Mutant humanoids from outer space kidnap young Earth females in order to interbreed and save their species from extinction.Mutant humanoids from outer space kidnap young Earth females in order to interbreed and save their species from extinction.Mutant humanoids from outer space kidnap young Earth females in order to interbreed and save their species from extinction.
Tony Wager
- Pvt. Higgins
- (as Anthony Wager)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
It's the scientists vs. the anomaly, in England, Earth. What in the world is this, they ask. Can't just ask, gotta investigate, because this could be harmful. I love this sort of story, with it's Twilight-Zone atmosphere and low budget. Too often sci-fi movies rely on the visuals, no science, no heart. Not the case here. Danger, Earth!
There are already quite a few good comments on this unusual film already. However a major difference is the utterly splendid opening instrumental score over the opening credits!The USA release has lounge type of male vocalist singing the films title!- it is dire indeed.Not so the British release, It is very memorable, and have only recently tracked it down though spent decades trying!A superb piece by Alan Haven called "Image" It seems to encompass everything; it is a mixture of spooky organ music set to a mod (ish) and moderate jazzy tone.Quite unnerving it seems to warn the viewers what lies ahead. The opening scenes have a tracking shot showing London by night, and perfectly fits the mid-sixties feel and period of the time. Medra was scary!!
Almost intelligent British sci-fi with a Mod theme. The black and white cinematography is stylish and some of the sets and clothes have a nice Mod feel, but it never turns into a full style fest. There is one quite odd scene with two distraught parents doing a sort of Stiller and Meara routine for the police and scientist. John Saxon is as hot as can be, but alas, never gets around to removing his shirt or even unbuttoning his collar. What a waste of his greatest talent. The one thing that makes this worth watching is the gay character. Aubrey Morris, best known as the long-suffering but sadistic quasi-pedophile caseworker from "A Clockwork Orange", plays Mr. Thorburn, a purveyor of used books, and, I suspect, naughty magazines, perhaps even male physique pictorials. When the police superintendent comes to question him, he gives the cop hell. The subtext makes it obvious that he has been harassed and probably jailed for his proclivities, but he doesn't let that stop him. Commenting on the unearthly green eyes of the alien, he says "I love men with fine eyes, don't you superintendent?" then blows him a kiss when he leaves. Four years before Stonewall, he's still getting busted, but he's very much in control of his interaction with the cop. The ending of the movie is utterly cheesy but what did you expect from a movie called Night Caller from Outer Space?
Whether you refer to it as "The Night Caller From Outer Space" or by its alternate title, "Blood Beast From Outer Space" (OR, as it simply appears on this great-looking Image DVD under its original British appellation, "The Night Caller"), this sci-fi film from 1965 is an intelligent, restrained, moody and highly effective winner. In it, scientist John Saxon, working at England's Falsley Park research station, grapples with a mysterious sphere that has touched down on the moors, direct from the Jovian moon Ganymede. The film cleaves fairly evenly into two discrete sections. In the first, Saxon and his Falsley coworkers (including blond, no-nonsense Ann Barlow, played by the excellent Patricia Haines) conduct tests on the sphere and endeavor to puzzle out its mysteries. In the latter half, Saxon assists Scotland Yard in its investigation of the disappearances of several dozen young women, all of whom had answered an ad for a modeling job in "Bikini Magazine." Whereas the film's first segment suggests nothing less than a British variant of the classic TV program "The Outer Limits," the second half turns quite noirish as director John Gilling (who, the following year, would helm, for Hammer Studios, the psychotronic greats "The Plague of the Zombies" and "The Reptile") utilizes moody nighttime photography, deep shadows and disorienting camera angles; call this film sci-fi Brit noir. "The Night Caller" is fairly reminiscent of another Shepperton Studios film that I recently saw, 1964's "The Earth Dies Screaming." Both are modestly budgeted but well-done films featuring stunning B&W photography and helmed by directors more often associated with Hammer (Terence Fisher, in "Screaming"'s case). With the exception of "Night Caller"'s very odd opening theme song--a tune sung by Mark Richardson, and more suitable for a Western or romance movie--and a somewhat weak ending, the picture is a surprisingly gripping entertainment throughout.
When a UFO lands in rural England, both the military and a group of scientists (John Saxon, Maurice Denham, and Patricia Haines) are bewildered by the basketball-sized object. Soon thereafter, a rash of odd occurrences begin. It seems that the strange sphere has somehow brought a visitor from another world! When young women start vanishing, Scotland Yard gets involved.
It's soon found out that an enigmatic man named Mr. Medra (Robert Crewdson) has opened a modeling agency. What does this man have to do with whatever is going on?
NIGHT CALLER FROM OUTER SPACE is a different sort of alien invasion film, playing more like a detective story / mystery. This movie also manages to delve into the Soho underbelly without becoming lurid. There are some unexpected deaths as well. Saxon is quite good, as are the rest of the cast. A terrific sci-fi / horror film for those in search of something out of the ordinary...
It's soon found out that an enigmatic man named Mr. Medra (Robert Crewdson) has opened a modeling agency. What does this man have to do with whatever is going on?
NIGHT CALLER FROM OUTER SPACE is a different sort of alien invasion film, playing more like a detective story / mystery. This movie also manages to delve into the Soho underbelly without becoming lurid. There are some unexpected deaths as well. Saxon is quite good, as are the rest of the cast. A terrific sci-fi / horror film for those in search of something out of the ordinary...
Did you know
- TriviaPrints issued outside of the UK replace the original instrumental score played during the opening title/credits with the song "The Night Caller" (the film's original title) composed by Albert Hague.
- GoofsIn the Colorized version, two characters watch a TV news broadcast in colour; colour TV didn't start in the UK until 1967, two years after The Night Caller (1965) was released.
- Quotes
[first lines]
Ann Barlow: Dr. Morley?
Dr. Morley: Yes?
Ann Barlow: Come and have a look at this. That's over a hundred miles up, coming in from space.
Dr. Morley: Well, what's the speed?
Ann Barlow: Over ten thousand miles an hour.
- Alternate versionsThe original US release replaced the instrumental theme played under the opening credits with a vocal. There were also a few edits, mainly with regard to the topless pictures in "Bikini Girl" magazine.
- ConnectionsFeatured in Aweful Movies with Deadly Earnest: The Night Caller (1970)
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Details
- Release date
- Country of origin
- Language
- Also known as
- Blood Beast from Outer Space
- Filming locations
- Shepperton Studios, Studios Road, Shepperton, Surrey, England, UK(studio: made at Shepperton Studios, Middlesex, England.)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 25m(85 min)
- Color
- Aspect ratio
- 1.37 : 1
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