Ces merveilleux fous volants dans leurs drôles de machines

One of the numerous comedy epics of the 1960s (It's a Mad, Mad, Mad World, and Monte Carlo or Bust being others), this movie is very funny and memorably so. The tale of several flyers from different nationalities (British, America, French, Italian, German, etc.) piloting their planes across the Channel from London to Paris - and the vintage model planes are fabulous - takes the form of a number of different interwoven stories leading up to the race in the last part of the movie.

The cast includes Terry-Thomas as Sir Percy, the cheating upper-class Englishman; James Fox as the irritating fop Richard; Stuart Whitman as Orvil the American nice guy; Jean-Pierre Cassell as the randy Frenchman; and Gert Frobe as the blustering German officer. Cameos a-plenty, from Benny Hill, Tony Hancock, William Rushton, Eric Sykes, Fred Emney, and so on. Irina Demick (in multiple roles), and Sarah Miles play what love interest the film has.

Highly recommended if you fancy a laugh. And a fantastic and memorable theme song as well.

I'm one of the biggest fans of old newsreels and I don't think there are too many of us who haven't seen some of that ancient footage with all those odd contraptions showing man's attempt to fly in the early 20th century. I guess it was only a matter of time before someone got the bright idea to do a comedy from those attempts.

Some of them weren't all that funny, people did in fact get killed, a lot of them in trying to master the air. But by 1910 there were all kinds of airplanes and even some early helicopters and a lot are shown in Those Magnificent Men.

The plot centers about an international race from London to Paris sponsored by one of the English press lords played in true John Bull style by Robert Morley. He's got a spirited suffragette daughter in Sarah Miles and a most proper member of the King's Coldstream Guards in James Fox courting her.

But along comes another flier, an American cowboy, Stuart Whitman who becomes Fox's air and romantic rival. But the film's got more than that. It's got Italian hopeful Alberto Sordi who can impregnate his wife with a dirty look. It's got Frenchman Jean Pierre-Cassel who keeps running into Irina Demick every place he goes. It's even got another English contestant in Terry-Thomas who's busy trying to sabotage everyone else.

However my favorite is the German entry, Gert Frobe. Poor Frobe has to pinch hit for the original German flier who partied too hardy. But as he tries to prove as long as you follow the instruction book, the German Army can accomplish anything. Seeing him try to fly his airplane while reading the instruction book is my favorite memory of Those Magnificent Men.

That and that incredibly catchy title song. I defy anyone to watch this film and not come away humming that tune for weeks. It will embed itself in your subconscious forever.

Those Magnificent Men is good entertainment and a gentle tribute to those early air pioneers.

You'll never forget the silly, marching band styled theme song to this 1965 comedy. Made during a period of big budgeted, epic, widescreen comedies with a big cast. Stuart Whitman is charming as the American entry into a multi-national air race between London and Paris in 1910. Sarah Miles, Terry-Thomas, Gert Forde, Benny Hill and James Fox lend fine support. Lots of well arranged, well thought out slapstick as well as low key, charcater driven comedy (James Fox and Whitman are great as romantic rivals forced to share the same breathing space.) At 2 hours 18 minutes, alot of fun.

An interesting collection of early aircraft in a lighthearted comedy. Set in the early 1900s, an "international" air race, from England to France, and of course across the English Channel, was proposed, ostensibly to advance aviation. Naturally, the film presents cultural/national stereotypes, but not maliciously.

Spoilers in the following.

One stereotype is the German team leader, played be Gert Frobe, who is so systematized that when his pilot is sick, feels that simply following the instruction books would enable him to fly the German entry. And it works, for a while. (Aside: taking off and guiding such ragwings could possibly work, but textbooks or no, the landings probably would be worth watching on something like America's Funniest Home Videos.) His antics, as his aircraft gets into trouble, thumbing frantically through his manuals, is classic.

The very end of the film (not counting the Red Skelton epilogue)is amusing. When it was filmed, the contrast of the early aircraft with modern jets was rather neat, but watching those antique jets now is rather quaint.

Few films there are ineed that I would be willing to pay a lot to have on DVD, but this certainly is!

In my book it rates with Tati's best, and he's tops!

The idea of making a film about aircraft was not new, I guess, but to do it such manner is still unique! Who would make a film

about an air-race between London and Paris, and do it as a comedy, with almost perfect dialogue, details and acting, but the British?

A number of vintage aircraft (circa 1909) were repaired/constructed

and flown for the flight sequencies, from the minuscle Demoiselle (the replica too small to have a male pilot!) via big, boxkite-like Cody's, inspired by Farmans to the Antoinette, which was 100% original!

As in any slapstick film there are villains (Terry Thomas, and Eric Sykes), pompous Germans, elegant Italians, flirting Frenchmen and the honest guy, of course!

Liking both British humour and aircraft, plus the good acting, the clever and exciting cinematography, and the excellent directing from Mr Annikin I can't but smile!

9/10, easily!