Il était un petit navire

From Ealing Studios comes "All At Sea," a 1957 film starring Alec Guinness and a cast that includes names which were or became familiar names/familiar faces in British film and theatre productions (and in one case, books): Irene Browne, Maurice Denham, Lionel Jeffries, Joan Hickson, George Rose, Jackie Collins, Donald Pleasence, and Eric Pohlmann, most of these actors in small roles.

Captain Ambrose comes from a long line of sailors who had sketchy histories, but he himself can't get on the water because of seasickness.

After the war, he buys an amusement pier in a resort town, which the town council wants to tear down. However, he is too clever for them. He has it registered as a ship, thus making it impossible for them to get rid of it.

He is able to make the pier profitable and becomes friends with the woman (Irene Browne) who has rental huts on the beach that are about to become displaced by the grand plans of the council. And they haven't given up yet.

Amusing film with Alec Guinness playing Captain Ambrose -- and like most great actors, he does the part seriously, which makes it funnier. He carries the film as the other actors have small roles. Browne's is a little bigger and she is wonderful as first an enemy of the captain and then as a warm friend.

The final scenes are excellent, as Ambrose's heritage comes into play. Really fine film.

Wonderful film with a lot of tongue-in-cheek humour. Alec Guiness is excellent as an descendant of a family full of (in)famous captains who has just one little problem to follow in there footsteps: he has a bad case of seasickness! So he decides to buy a 1000 foot pier and run it as a ship. The city-council though has other plans with de seafront and the pier does not really fit into their plans. The Captain can only do one thing: declare his pier as a proper cruise ship! This is a film that fits in with the other small masterpieces made by Ealing Studios in the fifties and I can really recommend it..

I have this on tape (from the TV) and hoping it will come out on DVD or VHS. I lucked out one day and taped it. I have never seen it shown since. My tape is wearing out. Help! It is a great comedy and can be enjoyed over and over again.

Low key citizens versus the establishment comedy from Ealing Studios stars Alec Guinness as a would-be naval captain, prevented from of a life spent at sea by acute sea sickness, his consolation is to convert a peer into a amusement park depicting a luxury cruise liner, but the local council led by Maurice Denham wants to close him down.

Guinness has multiple roles (as visions) while Irene Browne plays his ally in the fight against Denham and his cronies (principally Lionel Jeffries and Victor Maddern), with growing sympathy from members of the council who see his amusement park as a positive investment for tourism (Alan Cuthbertson, principally). Prolific Percy Herbert plays Guinness' faithful first mate, while Richard Wattis and Donald Pleasance have minor cameos.

Though it's probably one of Guinness' most obscure movies (there's a reference to a better known Guinness' 1950 film "The Mudlark"), it remains a capable comic farce, middle of the road comedy carrying most of the hallmarks that made Ealing the manufacturer synonymous with traditional British comedies in the 1950's.

It was a bit of a shock that, when Alec Guinness passed away many, so many of his obituaries insisted that "Star Wars" was his most memorable film. For those unfortunates who remember him that way, the Ealing Films he made during the 1950s are absolutely essential viewing.

Not least among those films is this little opus, in which Guinness portrays an ex-naval officer who suffers from catastrophic mal-de-mer. Unable to go at sea but not wishing to be away from it, he assumes command of the only type of "vessel" he can endure, an amusement pier.

It is Guinness's characterization that makes this film work. The very fact that he plays Captain Ambrose absolutely straight is what makes the character so funny, including a wonderfully spot-on parody of Noel Coward's speech to his crew from "In Which We Serve": "An efficient pier is a happy pier". Of course, it is granted that audiences back in 1957 undoubtedly picked up on allusions such as that much more readily than audiences would today.

The film also features a running theme prevalent in many British comedies of that period, namely the individual overcoming big bureaucracy or big business. In this case, when the local town council threatens to close down his amusement pier, the imperturbable Captain Ambrose outwits them by means of the clever expedient of registering his pier as a ship, under a foreign flag of convenience. It's just the sort of solution one would expect from the inventive studio that brought audiences "Passport to Pimlico".

I understand this film was also released under an alternative title, "Barnacle Bill". However, under any title, it is a worthy addition to the seemingly limitless pantheon of characters portrayed by the remarkable Alec Guinness.