Furie sur le Nouveau Mexique

The general plot is OK but there are too many implausibilities. Apparently oblivious to the extended fusillade as the gang rampage, the townsfolk continue their humdrum activities until they're surprised by a face-to-face confrontation. (The hoodlums' revolvers seemed to be at least 12-shooters.)

One is used to instant romances in films, especially in Westerns, but that between Tige and Sally was particularly unconvincing. Rather than coming over as sweet, she would have been better portrayed as a more of a wanton - one of the saloon girls, perhaps. When the sheriff returned to town after being ignominiously run out, he seemed to bear no animosity; it was even more so with Biff, who continued as a gang member after his very bitter fight with Tige.

Lon Chaney was effective as the bartender. I didn't recognise Virginia Mayo in her mid-forties; she did well as the slightly brassy saloon-owner. It was sad to see William Bendix's very brief appearances in his last film.

The most impressive acting was Rory Calhoun's as he crouched down in the wagon in the final shoot-out, his facial expressions contrasting with the traditional stoicism of the Western hero in a tight situation.

A group of young thugs rides into the town of Dawson and take it over. When the cowardly sheriff is unable to restore control, the parents of the leader must take action. The leader's father is an infamous ex-gunfighter, and he straps his guns on one more time.

Rory Calhoun might be the leading star in this A. C Lyles western, but it's his wayward son -Preston Pierce- and his motley crew who take more of the film time with their anti-social shenanigans, which can get tedious. Preston Pierce can be annoying. There's a good story in here, but I didn't connect with it and found it merely watchable, at least once. There's a saloon fight that is fairly violent for it's time, and the finale is action packed. Calhoun and Virginia act well.

This western belongs to the AC Lyles Productions, specialized in former western stars recycling; not big big stars, only former lead actors of grabe B pictures or supporting characters of big productions, male or female. For instance Rory Calhoun, Lon Chaney, who were used several times by Lyles. Not all of them were garbage, some were OK, as this one, a good time waster, using young delinquency fashion in a western, but in that topic, this is rather bland.

This film focus on the life of young Tige McCoy, his mother Sara and father Clint McCoy. Clint left Sara when Tige was a very young boy. Sara was the "town flirt" and sent her son to live with her brother, he died and Tige found himself in a gang of young gun-slinging hoodlums that tries to take over the town. Clint comes back to town with the Dawson gang after him - two day ride away. This gives Clint time to talk to Sara and his son Tige before the Dawson gang arrives. What Tige doesn't know is that Sara is his mother - he thinks his father simply abandoned them and she passed away. In the climatic end, there is one heck of a shoot out but will the young gang help Clint? There is a great cameo by Lon Chaney who plays the bartender, Ace.

Really a good film - I found the story quite interesting and heartwarming. Really a good cast.

8/10

1964's "Young Fury" served as the third of 13 A.C. Lyles B-Westerns from Paramount in the mid 60s, unusual in that the focus is not on the veteran stars, who still receive top billing, but on a variety of newcomers, none of whom went on to any prominence (Kevin O'Neal, younger brother of Ryan, later appeared in Bert I. Gordon's "Village of the Giants"). The top slots go to Rory Calhoun and Virginia Mayo, as Clint and Sara McCoy, the long split parents of young Tige (Preston Pierce), who grew up to become the leader of a gang of toughs who enjoy boozing and running roughshod over every town they invade. Papa Clint knows all too well the folly of what his son has become, as he too ran around with the Dawson gang when he was younger, serving time in prison after turning state's evidence, which has the vengeful Dawson (John Agar) hot on Clint's trail no matter where he goes. In a town already cowed by the 'Hellion Gang,' who aren't so adept at gunplay as they like to boast, Clint bides his time waiting for the inevitable showdown with Dawson, while Sara keeps a watchful eye on her hotheaded boy at the local saloon, ignorant of her true identity (he believes his father put her in her grave). John Agar, 3 for 3 thus far for A.C. Lyles, wears a sneer and a scar on his face, but is still too likable on screen to convincingly portray evil, while Richard Arlen's Sheriff Jenkins fails to survive the proceedings. Joe the Blacksmith is played by a very frail William Bendix, who only lived long enough to do two scenes prior to his death at age 58, while Ace the Bartender provides Lon Chaney with a decent enough cameo role, curiously one of the few townspeople the Hellions don't mess with (he successfully demands payment for a bottle of whiskey!). Like Agar, Chaney too was present in both previous Westerns, "Law of the Lawless" and "Stage to Thunder Rock," and did the next four as well: "Black Spurs," "Town Tamer," "Apache Uprising," and "Johnny Reno."