Un coin de ciel bleu

As good a screen performance from Elizabeth Hartman as any you will come across. Innocence, generosity and kindness clashing against prejudice, abuse and ignorance - an all too familiar story, even today. Sidney Poitier isn't too bad either, in fact he's as outstanding as ever. If you have an ounce of compassion left after the numbing effect of this uncaring, selfish and polarising world, then let this film take hold of it and grow it - it will start to reinstate something that has been gradually chiselled away for far too long - hope!

This is a very simple story,some kind of "miracle worker" in miniature. Sidney Poitier and Elizabeth Hartman -an actress I had not noticed before- give heartfelt warm performances .Nothing spectacular,the story goes straight to the heart.

Selina is a poor girl who 's got nothing but a box of beads .Her family treats her like dirt ,and nobody cares for her ,nobody thinks about her education .She's blind ,so what's the point of sending her to school?Unlike the Keller family who poisoned Helen with protection ("Miracle Worker"),Selina's family left the poor thing to her own devices .

Enter Sidney Poitier!In 1965,the film was revolutionary:one would have expected a little blind black girl and a white schoolteacher (for instance) and it's a black man who will take care of a white young girl!Gordon displays pedagogic skills a teacher could envy.But most of all,his lessons try to teach happiness to Selina: these foolish things,such as eating a roast beef sandwich in the park,sipping pineapple juice,shopping in a supermarket ,listening to a music box and more serious things like simply learning to cross the street. Note how people but two persons are selfish when Selina is alone in the street.

As for the score ,since the beginning,it reminded me of the old French song "Il Pleut Bergère".And when Poitier began to sing the song (in a delightful French) ,I had no more doubts.This is an old song,written by Fabre D'Eglantine ,one of the revolutionaries of 1789 ;some have seen in this kiddie song a metaphor for the things to come . "Il Pleut Bergère" was a judicious choice;it goes like this.

Il PLeut Il Pleut Bergère Rentre Tes Blancs Moutons Allons Sous Ma Chaumière Bergère Vite Allons!

(It's raining,lil' shepherd girl/Bring in your flock of white sheep/let's go into my cottage /shepherd girl,let's go quickly!)

The song perfectly reflected Selina's situation.Gordon's flat is the cottage of the song.

Should not be missed if you are looking for something which is off the beaten track.

What a surprise. It had been a long time since I saw such an honest, sensitively-made film, and it really brings to mind that old statement "They don't make 'em like they used to." How refreshing to see a film that handles potentially mawkish, TV movie-of-the-week style material (blind white girl falls in love with sighted black man) with sophistication, grace and lack of sentimentality. These are real humans that emerge out of the script, and the central performances of Sidney Poitier and the sadly forgotten Elizabeth Hartman take the tender screenplay and deliver beautiful, deeply touching performances. It is, simply put, a joy to watch them perform together.

Credit must also be given to a young Jerry Goldsmith's sweet, delicate score, and Robert Burks' (Hitchcock's favorite DP) rich black and white cinematography. Almost impossible to find in its original widescreen format, still very worthwhile rental material.

"A Patch of Blue" is a wonderful film which works on at least two levels: a romance and a social commentary. Unlike most romances, it manages to be touching without being melodramatic, and unlike most social commentaries, it subtly makes its points without manipulation or a hidden agenda.

It is the story of how Selina, a blind girl who is verbally and sometimes physically abused by her mother, discovers her independence with the help of a young, black professional, Gordon. Selina's entire life has been spent alone and indoors. She has not learned how to read Braille or how to get around on her own. She basically does not know how to live independently. She meets Gordon in the park one day, and he essentially begins to teach her how to live. A warm and trusting friendship develops. The obvious complication from their relationship is the fact that Selina's mother is a racist, and Selina does not know that Gordon is black.

Both characters are wonderful: Gordon is cautious but intrigued, knowing he is walking on dangerous ground. Selina is comically naive and eager with an unbreakable spirit.

If you get a chance, watch this movie! It is inspiring and is one of those rare films that actually makes you think.

One of those genuinely moving and emotional films that toes the line to excellence and almost succeeds. Young Elizabeth Hartman (Oscar-nominated) is blind and has been a part of a household where she has been treated like a second-rate stranger and outcast by her cold mother (Shelley Winters is a smashing Oscar-winning turn). One day Hartman meets professional businessman Sidney Poitier in the local park and they become quick friends as Hartman is treated with love and respect by Poitier while Hartman's handicap means she does not know that Poitier is really African-American. Two pure hearts are able to overcome the cruelty of others in this fine American motion picture that is well worth one's time. It is one of the better films of the 1960s. Sidney Poitier was at the top of his career here. 4.5 out of 5 stars.