Le Fantastique Homme colosse

Or ATTACK OF THE 50 FOOT MAN, one year Nathan Juran's ATTACK OF THE 50 FOOT WOMAN. It is rather well made for such a small budget, the weak point being special effects. But the story, not that unusual for this period - the dangers of the atomic era - is made with enough talent to hold your attention. There also was WAR OF THE COLOSSAL BEAST, from the same Bert MR BIG Gordon, a year later. A sequel actually, very moving. So, for the fans of Bert Gordon, this film is not his best, but not his worst either. Great care is made for the actors directing, and not only for the visual aspects in a film precisely supposed to be science fiction, which it is at one hundred percent. But any person will prefer Jack Arnold's INCREDIBLE SHRINKING MAN; one hundred times better than this.

I have seen The Amazing Colossal Man several times and is one of Mr BIG's better movies.

As a plane crashes just before an atomic test at Camp Desert Rock, Glenn Manning goes to see if there are any survivors despite the danger. The bomb goes off and he gets caught right in the middle of the blast. He suffers 90% burns but doctors are very baffled when they take his bandages off to find him without any scars at all. Gradually, he increases in size and eventually, he goes on the rampage through Las Vagas and kills Major Lindstrom when he injects him with a formula to reduce him in size with the needle. Manning is shot by the Military and falls into the Colorado River but is not dead...

One of the better parts of the movie is where Manning kills the Major with the needle he was going to inject him with.

The cast includes Glenn Langan as Manning and 50's sci-fi regulars Cathy Downs (The She Creature), Russ Bender (It Conquered the World) and James Seay (Killers From Space). Most of the cast are used to fighting giant creatures looking at other sci-fi movies they were in at this time.

Despite the low budget, this movie was fun to watch.

Rating: 3 stars out of 5.

This isn't exactly the Royal Shakespeare Company here and with a title like THE AMAZING COLOSSAL MAN, you know you're not about to watch something that's due for a re-make on Masterpiece Theater. So, as long as you realize it is first and foremost a schlocky sci-fi horror film from the 50s and have your expectations set relatively low, you'll probably have a good time watching it. On a campy and kitschy level, it's good stuff. I particularly like how his clothes seem to grow with him (thus allowing it to STILL be a family flick) and the scene near the end of the film when they give this crazed giant an injection--his reaction is priceless!! All-in-all, I'd recommend this as a good film to watch with friends. Watch it, laugh and enjoy.

One of my sci-fi/horror/fantasy reviews written 50 years ago: The brainchild of Bert I. Gordon, who produced, directed and co-wrote, with writer Mark Hanna, the film stars Glenn Langan, Cathy Downs and William Hudson.

The sentimental monster is created when an enlisted man grows huge after being exposed to a nuclear bomb test. When he starts creating havoc, nothing can stop him until he falls off Grand Coulee Dam.

The American-International Pictures release was photographed by Joseph Biroc, whose movies include "It's a Wonderful Life", "Bwana Devil" (the original 3-D feature) and "Blazing Saddles"!

Burt I. Gordon's "The Amazing Colossal Man" was the first sci-fi film I saw as a kid that actually scared me. But it wasn't the effect of a bald Col. Glenn Manning running around Las Vegas that I found frightening; it was the actual atomic bomb test-blast footage I found so horrific. At the age of six, seeing houses blown like matchsticks into blazing debris was enough to cause nightmares. The same footage (recently restored by Peter Kuran for the "explosive" documentary "Trinity and Beyond: The Atomic Bomb Movie") can still sends shivers down the spine of any self-respecting anti-nuker.

"The Amazing Colossal Man" still ranks as one of the better b-grade drive-in movies. It is unintentionally funny, full of impossible science and very entertaining. The cast does their best with the material (from a script by George Worthing Yates) but I suspect no one took the project very seriously, least of all Mr. Gordon. It is also highlighted by another thunderous Albert Glasser score.