Pour que les autres vivent

Even though I thought this film lacked qualities about the true event, I do acknowledge that Tyrone Powers was an actor with an abundant of talent. His ability to capture the viewer and hold the suspense is the reason that this movie is so well enjoyed by many.

The movie's, one and only, set is a small boat on the ocean. This happens as we are told a ship hits an old sea-mine and breaks the keel. Thus, making the ship sinks in minutes with few people surviving. We are not privy to see how the ship sank nor how the characters get into the water as the film begins after the sinking. The first bit of dialog starts as characters are already clinging to floating wreckage.

The rest of the movie all happens in the ocean. Here, Alec Holmes (Powers), will be in charge of a small boat that has way too many people aboard. Holmes makes the decision that some have to go-- and this brings us to the plot of the story.

The entire movie hinges on Power's ability to hold the audience's attention for nearly 90 minutes. Tyrone Powers accomplishes this task by giving a powerful performance. The only drawback of the movie are some of the small scenes that were overplayed for dramatic effect. It happens right at the beginning as two survivors cope with the sinking and lost of love ones. Another is when the radio operator tells that he never sent out a SOS message - and then near the end when one person wants to drown but is saved by others. Otherwise an enjoyable film to watch.

I haven't seen this film in many years, but I have never forgotten it. It proves you can make a harrowing high-seas adventure with life-and-death philosophical overtones on a tiny budget in a tiny set without going overboard (pun intended) like the bloated "Titanic." In some ways, I prefer this gritty, direct film more than Alfred Hitchcock's very similar "Lifeboat." This film has fewer glamorous eccentricities and gets down to the painful, shocking task of sacrificing lives. Tyrone Power might seem miscast as the captain, but this is not a glamor-boy role and as I recall he handles it quite well. If you're in the mood for hard-hitting, serious drama, this is the picture for you.

Abandon Ship (1957)

*** 1/2 (out of 4)

Extremely difficult to watch but masterfully made is the best way to sum up this drama that will have your on the edge of your seat from start to finish. A luxury liner strikes a derailed land mine, explodes and sinks in seven seconds. Twenty-seven people survive with Officer Holmes (Tyrone Power) given orders to take control of the lifeboat and see to it that as many people survive as possible. The boat is 1500 miles from land with a major storm coming and the lifeboat is holding at least twelve people too many so Holmes must pick and choose which ones can stay on the top and which must go overboard. This film, based on a true story, is rather hard to watch and I'm sure many people will find it too unpleasant and will eventually turn it off. The film takes place in the water from start to finish and the shaky camera-work and constant throbbing in the water will get some sea sick but those who stick to the movie will find a lot of other things to be disgusted by. I'd say I'm an expert at watching some ugly stuff but even my stomach was turning due to the subject matter here, which is handled in a very raw and realistic way. Having one man play God and pick who gets to live and die is a soul searching cause and will really have you thinking. The movie starts off as your typical disaster pic but instead of action we get thoughts of what we would do in that situation. You'll ask yourself if you could throw a woman overboard to die and if everyone should die or if a select group should have the right to live. A movie fan really has to ask themselves if a masterfully directed movie with great performances is worth watching when the subject matter itself is too ugly. I'm sure many will stay away from the film and I'm really not sure if I'd want to sit through it again but there's no doubt at how well made the thing is. I've always been hit and miss on Power but after seeing his performance here I've turned into an instant fan. He's completely believable in the role and extremely strong in putting his character's thoughts right up there for us to see without having to say a single word. Mai Zetterling, Stephen Boyd, Lloyd Nolan and the rest of the cast are great as well but there's no question as to whose film it is. It's rather amazing that this film isn't better known as many disaster movies remain quite popular today. I'm going to guess the reason this one here has been forgotten is simply because many watching it won't want to recommend it to anyone. I can only imagine how a film like this hit people when it was first released because as movie viewers today we've become quite jaded to violence. There's no real violence here but there's no question that the film and its subject matter are a lot more brutal to watch than any slasher or violence packed action film.

AKA Abandon Ship! A luxury cruise liner hits a mine and sinks in the shark infested south Atlantic. Survivors gather around an overcrowded lifeboat. Alec Holmes (Tyrone Power) takes command after the captain's death. With dwindling supplies and rescue unlikely, he faces an impossible choice with greater and greater urgency.

They probably filmed most of this in a giant water tank but it looks like it's the open ocean. The boat always looks dangerously close to sinking and the waters get really rough. This is actually a very harrowing tale. The high stress situation is great for pulling out the characters. There is something basic about their predicament. It is primal. The story is very compelling.

Once seen, never forgotten. Very few films have ever moved into Hitchcock's territory and beaten him, but Seven Waves Away / Abandon Ship is one: ultimately it's a much superior film to Hitchcock's similar Lifeboat. Seven Waves Away was made with impressive conviction and passion by writer-director Richard Sale, who was very active in the 1950s but didn't get another opportunity to direct a feature after this one, despite living 36 more years (what's up with that?). Working with production designer Wilfred Shingleton and art director Raymond Simm and filming almost entirely in a large tank (except perhaps for a few long shots), Sale created an unforgettably immediate atmosphere for a completely harrowing and uncompromising tale of survival at sea under the worst imaginable physical and ethical circumstances.

The cast performed admirably under very trying circumstances (imagine being wet all day, every day); in fact, the miseries of the filming process influenced the acting in a quasi-documentary manner that benefits the picture enormously. Even seen on television, Seven Waves Away is an intensely experiential movie; I can only imagine what it felt like on the large screen.

This was practically Tyrone Power's last hurrah; in his early forties when the movie was filmed, he died of a heart attack on a project shortly thereafter (as his actor-father Tyrone Power Sr. had before him). Power acts with tremendous force and tension as the "captain" here; the dramatic arc of the story is contained entirely within his decision-making process, and for a first-time viewer his key decision (which I will not reveal) will always register as startling because it runs so counter-intuitively to our received sense of ethics. But that is part of what gives Seven Waves Away its wallop.