Village of the Giants

A group of teenagers become giant sized.

Before this film, we had other "giant movies", such as The Incredible Shrinking Man, but a recent YouTube viewing of Village Of The Giants has made me wonder if "Village" is the best of the lot. It has a sense of B-Grade fun that is hard to capture on film...without looking too stupid that is. The dance scene alone, with the little boy grabbing the giant girl, makes the film a winner. And note the music for the dance scene.

Story elements, character names (Genius) and Ron Howard were all shifted into a Land Of The Giants (1968,ABC) episode called...Genius At Work.

Attention Hollywood: Don't remake this film today, "Village" is a product of the 1960s, it is about the 1960s mentality and 1960s music!

The film is a wonderfully casted and wonderfully scored knockout!

Goofy, fun mid 60s has goo in the plot and on the brain. Teenagers go giant with a potion cooked up somehow by little Ron Howard. These giants love to go-go in sexy harem outfits that somehow grow to fit them. Tommy Kirk is, as usual, excellent and amusing -- I think he had real potention to become one of the best actors of his generation. This movie is a bit too cheezy to be exciting or scary, but it's worth a good laugh.

After the grooviest opening credits ever filmed, complete with dancing, VILLAGE OF THE GIANTS begins... with dancing! Mud dancing in fact! Within seconds, junior scientist, "Genius" (Ron Howard) invents a formula that turns the family cat into an elephantine feline! Aided by his big sister and her boyfriend, Mike (Tommy Kirk), other animals are soon enlarged. More dancing breaks out! Whew! Giant ducks cut a rug!

Oh no!

Local bad boy, Fred (Beau Bridges) and his cadre of dancing delinquents decide to abscond with the formula for their own purposes. Hilarity ensues.

VILLAGE is another Bert I. Gordon production, loosely based of FOOD OF THE GODS by H.G. Wells. A lighthearted film, best enjoyed after one's cranium has been emptied of its content...

What do you get when you mix the children of famous Hollywood actors (Beau Bridges, Tisha Stirling and Tim Rooney), a couple of former child stars (Tommy Kirk and Johnny Crawford), a then current child star (Ron "Ronny" Howard) and a future one hit wonder (Toni "Micky" Basil) with a hack director (Burt I. Gordon). You get one of the biggest camp classics in the history of film. This film attempted to mix the then popular beach party flicks with the fading giant human pics. Gordon must have really been desperate for a hit because he figured that if he couldn't get Lloyd Bridges, Ann Southern and Mickey Rooney he could at least get their children to play in one of his quickie drive-in movie features. It's fun if you like camp, but as far as a great film, I'll stick with the films this mess rips off.

Bert I. Gordon's "Village of the Giants" is a humorously poor version of the "big thing make boom" movies in which a small group (Maybe 6, hardly a full village) of teens take a formula that makes them grow really big, talk really slow, and move like they are dying one breath at a time. It's all rather silly, and quite funny if you're up for this kind of movie. Of course, it's not funny in the way Gordon intended. Was it ever?

Tommy Kirk, also of the classic "Mars Needs Women" is fooling around with his lady friend in the start of the film, when Ronny Howard (Still with a full head o' hair, and answering to the modest name "Genius") creates a formula that makes things grow. When the no-good drifter teens get their hands on it, they cause some real trouble, and it's up to Tommy and Ronny to stop the chaosy.

The best scene is the first in which the teens appear before the town. They show up at an outdoor barbecue, and everyone is afraid, but really, not so afraid that they run away or anything, they just kind of look up and gasp a lot. So then the giants are making threats, and Tommy, in a fit of rage and large hair, picks up a chair (That just happened to be sitting around outside in a park) and breaks it over the giants legs (They pretend, use your imagination). He goes "Ow!" and then backfists Tommy who gets whalloped. Very nicely done.

The whole film takes place in a vacuum. No one seems to be much surprised or worried by the giants ducks that show up out of nowhere in the Whiskey A Go-Go and start dancing. They just kind of go along with it. Nor is anyone interested in calling the government in when the teens take over the town. They just sort of go with it. And really when these giants move as slow as they do, why would anyone be afraid of them? You can always outrun them, or if they try something, take two steps to the left. Bert I. Gordon, if you'll pardon the expression, just wasn't thinking "big" enough in this movie to really deal with the consequences of his ideas. The end is so banal and rather anti-climactic, especially for what is essentially a monster movie.

All in all, "Village of the Giants" is low on logic, but high on some good laughs, most at its expense.