreeable, but not a masterpiece, as also was THE RIDE BACK, also from the director. And it is written by Leo Gordon, who also plays in the film. If you have one hour and twenty minutes to waste, go for it.
Black Patch is directed by Allen H. Miner and written by Leo Gordon. It stars George Montgomery, Diane Brewster, Tom Pittman, Leo Gordon, Strother Martin and Sebastian Cabot
A veteran of the Civil War, Clay Morgan (Montgomery), minus an eye, decided not to return to his home town and started afresh in Santa Rita, New Mexico. Working as the town marshal, and keeping very good order, his equilibrium is upset when an old friend and his wife arrive in town. When news comes about a bank robbery in a nearby town, it signals the start of events that will see Clay forced into dark corners
Sometimes a Western fan will stumble upon a movie and wonder why it isn't better known. Black Patch is one such Oater, which in the grand scheme of things is criminal. More so when you consider the cast list, the cinematographer and the musical scorer (it was Goldsmith's first movie score and his fans will spot the early strains of some future work).
Beautifully photographed through a black and white film noir filter, Black Patch is big on mood. Be it oppressive as Miner works wonders within the confines of the Monogram Ranch locale, or psychologically pungent as the principal players battle their hang-ups and heartaches, there is not a single frame in the picture that isn't laced with adult Western textures.
The characters are presented with emotional depth, not as some Western shoot-out roll call of cannon fodder. The romantic angle is nicely etched, never cloying the story but adding to the bubbling enigma of the human condition. Gordon writes himself a good part, but he isn't interested in writing a Yee-Haw Good Guys Vs Bad Guys genre piece, there's a lot of interesting characters here who are all damaged or hurting in one way or another.
Having Montgomery in the lead helps, he was always a real good brooder, and he does it with considerable pathos here, and with Colman (Walk a Crooked Mile) and Miner (The Ride Back) favouring film noir techniques, Monty is often framed in classic noirish style. Brewster (The Young Philladelphians) blends both sultry with sincere regret, Cabot (Terror in a Texas Town) has a good old time of it as the town weasel, while young Pittman (The Proud Rebel) gives his young character the requisite pangs of confusion as he tries to make sense of everything around him.
This is very much one for the psychological adult Western crowd, not one for those who prefer stunts and fights every ten minutes. It has a few faltering moments, such as a turn of events involving the Pittman and Brewster characters, but this particular black patch is actually gold for the like minded adult Western fan. 8/10
A veteran of the Civil War, Clay Morgan (Montgomery), minus an eye, decided not to return to his home town and started afresh in Santa Rita, New Mexico. Working as the town marshal, and keeping very good order, his equilibrium is upset when an old friend and his wife arrive in town. When news comes about a bank robbery in a nearby town, it signals the start of events that will see Clay forced into dark corners
Sometimes a Western fan will stumble upon a movie and wonder why it isn't better known. Black Patch is one such Oater, which in the grand scheme of things is criminal. More so when you consider the cast list, the cinematographer and the musical scorer (it was Goldsmith's first movie score and his fans will spot the early strains of some future work).
Beautifully photographed through a black and white film noir filter, Black Patch is big on mood. Be it oppressive as Miner works wonders within the confines of the Monogram Ranch locale, or psychologically pungent as the principal players battle their hang-ups and heartaches, there is not a single frame in the picture that isn't laced with adult Western textures.
The characters are presented with emotional depth, not as some Western shoot-out roll call of cannon fodder. The romantic angle is nicely etched, never cloying the story but adding to the bubbling enigma of the human condition. Gordon writes himself a good part, but he isn't interested in writing a Yee-Haw Good Guys Vs Bad Guys genre piece, there's a lot of interesting characters here who are all damaged or hurting in one way or another.
Having Montgomery in the lead helps, he was always a real good brooder, and he does it with considerable pathos here, and with Colman (Walk a Crooked Mile) and Miner (The Ride Back) favouring film noir techniques, Monty is often framed in classic noirish style. Brewster (The Young Philladelphians) blends both sultry with sincere regret, Cabot (Terror in a Texas Town) has a good old time of it as the town weasel, while young Pittman (The Proud Rebel) gives his young character the requisite pangs of confusion as he tries to make sense of everything around him.
This is very much one for the psychological adult Western crowd, not one for those who prefer stunts and fights every ten minutes. It has a few faltering moments, such as a turn of events involving the Pittman and Brewster characters, but this particular black patch is actually gold for the like minded adult Western fan. 8/10
George Montgomery starred in several interesting westerns in a career that spanned several decades. This film, scripted by co-star Leo Gordon, was a very interesting change of pace for both.
Montgomery plays a one-eyed lawman, who once loved the woman now married to the character played by Leo Gordon. Gordon and Montgomery interact with great chemistry, varying between friendship and jealousy.
Leo Gordon was one of the great western villains and a pretty decent writer of scripts. In this film, he steals the show ---- playing a more sympathetic and well-rounded sort of cowpoke.
Not a great film, but western fans will like this one.
Montgomery plays a one-eyed lawman, who once loved the woman now married to the character played by Leo Gordon. Gordon and Montgomery interact with great chemistry, varying between friendship and jealousy.
Leo Gordon was one of the great western villains and a pretty decent writer of scripts. In this film, he steals the show ---- playing a more sympathetic and well-rounded sort of cowpoke.
Not a great film, but western fans will like this one.
Did you know
- TriviaThe first film scored by Jerry Goldsmith.
- GoofsThe Wesley revolver, introduced by Professor Dudley and used by Colonel Applewait, is actually a Webley revolver. Timeline-wise, the Webley Mk1 was introduced in 1887.
- Quotes
Hank Danner: Leave the kid alone.
Holman: You talking to me, mister?
Details
- Runtime1 hour 22 minutes
- Color
- Aspect ratio
- 1.37 : 1
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