L'Incroyable créature de l'espace

This is the type of movie that if you were watching it when it first came out in 1957, you probably would have had the pants scared off you.

Looking at it today, this is a movie that you can sit and watch with a bunch of friends and laugh. It's so ludicrous!!

The 'special effects' surrounding our monster heroine are so bad and very erratic. Sometimes you see them and sometimes you don't.

It's supposed to be night time, so how come when they are driving the jeep to try to escape, there is sunlight on the surrounding hills and sometimes our friends are driving right through the sunlight.

My favorite character in this movie is the head thug, Nat Burdell. He's so 'tough', he's almost lovable. Looking at the list of movies that he has participated in since the early 1940's, he seems to be an accomplished actor. Things really must have been very bad in his personal life to wind up in a film like this. Who said that good acting was a requirement for this film???

But all in all, if you're looking for some light-hearted movie to enjoy (don't expect anything great), either by yourself or with some friends, and you're just passing the time, RENT THIS MOVIE!!!!! YOU WON"T BE DISAPPOINTED!!!!!

Astounding She-Monster, The (1957)

** (out of 4)

Low-budget mix of sci-fi, horror and crime has made this one of the most loved cult movies from that golden era where no-money meant entertainment in this genre. Three crooks kidnap a rich girl and then take another hostage inside a small cabin in the woods. Their plan is going great until a female alien lands on Earth with the ability to kill just by a simple touch. Fans of this type of material are going to get quite a few kicks out of this one as the film features some of our faves including Robert Clarke (THE HIDEOUS SUN DEMON), Kenne Duncan (NIGHT OF THE GHOULS) as well as Shirley Kilpatrick as the title monster. Rumor has it that Kilpatrick, a good looking alien, later changed her name and took the lead role as the overweight psycho in THE HONEYMOON KILLERS but your guess to the truth is as good as mine. As one would expect with a film like this, we got stupid day for night scenes, bad dubbing, silly narration, poor special effects and a questionable story but all of them makes for some cheap entertainment. Apparently the movie was shot for $18,000 and it looks it. The performances aren't anything to write home about but they are good enough for this type of material. Speaking of the narration, it really seems like he's on some sort of bad acid trip because his speech goes in and out so much that he certainly seems drugged. The alien itself is done with some bad special effects but she's at least a nice looker. Fans of high budget Hollywood movies aren't going to find any charm here but if you enjoy stuff like TEENAGERS FROM OUTER SPACE or ROBOT MONSTER then dig in and enjoy.

An absurd introductory narrative precedes THE ASTOUNDING SHE-MONSTER! Then, another narrator takes over, telling us what we're witnessing on screen. The abduction of a socialite, made so much better by voice-over rather than any real dialogue.

The scene shifts to the wilderness, where geologist, Dick Cutler (Robert Clarke) walks his dog, unaware that nearby, a ship has landed. From this craft comes the shimmering alien of the title. Not only does she shimmer, but she seems to warp, as though made of some ethereal liquid. Either that, or she's imbibed too much space juice. Who really knows for sure? She saunters... no, sachets along, like an alien in need of a restroom. Still shimmering.

Meanwhile, the kidnappers and their hostage arrive, all of this happening close to Cutler's remote cabin. Soon, all will meet together. What are the odds of such a confluence of various characters and events occurring? Perhaps the she-monster knows.

Uh oh!

The sachet-ing she-monster has the space voodoo, touch of death! She wanders... no, meanders through the forest, using her hands of deadliness! Who will survive this awfulness?

Fans of all that is movie muck, rejoice! This is your day of deliverance!

EXTRA CREDIT FOR: #1- The tough-talking crooks and their drunken moll. #2- The game of "in-and-out-of-the-cabin", where everyone leaves and re-enters several times, even after it appears they've escaped the horror!

This is highly entertaining flotsam...

This is one of those so horrible they are awesome horror/scifi movies from the late 50's. I remember watching this on the Friday night Horror movie "Dimension 16", 10:30 Friday nights based out of Joplin, Missouri-"Do you know where your children are....HA HA HA" (scary laughter) anyway, this movie as a child scared the pants off of me, the sight of the glowing She Monster from outer space lurking around in the woods was pretty heady stuff when you are 6 years old. I was able to get it when it came out on DVD and while as an adult I can see how thin the plot is, how bad the acting is and how low budget and the sets are, it still brought back wonderful memories of hiding under the blankets with my sister after watching the eerily sexy She Monster. I read somewhere that the female lead was actually a stripper and the reason you always see her backing away from the camera (no ass shots) is that the costume was so tight she split the rear end out and the budget was so low they couldn't or wouldn't repair the costume. Don't know if that's a true story but I hope it is as it makes this campy little classic even campier.

1957's "The Astounding She-Monster" was a micro budget independent picked up by AIP, shot in four to six days in December 1956 by first time director/producer Ronnie Ashcroft (after working on Roger Corman's "Day the World Ended"), the budget of $18,000 sadly apparent on screen, lots of pointless narration, interminable driving, and wandering the woods waiting for the director to yell 'cut.' The presence of Kenne Duncan from "Night of the Ghouls" indicates the probable involvement of maverick filmmaker Ed Wood, whose more lively antics are certainly more watchable than this gabfest. The most inept trio of kidnappers are forced off the road by the mysterious appearance of 'a naked dame' who literally glows in the dark (the original shooting title was in fact "Naked Invader"), a recently arrived alien visitor (Shirley Kilpatrick) whose radioactive touch means instant death for snakes, bears, dogs, and humans. Robert Clarke's geologist shelters the thugs and their wealthy socialite victim in his mountain cabin, worrying about phone calls, police bulletins, and the search for booze until our space babe makes a nuisance of herself. It's a pleasure to see the villains knocked off but it's still a slog sitting through a plot that cannot sustain feature length. We never see any sign of Shirley's spaceship and her one piece outfit isn't as sexy as the curvaceous poster that undoubtedly made it a hit, while her background as a popular pinup model offers another reason for the picture's endurance (the obese Shirley Stoler who starred in 1970's "The Honeymoon Killers" was a different actress though they do share a similarity in looks). Clarke was dismayed by the final results yet so astonished by its success (his investment yielded a tidy $3000) that he figured he could do better, directing his own vehicle a year later with "The Hideous Sun Demon"; unfortunately he chose a distributor that went belly up rather quickly, sinking all potential profits.