Le miroir au secret

Entertaining chase drama with a cold war twist. Ruth Roman, one of the more under appreciated actresses of the fifties, gives an excellent portrait of a woman pursued. Intelligent and capable with an underlying edge of hysteria since she's never completely sure of what's happening. Made just as the Cold War was starting to really make an impact on public consciousness the film uses that to it's advantage.

The requisite romantic subplot is the weakest part of the story but part of that is due to having that stolid block of wood Sterling Hayden in the lead. A stronger actor would have made this even better.

A minor spy film but one that keeps the tension taut and is strengthened by the strong work of its leading lady.

Stranded in a small California town after experiencing car trouble, vacationing John Emmett is spared the tedium of bus travel when he has a chance meeting with Ann Nicholson-who offers him a lift if he'll agree to split the driving duties to Santa Fe. He soon learns that Ann is actually a patient recovering from a nervous breakdown, however, and a simple little road trip blossoms into a Cold War nightmare as the couple are ensnared in a web of mystery involving vital national security secrets!

Directed by Henry Kessler, Danger also features several familiar classic TV faces among its supporting cast: Werner Klemperer, a two-time Emmy winner as Colonel Klink on Hogan's Heroes, portrays a psychiatrist, and daytime drama doyenne Jeanne Cooper (The Young and the Restless) is Roman's concerned nurse. Stir in uncredited contributions from Sidney Clute (Cagney & Lacey) and Ken Curtis (Gunsmoke), and you have in 5 Steps to Danger a crackling good suspense thriller that will keep you guessing to the very end!

Sterling Hayden, a guy stuck in the middle of the desert with a broken down car, agrees to help drive Ruth Roman, a nervous woman in a hurry, to Santa Fe. In doing so, he takes the first of FIVE STEPS TO DANGER.

A lot of movies made in the 40s and 50s, intentionally or not, end up celebrating the glories of the American Road, presumably because filming on the highway was cheaper and easier than building a set. This one, featuring views of mid 50s cars, gas stations, roadside dives, vacation lodges and hotel lobbies, is better than most at showing the real look of roadside America, 1955. Additionally, for the first half of the movie, the plot is pretty good, too, as the filmmaker does a decent job of sowing doubt as to whether female lead Ruth Roman is just a gal with a case of nerves, or a dangerous femme fatale. Unfortunately, as is the case with a lot of B films, the premise is better than the execution, and the ultimate implausibility and banality of the goings on makes the second half of the film less interesting. But the rather good start to the movie will probably keep you interested enough to stay to the end, where all is explained by the good-hearted CIA agent.

If you are a sucker for midcentury cool or low budget crime dramas, this one is for you. But don't expect a brilliant ending, or a good performance from Werner (Col. Clink) Klemperer.

Low-budget but suspenseful Cold War yarn, with Sterling Hayden & Ruth Roman. Hayden is gruff John Emmett, whose car breaks down in California on his road to nowhere (supposedly en route to visit his folks in Texas). The suspiciously friendly Ann Nicholson (Roman) offers Emmett a lift, as long as he'll drive some. She's going to New Mexico.

Along the way, her psychiatrist (the future Col. Klink, Werner Klemperer) & his nurse pop up; with sundry likewise suspicious characters: cops, a university dean, CIA, FBI (Ken "Festus" Curtis), & hired killers. Ann's carrying missile secrets, which are carved into a ladies' mirror. There's a fine sudden twist to the showdown with the guy for whom the missile secrets are meant.

For a low-budget thriller, the acting's surprisingly low-key. Hayden does restrained bewilderment very well: quite contrary to his lead role in "The Killing," a couple years before. Roman is also restrained in her role as a suspected spy, with secrets of her own culled from both sides of the globe. As our Dad used to say, "A goody to see again!"

When his car breaks down during a trip from Los Angeles to Texas, John Emmett (Sterling Hayden) meets another motorist, Ann Nicholson (Ruth Roman), who offers him a lift. He learns that she is running away from her physician, Dr. Simmons (Werner Klemperer), and the police, who want to question her about a murdered Central Intelligence Agent in Los Angeles.

Werner Klemperer? The CIA? Murder? Oh yes. While this is not one of those big budget thrillers or spy stories, it is not a bad one. You like independent film, do you not? Well, this is what it looked like in the 1950s, when you worked outside the studio system.