Waqt

I just watched this film and I highly recommend it to anyone who feels like making a trip into the Hindi cinema of yesteryear. While by no means original, the story has the perfect combination of drama, fun, romance, hardship and lucky coincidence. The court scenes at the end are wonderful, with Sunil Dutt in full 'Perry Mason' mode, and the finally comes with all the tears and high emotion that I've come to know and love from 'Bollywood' films. The songs are nice (a personal fav is 'O Meri Zohra Jabeen'), the ladies stunning, the gentlemen charming, and the young Shashi Kapoor divine! It took quite some searching to find a copy of this film on DVD but it was well worth the hunt.

Watching 'Waqy' was like making a pleasant visit to yesteryear's cinema. One wonders how Yash Chopra put it all together as it includes a stellar cast, wonderful music and engaging plot. Not only did he direct, he was responsible for other crew-work like choreography. even though the screenplay isn't original today, it was path-breaking at its time and it finely balances, comedy, drama, romance, hardship, music and suspense through coincidences. It is 'Waqt' that becomes a reference source for all of Chopra's future films e.g. Rani Mukherjee's rookie lawyer in 'Veer Zaara' parallel's Sunil Dutt's, Rekha (Silsila), Sridevi (Chandni), Preity (Veer Zaara) and pretty much every heroine in Chopra's films parallel Sadhana's grace and Juhi's (Darr) and Sridevi's (Lamhe) chirpiness parallel Sharmila's Renu.

Chopra does lightly tackle some issues such as coincidences, living in the present etc but 'Waqt' is an entertaining film, not one that will make you pick your brain. Though it is predictable, it remains enjoyable. Chopra had the three Kapoors (Raj, Shammi and Shashi) in mind to play the 3 brothers but (thankfully) he opted for Raaj Kumar and Sunil Dutt to play the elder brothers. The three brothers are different from one another. The eldest one is a charming and elegant thief, the younger one is an energetic hyperactive lawyer and the youngest one is a calm introvert. Raaj Kumar, Sunil Dutt and Shashi Kapoor fit their parts brilliantly. This is one of Raaj Kumar's best performances. Dutt and Kapoor are already known as fine actors. Sadhana brings grace and the actress has a delightful screen presence. A cute and chirpy Sharmila Tagore brings a smile and the voluptuous Shashikala makes a brief appearance too. Achala Sachdev is a complete natural and she shows the transition in her character with ease. Mr. Chinoy was made for Rehman and lastly, what would 'Waqt' be without Balraj Sahni? The actor just makes the cast complete.

'O Meri Zohra Jabeen' might be the most memorable track but the other songs are just as beautiful thanks to the magical voices of Asha Bhosle and Mahinder Kapoor. All have been wonderfully shot. I particularly liked the way Asha Bhosle's cabaret number 'Aage Bhi Jaane' was shot.

This is one evergreen classic that I've already watched numerous times. And, I haven't tired myself of it.

Waqt (1965) : Brief Review -

Yash Chopra reinitiated the "lost and found" formula with an unknown and unintentional anthology. There is a great quote from Charlie Chaplin's masterpiece "Limelight" (1952): "Time is the best author. It always writes the perfect ending." Yash Chopra's Waqt is the cinematic explanation of that quote. By the 60s, the lost and found formula had become old in Bollywood, so the novelty factor wasn't there. Yash Ji realized that and decided to extend the same formula with glitter, glamour, and ensemble cast. Waqt is such a lavish and glamorous film for family melodrama. It begins with a large-scale scene in Lala Kedarnath's family as he celebrates the birthdays of his three sons (on the same day). Ravi and Manna Dey's evergreen number, "Ae Meri Zohra Jabeen," sets the mood for a royal family drama, and then tragedy strikes. Suddenly, that royal film turns into a poor people's drama. It again catches up with the glittering world when the boys grow up, and the narrative forms an unintentional anthology. There are 4 stories running simultaneously, and all are interlinked with each other unknowingly. That seemed like a perfect Bollywood masala classic. Waqt then shifted gears in the last hour and brought thrilling elements like murder and courtroom drama to it, and then ended a 3-hour drama with a happy ending. Yash Chopra brings an ensemble cast that guarantees a sure-shot box office hit, and they all fit in their roles. Except for that one evergreen song in the beginning, no other songs hit the chords. They are shot very beautifully, though. After directing back-to-back social films like Dhool Ka Phool (1959) and Dharmaputra (1961), Yash Chopra finally decided to try his hands at a commercial blockbuster, and he delivered a much bigger hit than those two films. He couldn't surpass the quality, though, and it's a fact. Overall, a very gorgeous drama with many masaledar scenes.

RATING - 7/10*

By - #samthebestest.

This is an old wine. This movie's story is like a fairy tale.

This movie got everything,eg- drama, tragedy, action, romance etc.

Full on entertaining, nice courtroom drama at the end of the movie.

Waqt was a hugely successful film though the story was pretty normal for the sixties.It was the stylish acting of Raaj Kumar which caught the eye.Sunil Dutt and the rest were not far behind.Balraj Sahani was simply perfect.The music and lyrics are outstanding.Before this film Raaj Kumar was not in much demand but Waqt i think was the turning point in his career.With so many good actors/actresses the film creates a very professional and convincing atmosphere.The direction is first-class especially the romantic scenes and songs.The earthquake construction is weak.Also it is unbelievable that Raju fails to recognize his father when he is caught by him running from the law.The end makes up for the flimsy plot but still it seems contrived.This results in a very average film of its period though the style is refreshing and admirable.