Les sept collines de Rome

TV, radio and recording star Mario Lanza (as Marc Revere) quarrels with beautiful blonde fiancée Peggie Castle (as Carol Ralston). She leaves Mr. Lanza's New York studio and heads for Europe. Lanza follows. On a train to Rome, the operatic tenor meets beautifully-proportioned Marisa Allasio (as Rafaella Marini). The young woman got wet in the rain. Lanza advises her, "You better take that dress off." Just in case you didn't notice Ms. Allasio has arousing curves, director Roy Rowland makes it obvious as she jiggles out of her clothing, on screen...

Allasio's clothes stay on for the rest of the film, alas, but she remains eye-catching. The location photography, by Tonino Delli Colli, is also lovely. A low-point is Lanza's increasingly excruciating impersonations of Perry Como, Frankie Laine, Dean Martin and Louis Armstrong. Lanza is not a great impressionist. Still, he's a great when he does Mario Lanza. His beautiful co-stars, Italian "cousin" Renato Rascel (as Pepe Bonelli) and the incidental music are pleasant enough to offset a substandard story. In less than two years, Lanza would be gone, sadly.

**** Arrivederci Roma (11/21/57) Roy Rowland ~ Mario Lanza, Marisa Allasio, Renato Rascel, Peggie Castle

After a whole lot of incidents and the accompanying bad publicity, Mario Lanza took his family to live in Rome and became one of a growing group of expatriate American stars living in Europe. His last two films for MGM were shot in Italy.

The real star of Seven Hills of Rome is the eternal city itself. Rome was really popular in the Fifties. Paramount did Roman Holiday and then 20th Century Fox followed with Three Coins in the Fountain both beautifully photographed. And now the best photographed of all is this one.

It's almost a shame that a movie plot had to interfere with the promotional travel film. But Mario is an American singer, a whole lot like the real Mario Lanza, hovering between the classical and pop worlds. A spat with girl friend Peggie Castle sends him to Europe and Rome chasing her. He has a cousin there played by Italian performer Renato Rascel who puts him up.

And he meets a girl, Marisa Allascio on the train to Rome who's stranded in Rome so he and cousin Renato take her in. The inevitable happens of course.

Renato Rascel had a nice comic style and was a good performer. He reminds me a lot of Joe Pesci. Too bad he never broke into the American market. Kind of like the French comedian Fernandel that way.

Back in the day, the song Arrivederci Roma was played EVERYWHERE, you couldn't get away from it. It's the biggest song that came out of Seven Hills of Rome. A whole lot of American singers back then recorded this one. I have versions of Dean Martin, Vic Damone, and Jerry Vale doing it. But Mario's all Italian version is the best and he's joined on screen by a young female street singer in an affecting duet.

Nothing pretentious about Seven Hills of Rome. Good for a nice enjoyable afternoon. Fans of the eternal city will love it.

Here,s a film after my own heart, not so much for its plot, which is limited, but rather for the beautiful 1950's atmosphere, romantic Italy, beeeeautiful women ( Rafaella in Particular ) and that lovely music. A feast for the eyes and ears. I m not much into Opera, but Mario Lanza's voice is just something else. I so much prefer the 1950's atmosphere of romance and beautiful music, to the violence and aggressiveness of today's films. That alone is more than a saving grace for a film of which the plot would be judged no doubt by today's critics as being too weak. You just have to hand it to the Italians, they have an innate sense of beauty, whether it be art, music or women ! For these reasons alone, the film is worth having.

Marc Revere is angry that his girlfriend Carol Ralston left him for another guy. He's half-Italian from Chicago. He's in Italy struggling to make it as a singer. He meets Raffaella Marini on the train to Rome. She lost her purse chasing the train in the rain. He spends his last lira for her ticket. She has no place to go, and they both stay with his penniless artist cousin Pepe Bonelli.

It's a good meet-cute although he could phrase getting out her clothes a little differently. I like the whole setup. The other aspect I love is 50's Italy. It's not touristy. It has an exoticism that isn't there anymore. The music is not my taste every time, but the exterior locations are always great. I don't know these actors. They're pretty good although the lead may be a better singer than an actor. This is fine rom-com with great locations.

Mario Lanza and the city of Rome get equal notice in this paean to all things Italian. The film industry turned itself inside out after World War II, romanticizing Italy and France. This movie could have been produced by a travel agency, introducing the world to the classic song "Arrivederci Roma." Lanza's glorious tenor voice shines as he bursts into song against the Eternal City backdrop; unfortunately the songs are too few and the drooling over Italian women a little sickening. All over the map, the movie even takes a couple of comic swipes at Cole Porter and rock 'n' roll, and Lanza's imitations of Perry Como, Dean Martin, Louis Armstrong, and Frankie Laine are hilarious.