Mutant humanoids from outer space kidnap young Earth females in order to interbreed and save their species from extinction.Mutant humanoids from outer space kidnap young Earth females in order to interbreed and save their species from extinction.Mutant humanoids from outer space kidnap young Earth females in order to interbreed and save their species from extinction.
Tony Wager
- Pvt. Higgins
- (as Anthony Wager)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
There are already quite a few good comments on this unusual film already. However a major difference is the utterly splendid opening instrumental score over the opening credits!The USA release has lounge type of male vocalist singing the films title!- it is dire indeed.Not so the British release, It is very memorable, and have only recently tracked it down though spent decades trying!A superb piece by Alan Haven called "Image" It seems to encompass everything; it is a mixture of spooky organ music set to a mod (ish) and moderate jazzy tone.Quite unnerving it seems to warn the viewers what lies ahead. The opening scenes have a tracking shot showing London by night, and perfectly fits the mid-sixties feel and period of the time. Medra was scary!!
When a UFO lands in rural England, both the military and a group of scientists (John Saxon, Maurice Denham, and Patricia Haines) are bewildered by the basketball-sized object. Soon thereafter, a rash of odd occurrences begin. It seems that the strange sphere has somehow brought a visitor from another world! When young women start vanishing, Scotland Yard gets involved.
It's soon found out that an enigmatic man named Mr. Medra (Robert Crewdson) has opened a modeling agency. What does this man have to do with whatever is going on?
NIGHT CALLER FROM OUTER SPACE is a different sort of alien invasion film, playing more like a detective story / mystery. This movie also manages to delve into the Soho underbelly without becoming lurid. There are some unexpected deaths as well. Saxon is quite good, as are the rest of the cast. A terrific sci-fi / horror film for those in search of something out of the ordinary...
It's soon found out that an enigmatic man named Mr. Medra (Robert Crewdson) has opened a modeling agency. What does this man have to do with whatever is going on?
NIGHT CALLER FROM OUTER SPACE is a different sort of alien invasion film, playing more like a detective story / mystery. This movie also manages to delve into the Soho underbelly without becoming lurid. There are some unexpected deaths as well. Saxon is quite good, as are the rest of the cast. A terrific sci-fi / horror film for those in search of something out of the ordinary...
THE NIGHT CALLER is a very uneven movie in that it's sometimes excellent and sometimes awful . For the most part it's very atmospheric and downbeat sci-fi film noir where most of the scenes are filmed during night and resembles the classic QUATERMASS BBC serials of the 1950s where scientists team up with the military and Scotland Yard to deal with an extraterrestrial menace
Unfortunately it becomes clear that the script wasn't written by someone as intellectually or dramatically gifted as the legendary Nigel Kneale and it's the plot and dialogue that's the problem with audience being subjected to some quite laughable techno babble that anyone with any type of basic scientific knowledge will roll their eyes at . Once the alien masterplan is revealed people will be falling out of their seats asking " Is that it ? " and let's not mention some very ludicrous plot holes like how does an alien from another planet learn to drive a car or acquire money to rent an office
This is a movie containing a strange mixture of good and bad aspects and it's by no means an ordeal to sit through especially like me you're a fan of QUATERMASS , the original series of THE OUTER LIMITS and early 1970s DOCTOR WHO but it's a movie that should have been a lot better and shows like 28 DAYS LATER that if a film is good it's down to the director and if it's bad it's down to the screenwriter
Unfortunately it becomes clear that the script wasn't written by someone as intellectually or dramatically gifted as the legendary Nigel Kneale and it's the plot and dialogue that's the problem with audience being subjected to some quite laughable techno babble that anyone with any type of basic scientific knowledge will roll their eyes at . Once the alien masterplan is revealed people will be falling out of their seats asking " Is that it ? " and let's not mention some very ludicrous plot holes like how does an alien from another planet learn to drive a car or acquire money to rent an office
This is a movie containing a strange mixture of good and bad aspects and it's by no means an ordeal to sit through especially like me you're a fan of QUATERMASS , the original series of THE OUTER LIMITS and early 1970s DOCTOR WHO but it's a movie that should have been a lot better and shows like 28 DAYS LATER that if a film is good it's down to the director and if it's bad it's down to the screenwriter
Almost intelligent British sci-fi with a Mod theme. The black and white cinematography is stylish and some of the sets and clothes have a nice Mod feel, but it never turns into a full style fest. There is one quite odd scene with two distraught parents doing a sort of Stiller and Meara routine for the police and scientist. John Saxon is as hot as can be, but alas, never gets around to removing his shirt or even unbuttoning his collar. What a waste of his greatest talent. The one thing that makes this worth watching is the gay character. Aubrey Morris, best known as the long-suffering but sadistic quasi-pedophile caseworker from "A Clockwork Orange", plays Mr. Thorburn, a purveyor of used books, and, I suspect, naughty magazines, perhaps even male physique pictorials. When the police superintendent comes to question him, he gives the cop hell. The subtext makes it obvious that he has been harassed and probably jailed for his proclivities, but he doesn't let that stop him. Commenting on the unearthly green eyes of the alien, he says "I love men with fine eyes, don't you superintendent?" then blows him a kiss when he leaves. Four years before Stonewall, he's still getting busted, but he's very much in control of his interaction with the cop. The ending of the movie is utterly cheesy but what did you expect from a movie called Night Caller from Outer Space?
Both the colourised UK version and the US version (still in black & white) can been found on YouTube. There are some minor differences between them of which I am aware. One of these is the theme tune. One of these is the scene in Thorntons bookshop, parts of which were re-shot for an American and/or overseas audience. These re-shot scenes replaced the topless pictures that were on display.
My own opinion on the film is that it is a good standard British 60's UK Sci-Fi.
My own opinion on the film is that it is a good standard British 60's UK Sci-Fi.
Did you know
- TriviaPrints issued outside of the UK replace the original instrumental score played during the opening title/credits with the song "The Night Caller" (the film's original title) composed by Albert Hague.
- GoofsIn the Colorized version, two characters watch a TV news broadcast in colour; colour TV didn't start in the UK until 1967, two years after The Night Caller (1965) was released.
- Quotes
[first lines]
Ann Barlow: Dr. Morley?
Dr. Morley: Yes?
Ann Barlow: Come and have a look at this. That's over a hundred miles up, coming in from space.
Dr. Morley: Well, what's the speed?
Ann Barlow: Over ten thousand miles an hour.
- Alternate versionsThe original US release replaced the instrumental theme played under the opening credits with a vocal. There were also a few edits, mainly with regard to the topless pictures in "Bikini Girl" magazine.
- ConnectionsFeatured in Aweful Movies with Deadly Earnest: The Night Caller (1970)
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Details
- Release date
- Country of origin
- Language
- Also known as
- Blood Beast from Outer Space
- Filming locations
- Shepperton Studios, Studios Road, Shepperton, Surrey, England, UK(studio: made at Shepperton Studios, Middlesex, England.)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 25m(85 min)
- Color
- Aspect ratio
- 1.37 : 1
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